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1Ahlström, Göran. Technological Development and Industrial Expositions, 1850-1914: Sweden in an International Perspective. Lund: Lund University Press, 1996.Focuses on the key features of international industrial exhibitions during the latter half of the nineteenth and beginning of the twentieth centuries. Includes discussion on their purpose and scope as well as Swedish participation in these events. Ahlström endeavors to trace Swedish technological and industrial development from an international perspective while asserting that although communications were poor by todays standards, international exhibitions provided a venue for the international exchange of information about technology. Includes bibliography.Books/MonographsGeneral Worlds Fair MaterialsScience and technology 00008/18/2007 0:00:001SILExhibitions - industrial and trade,Sweden0
2Beauchamp, K.G. Exhibiting Electricity. London: Institution of Electrical Engineers, 1997.Traces the history of public and technical exhibitions from the 18th century to the present: showing how exhibitions presented electrical innovation and manufacturing to the public especially in 19th c. exhibitions in the U.S. and abroad.Books/MonographsGeneral Worlds Fair MaterialsScience and technology 00008/18/2007 0:00:001SILElectricity and lighting0
3Blaisdell, Marilyn. San Francisciana: Photographs of 3 Worlds [sic] Fairs. San Francisco: Privately Published, 1994.Photos from the California Midwinter International Exposition, the Pan-Pacific International Exposition, and the Golden Gate International Exposition.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILPhotographs -- Photography -- Photographers,S0
4Brown, Julie K. Making Culture Visible: The Public Display of Photography at Fairs, Expositions and Exhibitions in the United States, 1847-1900. Amsterdam: Academic Publishers, 2001.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILPhotographs -- Photography -- Photographers0
5Burris, John P. Exhibiting Religion: Colonialism and Spectacle at International Expositions, 1851-1893. Charlottesville: University Press of Virginia, 2001.Survey of worlds fairs from the Great Exhibition to the Columbian Exposition as pivotal forums in which various religions came into contact with one another and the results.Books/MonographsGeneral Worlds Fair MaterialsColonialism and imperialism 00008/18/2007 0:00:001SILColonialism and imperialism ,Ethnographic dis0
6Çelik, Zeynep. Displaying the Orient: Architecture of Islam at Nineteenth-Century Worlds Fairs. Berkeley: University of California Press, 1992.Books/MonographsGeneral Worlds Fair MaterialsArts -- Architecture -- Architectural remains00008/18/2007 0:00:001SILArchitects -- Architecture0
7Friz, Richard, ed. The Official Price Guide to Worlds Fair Memorabilia. New York: House of Collectibles, 1989.This handbook is organized by type of object, and provides a glimpse of the range of material culture the fairs generated, from postcards to commemorative ceramics and clothing. Includes a listing of collectors organizations and a brief bibliography.Books/MonographsGeneral Worlds Fair MaterialsCollectibles and memorabilia 00008/18/2007 0:00:001SILCollectibles -- Memorabilia -- Souvenirs0
8Gere, Charlotte. "European Decorative Arts at the Worlds Fairs, 1850-1900." 56:3 The Metropolitan Museum of Art Bulletin New York: Metropolitan Museum of Art, 1999.This issue of the Metropolitan Museum of Art Bulletin features selected, prizewinning European decorative artifacts that are owned by the museum and were exhibited at the worlds fairs from the London Great Exhibition of 1851 to the Paris Centennial Exposition of 1900. According to Gere, the pieces selected for this publication were acknowledged masterpieces of their time and represent "expressions of the highest possible skill and artistic taste." Geres introduction provides a concise, yet thorough overview of the impact of nineteenth-century worlds fairs on artistic design and consumption. The rest of the work contains beautiful color and black and white photographs and drawings as well as descriptions of the artifacts and the artists who created them. A short bibliography is also included.Books/MonographsGeneral Worlds Fair MaterialsArts -- Architecture -- Architectural remains00008/18/2007 0:00:001SILArts and artists - decorative and fine0
9Gordon, Beverly. Bazaars and Ladies Fairs: The History of the American Fundraising Fair. Knoxville: University of Tennessee Press, 1998.This work examines the bazaar, or the "fundraising fair," as the "womans fair, the female manifestation of the broader fair phenomenon." Particularly valuable to feminist scholarship, women were able to participate and gain control within bazaars much more easily than in mainstream, male-identified expositions. In their 175 year history, fundraising fairs gave women the opportunity to express their visions and priorities as well as their skills and creativity. Gordon involves the reader in a chronological look at the fundraising fair while interjecting discussions about individuals who worked at fairs.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILExhibitions - regional,Women -- Feminism0
10Greenhalgh, Paul. Ephemeral Vistas: The Expositions Universelles, Great Exhibitions and Worlds Fairs, 1851-1939. Manchester, U.K.: Manchester University Press, 2000.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SIL0
11Hamon, Philippe. Expositions: Literature and Architecture in Nineteenth-Century France. Translated by Katia Sainson-Frank and Lisa Maguire. Berkeley: University of California Press, 1992.Hamon sees theExposition universelle as a phenomenon where urban landscapes became stages and the culture of image was promoted and perpetuated. "A study of the extended metaphor of exposition," Hamon explores nineteenth-century "expositionitis" by looking at the literary representation of architecture.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILArchitects -- Architecture,Fiction,France0
12Heller, Alfred E. Worlds Fairs and the End of Progress: An Insiders View. Corte Madera, CA: Worlds Fair, Inc., 1999.Heller provides an introspective and personal look into the worlds fair experience. Having attended the 1939 Golden Gate International Exposition as a child, Heller has since then spent his life attending and researching international expositions. Some of the key themes discussed are the power of the worlds fair as an experience, their historical relevance, the blurring distinction between expos and other entertainment forms, the changes that have occurred within worlds fairs over time, and what he feels future expo organizers should be mindful of in the future.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SIL0
13Hoffenberg, Peter. An Empire on Display: English, Indian, and Australian Exhibitions from the Crystal Palace to the Great War. Berkeley: University of California Press, 2001.The author examines the economic, cultural, and social forces that helped define Britain and the British Empire. He takes special interest in the interactive nature of the exhibition experience: the long term consequences for the participants and host societies, and the ways in which such popular gatherings revealed dissent as well as celebration.Books/MonographsGeneral Worlds Fair MaterialsColonialism and imperialism 00008/18/2007 0:00:001SILColonialism and imperialism ,Australia,Englan0
14Hunter, Stanley K. Footsteps at the American Worlds Fairs: The International Exhibitions of Chicago, New York & Philadelphia, 1853-1965: Revisited in 1993. Glasgow: Exhibition Study Group, 1996.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILChicago,New York,Philadelphia0
15Jakle, John. "Lighting the Worlds Fairs" City Lights: Illuminating the American Night. Baltimore: Johns Hopkins University press, 2001: 143-168, 212-214.Includes a chapter entitled "Lighting the Worlds Fairs," and examines many fairs from the Crystal Palace to Seattle in 1962.Books/MonographsGeneral Worlds Fair MaterialsScience and technology 00008/18/2007 0:00:001SILElectricity and lighting0
16Jacobson, Matthew Frye. Barbarian Virtues: The United States encounters Foreign Peoples at Home and Abroad. New York: Hill and Wang, 2000.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SIL0
17Kirshenblatt-Gimblett, Barbara. "Exhibiting Jews." Destination Culture: Tourism, Museums, and Heritage. Berkeley: University of California Press, 1998: 79-128.Includes an essay "Exhibiting Jews," tracing the history of important displays of Jewish ritual objects from the Crystal Palace Exhibition of 1851 to the New York Worlds Fair of 1939.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILMuseums,Tourism0
18Mattie, Erik. Worlds Fairs. New York: Princeton Architectural Press, 1998.Millions around the world have attended international expositions for the last 150 years. This book is the only illustrated history covering all the major fairs. Over thirty worlds fairs are examined in terms of architecture and style beginning with the 1851 Paris exposition and ending with a prospectus of the Hanover fair of 2000, includes numerous photographs and illustrations.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/28/2007 0:00:001SIL0
19McKenna, Neil and Paula Snyder. Great Exhibitions. London: Channel 4 Television, 1999.Produced by BSS to accompany Great Exhibitions shown on Channel 4 in August 1999 " From the Crystal Palace to the Festival of Britain 1851-1951."Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SIL0
20Mitchell, Timothy. Colonising Egypt. Cambridge: Cambridge University Press, 1988/Berkeley: University of California Press, 1991.Books/MonographsGeneral Worlds Fair MaterialsColonialism and imperialism 00008/18/2007 0:00:001SILColonialism and imperialism ,Egypt0
21Nye, David E. Narratives and Spaces: Technology and the Construction of American Culture. New York: Columbia University Press, 1997.Part three of this work deals with the history of lighting at worlds fairs from 1880 to 1939 and the "successful integration of new machines into the American sense of space." Chapter eight looks at the 1939 New York Worlds Fair and "European Self-Representations."Books/MonographsGeneral Worlds Fair MaterialsScience and technology 00008/18/2007 0:00:001SIL0
22Pinot de Villechenon, Florence. Les Expositions universelles. Paris: Presses universitaires de France, 1992.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SIL0
23Pinot de Villechenon, Florence. Fêtes Géantes: Les Expositions Universelles, Pour Quoi Faire? Paris: Autrement, 2000.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SIL0
24Pilato, Denise E. "American Progress: Celebrated or Relegated" The Retrieval of a Legacy: Nineteenth Century American Women Inventors. Westport, Conn.: Praeger, 2000: 141-172.The final chapter includes insights from industrial expositions including the 1876 Centennial Exposition and the 1893 Worlds Columbian Exposition, and womens contributions and technological innovations.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILInventors -- Engineers -- Patents,Women -- Fe0
25Roche, Maurice. Mega-Events and Modernity: Olympics and Expos in the Growth of Global Culture. London: Routledge, 2000.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILOlympic Games -- Sports 0
26Rossen, Howard M. Worlds Fair Collectibles: Chicago, 1933 and New York, 1939. Atglen, PA: Schiffer, 1998.This guide includes color photographs and prices for memorabilia from both worlds fairs. Short descriptions of each fair are included. Also included are a short bibliography and an index.Books/MonographsGeneral Worlds Fair MaterialsCollectibles and memorabilia 00008/18/2007 0:00:001SIL0
27Rydell, Robert W. and Nancy E. Gwinn, eds. Fair Representations: Worlds Fairs and the Modern World. Amsterdam: VU University Press, 1994.In this volume, Rydell and Gwinn bring together key articles by various authors that deal with the worlds fair and exposition phenomenon. They argue that much of todays modern culture has its roots in worlds fairs of the past. World expositions can be seen as manifestations of the struggle by societies to give "meaning to modernity" and to properly represent their social realities. Studying the worlds fairs helps us to understand the extent to which they modernized the world and the effect they have on how we currently see and understand the world around us. The volume is divided into three sections: "Representing Others," "Interrogating Cultures," and "Documenting Fairs." Nine articles and the annotated bibliography to which this bibliography is an addendum to are included.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SIL0
28Schroeder-Gudehus, Brigitte and Anne Rasmussen. Les Fastes du Progrès: Le guide des Expositions Universelles, 1851-1992. Paris: Flammarion, 1992.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SIL0
29Smithsonian Institution Libraries. Worlds Fairs, 1851-1940: An Exhibition of the Smithsonian Institution Libraries, February 12-August 26, 1992. Washington, DC: SIL, National Museum of American History, 1992.This large-type text accompanied the exhibition and was developed for the visually impaired. Includes dates, attendance, and descriptions of several worlds fairs as well as a short reading list.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SIL0
30Tenorio-Trillo, Mauricio. Mexico at the Worlds Fairs: Crafting a Modern Nation. Berkeley: University of California Press, 1996.Books/MonographsGeneral Worlds Fair MaterialsPolitics and national identity 00008/18/2007 0:00:001SILMexico0
31Thomas, Richard W. Life for Us is What We Make It: Building Black Community in Detroit, 1915 - 1945. Bloomington: Indiana University Press, 1992.Thomas surveys the Seventy-Five Years of Negro Progress Exhibition, held in Detroit in 1940. Exhibits were designed to demonstrate the accomplishments of African Americans in the seventy-five years since emancipation. Conciliatory in its approach, the exhibition featured a Negro Hall of Fame that included persons who had worked for black social progress regardless of their race.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILAfrican Americans,Detroit0
32Wesemael, Pieter Johan van. Architecture of Instruction and Delight: A Socio-historical Analysis of World Exhibitions as a Didactic Phenomenon (1798-1851-1970). Rotterdam, 2001: Uitgeverij 010.Deals with the genesis and development of the 19th and 20th c. World Exhibitions as a didactic phenomenon, and how architecture, and later urbanism, played a key role in it.Books/MonographsGeneral Worlds Fair MaterialsExhibition influences - responses - impact 00009/13/2007 0:00:001SIL0
33Wörner, Martin. Vergnügung und Belehrung: Volkskultur auf den Weltausstellung, 1851-1900. Münster: Waxmann, 1999.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/28/2007 0:00:001SIL0
34Astley, Stephen. "Fountains as Spectacle at International Expositions 1851-1915." Fountains: Splash and Spectacle Eds. Marilyn F. Symmes and Kenneth A. Breisch. New York: Rizzoli International Publications in association with Cooper-Hewitt, National Design Museum, Smithsonian Institution, 1998: 104-121.ArticlesGeneral Worlds Fair MaterialsArts -- Architecture -- Architectural remains00008/18/2007 0:00:001SILArchitectural legacies -- Symbols -- Monument0
35Denson, Andrew. "Muskogees Indian International Fairs: Tribal Autonomy and the Indian Image in the Late 19th Century." Western Historical Quarterly 34:3 (2003): 332-345.Describes the Indian International Fairs, an annual multitribal event held in Muskogee, Oklahoma from 1874 through the 1890s. Native Americans were among its organizers, judges, speakers, competitors, and attendees.ArticlesGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILNative Americans0
36Driggs, Christopher G. "Nevada at the Worlds Fair." Nevada Historical Society Quarterly 42:3 (1999): 91-139.Nevadas participation in a series of Worlds Fairs from 1862 in London to San Francisco in 1940. The article discusses the effort to lure permanent residents fading in favor of a drive to attract tourists with money to the state.ArticlesGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SIL0
37Domingues, Heloisa Maria Bertol. "As Demadas Cientificas E A Particpaçäo Do Brasil Nas Exposiçöes Internacionais Do Secuco XIX." Quipu 12:2 (1999): 203-215.ArticlesGeneral Worlds Fair Materials00002/15/2007 0:00:001SIL0
38Ekström, Anders. "International Exhibitions and the Struggle for Cultural Hegemony." Uppsala Newsletter 12 (Fall 1989): 6-7.This article summarizes Swedish participation in various nineteenth-century worlds fairs. Ekström discusses Swedish exhibitions in light of national consciousness, industrial development, and the establishment of cultural hegemony. Applying Antonio Gramscis concept of hegemony, the author argues that the Swedish exhibition at the worlds fair at Stockholm in 1897 represented a "manifestation of hegemony" which legitimized the social dominancy of industrialists.ArticlesGeneral Worlds Fair MaterialsPolitics and national identity 00008/18/2007 0:00:001SIL0
39Ferguson, Eugene S. "Expositions of Technology, 1851-1900." Technology in Western Civilization: The Emergence of Modern Industrial Society, Earliest Times to 1900. Vol. 1. Melvin Kranzberg and Carroll W. Pursell Jr. eds. New York: Oxford University Press, 1967: 706-726.ArticlesGeneral Worlds Fair MaterialsScience and technology 00008/18/2007 0:00:001SILScience -- Technology0
40Gilbert, Anne. "Fair Souvenirs Offer Memories and History." Antiques and Collecting Magazine 107:4 ( June 2002): 28-30, 63-65.ArticlesGeneral Worlds Fair MaterialsCollectibles and memorabilia 00008/18/2007 0:00:001SILCollectibles -- Memorabilia -- Souvenirs0
41Harris, Moira F. "Breweries, Medals and Three Worlds Fairs." American Breweriana Journal 102 (Jan.-Feb. 2000): 12-17.A look at three Worlds Fairs: the Philadelphia Centennial Fair (1876), the Worlds Columbian Exposition (1893), and the Louisiana Purchase Exposition (1904), and the brewery involvement in each.ArticlesGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILPrizes and awards -- Juries -- Medals0
42Harris, Neil. "Expository Expositions: Preparing for the Theme Parks." Designing Disneys Theme Parks. Ed. Karal Ann Marling. Paris: Flammarion, 1997. 19-27.ArticlesGeneral Worlds Fair MaterialsEntertainment and spectacles 00008/18/2007 0:00:001SILAmusement zones -- Midways --Theme parks0
43Harrison, Alfred C. Jr. "John Ross Keys Worlds Fair Paintings." Antiques 165:3 (2004): 78-87.The painter was the best source for color renditions of the fairs in the late 19th and early 20th centuries: a descriptive article about not only the paintings but art at the various fairs.ArticlesGeneral Worlds Fair Materials00001SIL0
44Holliday, Laura Scott. "Kitchen Technologies: Promises and Alibis, 1944-1966." Camera Obscura 16:2 (2001): 79-131.ArticlesGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SIL0
45Journal of the American Art Pottery Association. 18:3 (2002) [Special Issue “Art Pottery of the Worlds Fairs]ArticlesGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILArts and artists - decorative and fine0
46Kosmider, Alexia. "Refracting the Imperial Gaze onto the Colonizers: Geronimo Poses for the Empire." ATQ 15:4 (December 2001): 317-332.Information on the proliferation of worlds fairs during the 19th and 20th centuries in which fairs served as vehicles that enabled the masses to consume the ideology of imperialismArticlesGeneral Worlds Fair MaterialsColonialism and imperialism 00008/18/2007 0:00:001SILNative Americans0
47LeCroy, Hoyt. "Music of the Atlanta Expositions: 1881, 1887, 1895." Journal of Band Research 30:1 (1994): 53-68.ArticlesGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILMusic,Atlanta0
48Marchand, Roland. "The Designers Go to the Fair, I: Walter Dorwin Teague and the Professionalization of Corporate Industrial Exhibits, 1933-1940." "The Designers Go to the Fair, II: Norman Bel Geddes, the General Motors Futurama, and the Visit-to-the-Factory Transformed." Design History: An Anthology. Dennis P. Doordan, ed. Cambridge: MIT Press, 1995: 89-102.ArticlesGeneral Worlds Fair MaterialsExhibition administration - organization - de00008/18/2007 0:00:001SILExhibitions - industrial and trade0
49Mills, Stephen F. "The Contemporary Theme Park and its Victorian Pedigree." European Contributions to American Studies 24 (1992): 78-92.Mills argues that todays Disney theme parks originated from the earliest Victorian worlds fairs. What follows is an in depth comparison, with special attention to their economic and social impact, between early worlds fairs and the Disney theme parks. Mills looks in particular at the common elements found in the Chicago 1893 exposition and the Centennial exposition of 1876. Includes a short bibliography.ArticlesGeneral Worlds Fair MaterialsEntertainment and spectacles 00008/18/2007 0:00:001SILAmusement zones -- Midways --Theme parks0
50Mitchell, Timothy. "Orientalism and the Exhibitionary Order." Colonialism and Culture.Ed. Nicholas Dirks. Ann Arbor: University of Michigan Press, 1992: 289-317.ArticlesGeneral Worlds Fair MaterialsColonialism and imperialism 00008/18/2007 0:00:001SIL0
51Mogensen, Margit. "Technology and the World Exhibitions: Experiences of Danish Military Officers 1870-1900." ICON: Journal of the International Committee for the History of Technology 5 (1999): 100-112.ArticlesGeneral Worlds Fair MaterialsScience and technology 00008/18/2007 0:00:001SILScience -- Technology0
52Murray, Stuart. "Canadian Participation and National Representation at the 1851 London Great Exhibition and the 1855 Paris Exposition Universelle." Histoire Sociale 32:63 (May 1999): 1-22.Canadas participation in London and Paris showed the progress Canada was making in its evolution from colony to nation at a time when Canada was rethinking its ties with Britain.ArticlesGeneral Worlds Fair MaterialsPolitics and national identity 00008/18/2007 0:00:001SILNational identity -- Nationalism,Canada0
53Nelson, Steve. "Walt Disneys EPCOT and the Worlds Fair Performance Tradition." TDR-The Drama Review 30:4 (Winter 1986): 106-146.ArticlesGeneral Worlds Fair MaterialsEntertainment and spectacles 00008/18/2007 0:00:001SILAmusement zones -- Midways --Theme parks0
54Ogata, Amy F. "Viewing Souvenirs: Peepshows and the International Expositions." Journal of Design History 15:2(2002): 69-82.Considers how 19th and early 20th c. international expositions were represented in peepshow souvenirs: folding paper devices that gave a three dimensional view and its implications for popular consumerism and collective memory.ArticlesGeneral Worlds Fair MaterialsCollectibles and memorabilia 00008/18/2007 0:00:001SIL0
55Peck, Steven W. "From Paris to Hannover." Alternatives Journal 26:1 (2000): 1-2.ArticlesGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SIL0
56Peters, Tom F. "Patterns of Technological Thought: Buildings from the Sayn Foundry to the Galerie des Machines." Building the Nineteenth Century. Cambridge, MA: MIT Press, 1996: 205-279, 421-434.This chapter illustrates the use of cast iron, wrought iron and steel including examples of the Crystal Palace of 1851, and the Eiffel Tower and the Galerie des Machines from the 1889 Paris Exhibition.ArticlesGeneral Worlds Fair MaterialsArts -- Architecture -- Architectural remains00008/18/2007 0:00:001SILArchitects -- Architecture0
57Pinot de Villechenon, Florence. "LAmerique Latine dans les Expositions Universelles." Revue Historique 289:2 (1993): 511-520.ArticlesGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILLatin America0
58Reinhardt, Richard. "Worlds Fair." American Heritage 52:6 (September 2001): 37.Evaluates the condition of the worlds fair in the U.S., and the failure of fairs to fulfill promises.ArticlesGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SIL0
59Schiele, Bernard. "Creative Interaction of Visitor and Exhibition." Visitor Studies: Theory, Research, and Practice. Vol. 5. Jacksonville, Ala.: The Visitor Studies Association, 1993.Mentions briefly the Chicago Worlds Fair of 1934 and the New York Worlds Fair of 1939-1940 as turning points in the evaluation of exhibitions. The 1934 Worlds Fair was the "first large-scale exhibition to highlight the message content of the objects and artifacts being presented" thus putting the objects displayed into context for the public.ArticlesGeneral Worlds Fair MaterialsExhibition influences - responses - impact 00008/18/2007 0:00:001SILVisitors0
60Vaughan, Christopher A. "Ogling Igorots: The Politics and Commerce of Exhibiting Cultural Otherness, 1898-1913."Freakery: Cultural Spectacles of the Extraordinary Body. Ed. Rosemarie Garland Thomson. New York: New York University Press, 1996: 219-233.ArticlesGeneral Worlds Fair MaterialsColonialism and imperialism 00008/18/2007 0:00:001SILEthnographic displays -- Indigenous people0
61Vennman, Barbara. "Dragons, Dummies, and Royals: China at American Worlds Fairs, 1876-1904." Gateway Heritage 17:2 (1996): 16-31.The images of China that were presented at these early worlds fairs was determined not by the Chinese people, but by the Chinese Customs Service under the direction of British officials. The images that were constructed and the restrictions placed by fair organizers on Chinese participation served the purpose of justifying and affirming exclusionary international and domestic policies and imperialism by Western powers. This article looks at the changes that occurred in Chinese exhibitions during this time and how this related to American perceptions of China. Includes photographs and a brief bibliography.ArticlesGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILChina0
62Weeks, Jim. "Gettysburg: Display Window for Popular Memory." Journal of American Culture. 21:4 (1998): 41-56.Gettysburg exhibits were displayed from the 1876 Philadelphia Centennial Exposition to the 1939 Worlds Fair in New York, showing everything from photographs of the battle to collections of relics and dioramas.ArticlesGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SIL0
63Winner, Langdon. "An Alternative Worlds Fair Could Playfully Debunk Myths About Technological Progress," Technology Review 94 (February 1991): 94.Winner argues that the idea of unlimited progress through technological change has been debunked by 200 years of such "progress," and is no longer a fitting theme for international exhibitions. He offers instead the theme of "Humanity in a Postmodern World," with exhibits to illustrate the ironies and unkept promises of technological progress.ArticlesGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SIL0
64Ackermann, Marsha E. "Cold Comfort: The Air Conditioning of America." Ph.D. Dissertation: University of Michigan, 1996.Ackermann addresses the historical role of air conditioning in the transformation of American life. Chapter III in particular examines the relationship between the 1930s American worlds fairs, their promotion of futuristic, "utopian" living, and the power of technology as a means of achieving a perfect, climate-controlled environment.Theses/DissertationsGeneral Worlds Fair MaterialsScience and technology 00008/20/2007 0:00:001SILElectricity and lighting,Engineering0
65Aso, Noriko. "New Illusions: The Emergence of a Discourse on Traditional Japanese Arts and Crafts, 1868-1945." Ph.D. Dissertation: University of Chicago, 1997.Following the Meiji Restoration, Japan dealt with issues such as the relation of tradition to modernity and its position as a nation-state in an international context. The discourse on native arts and crafts provided one arena through which these issues could be debated. The first chapter of this dissertation focuses on official Japanese representations from international exhibitions in the last half of the nineteenth century, as was determined by government officials. Includes bibliography and numerous illustrations.Theses/DissertationsGeneral Worlds Fair MaterialsArts -- Architecture -- Architectural remains00008/18/2007 0:00:001SILArts and artists - decorative and fine,Japan0
66Beezley, Paul Richard. "Exhibiting Visions of a New South: Mississippi and the Worlds Fairs, 1884-1904." Ph.D. Dissertation: University of Mississippi, 1999.Mississippis exhibits at the industrial expositions between 1884 and 1904 show the evolution of how Mississippians wanted to recreate their society in the years following the Civil War. New South boosters led this effort, but were assisted initially by both white women and African Americans. Each group created their own exhibit, reinforcing this forward looking ideal without reference to the late war or white supremacy. Each group used their exhibit to remake their national images.Theses/DissertationsGeneral Worlds Fair MaterialsExhibition influences - responses - impact 00008/18/2007 0:00:001SILPropaganda,Provinces - Regions -- Regionalism0
67Benson, Gwen Young. "The Façade and the Reality: Worlds Fairs Celebrate Progress and Unity While American Novelists Reveal Social Disparity and Individual Isolation." Ph.D. Dissertation: Oklahoma State University, 1997.Benson explores the question of identity for the nation and the individual by looking at American worlds fairs and the imagery of the home in American literature. She explains that although American representation at the fairs projected an image of national progress, prosperity, and unity strengthened by Victorian ideals, American authors of the time reveal through their writing a different image. The image they construct is one in which the individual is highly uncertain and is grasping for a place and identity in a society which is changing rapidly. The industrialism, materialism, and expansionism that the fairs promote have confounded the once simple life of the individual and the literature tells of the individuals effort to cope with these changes. Benson examines in particular the 1876 Centennial Exhibition, the 1893 Worlds Columbian Exposition, and the 1915 Pan-American Exhibition. Illustrations and a bibliography are included.Theses/DissertationsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SIL0
68Burris, John Paul, Jr. "Religion and Anthropology at Nineteenth-Century International Expositions: From the Great Exhibition to the Worlds Parliament of Religions, 1851-1893." Ph.D. Dissertation: University of California, Santa Barbara, 1997.Burris looks at the development of the history of religion in the historical context of international expositions. He focuses in particular on the Crystal Palace exposition and the Worlds Columbian Exposition. He also looks at the first Worlds Parliament of Religions while assessing the implications of the omission of African and Native Americans from the parliament. Includes a bibliography.Theses/DissertationsGeneral Worlds Fair MaterialsColonialism and imperialism 00008/18/2007 0:00:001SILAnthropology -- Ethnography,Religion0
69Dymond, Anne Elizabeth. "Exhibiting Provence: Regionalism, Art and the Nation, 1890-1914." Ph.D. Dissertation: Queens University at Kingston, Canada, 2000.Dymond looks at regional groups that resented the nations homogenization of diverse cultures. Of particular interest is her second chapter looking specifically at the Paris 1900 Exposition Universelle and the 1906 Exposition Coloniale de Marseille.Theses/DissertationsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILArts and artists - decorative and fine,Provin0
70Edwards. Douglas Michael. "Fair Days in the ‘Zone of Plenty: Exhibit Networks and the Development of the American West." Ph.D. Dissertation: University of Maryland, College Park, 2001.From the 1876 Centennial Exposition to the 1915 Panama Pacific Exposition, western states and territories continually exhibited their commitment to "progress."Theses/DissertationsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILAdministration -- Organization -- Staff0
71Elkin, Noah C. "Promoting a New Brazil: National Expositions and Images of Modernity, 1861-1922." Ph.D. Dissertation: Rutgers University, 1999.Over the course of the six decades between 1860 and 1922, the Brazilian government used expositions and elaborate pageants that comprised an inventory of Brazils economic, social and cultural resources to define and project an idealized image of a modern Brazil. Even as Brazil slowly industrialized, expositions consistently fashioned a vision of a nation rich in resources and potential.Theses/DissertationsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILExhibitions - national0
72Endersby, Linda Eikmeier. "Expositions, Museums, and Technological Display: Building Cultural Institutions for the ‘Inventor Citizen in the Late 19th Century United States." Ph.D. Dissertation: Massachusetts Institute of Technology, 1999.Focuses on the intersections between industry, engineers, international expositions, and museums in the nineteenth century by considering the cases of the Smithsonians National Museum and the Field Columbian Museum.Theses/DissertationsGeneral Worlds Fair MaterialsExhibition influences - responses - impact 00008/18/2007 0:00:001SILMuseums0
73Fernsebner, Susan R. "Material Modernities: Chinas Participation in Worlds Fairs and Expositions, 1876-1955." Ph.D. Dissertation: University of California, San Diego, 2002.Theses/DissertationsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILChina0
74Harvey, Bruce Gordon. "Worlds Fairs in a Southern Accent: Atlanta, Nashville, and Charleston, 1895-1902." Ph.D. Dissertation: Vanderbilt University, 1998.During the last two decades of the nineteenth century, southern leaders endeavored to involve their region in the international exposition movement in order to boost the southern economy and integrate it on a national scale. The South also looked at expositions as a way of improving their regional image and bringing the South in line with the rest of the country. Includes a bibliography.Theses/DissertationsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILProvinces - Regions -- Regionalism0
75Heaman, Elisabeth Anne. "Commercial Leviathan: Central Canadian Exhibitions at Home and Abroad During the Nineteenth-Century." Ph.D. Dissertation: University of Toronto, 1996.Theses/DissertationsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILCanada0
76Hoffenberg, Peter. "To Create a Commonwealth: Empire and Nation at English, Australian, and Indian Exhibitions, 1851-1914." Ph.D. Dissertation: University of California, Berkeley, 1993.Hoffenberg analyzes international expositions from the Great Exhibition to the Festival of Empire Exhibition and the impact these events had on imperial relations between England, Australia, and India. He argues that these events helped to establish and regulate the economic and political imperial roles of different racial groups. Includes a bibliography.Theses/DissertationsGeneral Worlds Fair MaterialsColonialism and imperialism 00008/18/2007 0:00:001SILColonialism and imperialism ,Australia,Englan0
77Jayes, Janice Lee. "Strangers to Each Other: The American Encounter with Mexico, 1877-1910." Ph.D. Dissertation: American University, 1999.Theses/DissertationsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILMexico0
78Larson, Judy L. "Three Southern Worlds Fairs: Cotton States and International Exposition, Atlanta, 1895; Tennessee Centennial, Nashville, 1897; South Carolina Inter-State and West Indian Exposition, Charleston, 1901-1902: Creating Regional Self-portraits through Expositions." Ph.D. Dissertation: Emory University, 1998.Worlds fairs were a way in which cities could construct and promote new images of themselves. In the South, fair organizers felt the need to address two issues - first, the image of the South as "coarse" and backward, and second, the perceived division and animosity between the North and the South. The Fine Arts Buildings, Womans Buildings, and Negro Buildings at each of the three fairs are assessed to explore these themes. A bibliography is included.Theses/DissertationsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SIL0
79Lockyer, Angus Edmund. "Japan at the Exhibition, 1867-1970." Ph.D. Dissertation: Stanford University, 2000.This dissertation examines Japanese participation in and representation at international exhibitions between 1867 and 1970, together with the domestic expositions modeled on these. Expositions never functioned very efficiently to communicate truths about Japan. Exposition design was the outcome of lengthy bureaucratic negotiation, exhibits were not easily subordinated to didactic purposes, and visitors tended to see what they wanted, rather than what they were meant to.Theses/DissertationsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILJapan0
80Mehta, Binita. "India as Spectacle: The Representation of India in French Theater." Ph.D. Dissertation: City University of New York, 1997.Theses/DissertationsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SILPageants -- Spectacles - Ceremonies,India0
81Murphy, Joseph Claude. "Exposing the Modern: Worlds Fairs and American Literary Culture, 1853-1907." Ph.D. Dissertation: University of Pennsylvania, 1997.Theses/DissertationsGeneral Worlds Fair MaterialsMiscellaneous00008/18/2007 0:00:001SIL0
82Staackman, Gloria Starr. "Fifteen American Impressionists: Genteel Traditionalists in a Changing World." Ph.D. Dissertation: University of Hawaii, 1994.Staackman argues that American Impressionism, the dominant and accepted art form between the Worlds Columbian Exposition of 1893 and the Panama Pacific International Exposition of 1915, was forgotten in the light of Modern Art because it did not respond to the changes of the time. American Impressionism made its debut at the 1893 exposition and the prominence of the style amongst the paintings featured at the 1915 exposition indicate the height of the movement. Modern Art, however, had been introduced in 1913 and by 1930 it had come to dominate the art world. The lives of 15 artists are studied in this work. Includes biographies of the artists and a bibliography.Theses/DissertationsGeneral Worlds Fair MaterialsArts -- Architecture -- Architectural remains00008/18/2007 0:00:001SILArts and artists - decorative and fine0
83Venable, Charles L. "Silver in America, 1840-1940: Production, Marketing, and Consumption." Ph.D. Dissertation: Boston University, 1993.Technology, transportation, and new tariffs caused a boom in the production of silver. Worlds fairs were one way in which silver wares were advertised and marketed to consumers. Worlds fairs boasted the "most spectacular" silver marketing exhibitions. The participation of several manufacturers in the worlds fairs is discussed in Chapter 5.Theses/DissertationsGeneral Worlds Fair Materials00001SIL0
84The BIE: Bureau International des ExpositionsGeneral Worlds Fair MaterialsMiscellaneous0000http://www.bie-paris.org/main/index.php?lang=8/18/2007 0:00:001SIL0
85Expo Museum: Worlds Fair History, Architecture and MemorabiliaGeneral Worlds Fair MaterialsMiscellaneous0000http://www.expomuseum.com/8/18/2007 0:00:001SIL0
86Expositions Universelles et InternationalesGeneral Worlds Fair MaterialsMiscellaneous0000http://netrover.com/~berta/pagexpo.html8/18/2007 0:00:001SIL0
87Fairs & Expositions: American HistoryGeneral Worlds Fair MaterialsMiscellaneous0000http://www.geometry.net/basic_f/fairs_&_expos8/18/2007 0:00:001SIL0
88Worlds Fairs and Expositions: Defining America and the World: 1876-1916General Worlds Fair MaterialsMiscellaneous0000http://www.boondocksnet.com/expos/index.html8/18/2007 0:00:001SIL0
89Hafter, Daryl M. "The Business of Invention in the Paris Industrial Exposition of 1806."Business History Review 58:3 (1984): 317-335.The infusion of inexpensive English goods into the French market signaled the dawn of the Industrial Revolution. French work traditions and the work force hindered the development of a similar movement in France. The Paris Industrial Exposition was launched in an effort to encourage French businesses to modernize. Hafter concludes that the exposition lead to the beginning of modern light industry in France.ArticlesParis Industrial Exposition18062/15/2007 0:00:001SILFranceParis1806
90Auerbach, Jeffrey. The Great Exhibition of 1851: A Nation on Display. New Haven: Yale University Press, 1999.Held in Londons Crystal Palace, "was the worlds first industrial exposition," and for Britons became a defining event of the mid-19th century. Reveals how the event was conceived, planned, and why it was such a success.Books/MonographsGreat Exhibition of the Works of Industry of 18511SILEnglandLondon1851
91Birbineau, Lorenza Stevens and Karen Kilcup, ed. From Beacon Hill to the Crystal Palace: the 1851 Travel Diary of a Working Class Woman. Iowa City: University of Iowa Press, 2002.Documents the six month European Grand Tour of a domestic servant who traveled with a well known and wealthy family of Bostons Beacon Hill.Books/MonographsGreat Exhibition of the Works of Industry of 18511SILEnglandLondon1851
92Bizup, Joseph. "What You Ought to Learn: Industrial Culture and the Exhibition of 1851" Manufacturing Culture: Vindications of Early Victorian Industry. Charlottesville: University of Virginia Press, 2003: 147-76, 210.Looks into the factory system and its social consequences as well as the social and commercial benefits that culminated in the Great Exhibit of 1851.Books/MonographsGreat Exhibition of the Works of Industry of 18512/20/2007 0:00:001SILEnglandLondon1851
93Bosbach, Franz and John R. Davis, eds. Die Weltausstellung von 1851 und Ihre Folgen/The Great Exhibition and its Legacy. München: Saur, 2002.In English and German: Papers from a joint conference with the Prince Albert Society, the Victorian Society, and the Royal Society of Arts.Books/MonographsGreat Exhibition of the Works of Industry of 18512/8/2007 0:00:001SILEnglandLondon1851
94Colquhoun, Kate. A Thing in Disguise: The Visionary Life of Joseph Paxton. London: Fourth Estate, 2003.Biography of the landscape architect of the Great Exhibition and how his work influenced the future of landscape architecture.Books/MonographsGreat Exhibition of the Works of Industry of 18512/8/2007 0:00:001SILEnglandLondon1851
95Davis, John R. The Great Exhibition. Stroud, Gloustershire: Sutton, 1999.Provides a history of the way the Exhibition was organized and took place while looking at the Exhibitions wider influence and the historical debates surrounding it.Books/MonographsGreat Exhibition of the Works of Industry of 18511SILEnglandLondon1851
96Hobhouse, Hermione. The Crystal Palace and the Great Exhibition: Art, Science, and Productive Industry: A History of the Royal Commission for the Exhibition of 1851. London: Athlone Press, 2002.Books/MonographsGreat Exhibition of the Works of Industry of 18512/8/2007 0:00:001SILEnglandLondon1851
97Leapman, Michael. The World for a Shilling: How the Great Exhibition of 1851 Shaped a Nation. London: Headline, 2001.Examines the story of how the exhibition came into being, the key characters who made it happen, and the tales behind the exhibitions: why so many would spend a days wages to see the Exhibition.Books/MonographsGreat Exhibition of the Works of Industry of 18511SILEnglandLondon1851
98Purbrick, Louise, ed. The Great Exhibition of 1851: New Interdisciplinary Essays. Manchester: Manchester University Press, 2001.Books/MonographsGreat Exhibition of the Works of Industry of 18512/8/2007 0:00:001SILEnglandLondon1851
99Briggs, Asa. "Exhibiting the Nation." History Today 50:1 (2000): 16-25.Compares the social contexts and the goals of Britains three modern international exhibitions: the 1851 Great Exhibition, the 1951 Festival of Britain, and the 2000 Millenium Dome.ArticlesGreat Exhibition of the Works of Industry of Politics and national identity 18519/13/2007 0:00:001SILEnglandLondon1851
100Kiss, Ken, Stephen K. Jones and Angus Buchanan. "Brunel and the Crystal Palace." Industrial Archaeology Review 17:1 (Autumn 1994): 7-21.This article focuses on the structure of the Crystal Palace and the process that its key engineers underwent to construct it and then relocate it. It looks in particular at the role of Isambard Kingdom Brunel. Includes diagrams, photographs, and other illustrations.ArticlesGreat Exhibition of the Works of Industry of 18512/8/2007 0:00:001SILEnglandLondon1851
101Carriere, Marius. "Samuel Bond and the Crystal Palace Medal." West Tennessee Historical Society Papers 41 (1987): 1-3.Carriere provides a brief description of the rise of cotton production in West Tennessee, and Samuel Bonds receipt of a prize medal for cotton at the London exhibition.ArticlesGreat Exhibition of the Works of Industry of 18512/8/2007 0:00:001SILEnglandLondon1851
102Coleman, Earle E. "The Exhibition in the Palace: A Bibliographical Essay." Bulletin of the New York Public Library 64:9 (September 1960): 458-475.ArticlesGreat Exhibition of the Works of Industry of 18512/15/2007 0:00:001SILEnglandLondon1851
103Colvin, Peter. "Muhammad Ali Pasha, the Great Exhibition of 1851, and the School of Oriental and African Studies Library." Libraries and Culture 33:3 (Summer 1998): 249-259.ArticlesGreat Exhibition of the Works of Industry of 18512/8/2007 0:00:001SILEnglandLondon1851
104Fuchs, Eckhardt. "Räume und Mechanismen der internationalen Wissenschaftskommunikation und Ideenzirkulation vor dem Ersten Weltkrieg." Internationales Archiv für Sozialgeschichte der deutschen Literatur 27:1 (2002): 125-143.ArticlesGreat Exhibition of the Works of Industry of 18512/8/2007 0:00:001SILEnglandLondon1851
105Hassam, Andrew."Portable iron Structures and Uncertain Colonial Spaces and the Sydenham Crystal Palace." Imperial Cities:Landscape, Display and Identity. Ed.Felix Driver and David Gilbert.Manchester:Manchester University Press,1999.ArticlesGreat Exhibition of the Works of Industry of 18511SILEnglandLondon1851
106Hopkins, David. "Art & Industry: Coalbrookdale Co. and the Great Exhibition." History Today 52:2 (February 2002): 19-25.Transformation of the Coalbrookdale Company from a mass producer of iron to a supplier of decorative art objects illustrates how Britains Great Exhibition of 1851 influenced the union of art and industry.ArticlesGreat Exhibition of the Works of Industry of 18512/15/2007 0:00:001SILEnglandLondon1851
107Mainardi, Patricia. "The Unbuilt Picture Gallery at the 1851 Great Exhibition." Journal of the Society of Architectural Historians 45:3 (September 1986): 294-299.Presents documents related to a plan to build a specially designed gallery for the exhibition of paintings. Adds new dimensions to traditional history which states that the French were the first to exhibit fine arts as part of the 1855 Universal Exposition. The intended design of the gallery suggests that the fine arts were considered a part of tradition and not something to be featured in the Crystal Palace alongside other forms of modern industry.ArticlesGreat Exhibition of the Works of Industry of 18512/8/2007 0:00:001SILEnglandLondon1851
108Morson, A.F.P. "The Great Exhibition of 1851." Pharmaceutical Historian 27:3 (1997): 27-30.Describes the chemical, raw materials and pharmaceutical exhibits at the Fair, both British and foreign, the prizes won, and their importance in later years.ArticlesGreat Exhibition of the Works of Industry of 18511SILEnglandLondon1851
109Oliver, Richard. "The Ordnance Survey and the Great Exhibition of 1851." Map Collector 50 (1990): 24-28.Only certain sections of the Ordnance Survey map were completed by the time they were to be exhibited at the worlds fair. The maps that were initially displayed did not include Scotland. Discussion of survey styles and the subsequent incorrect mapping of Scotland are included.ArticlesGreat Exhibition of the Works of Industry of 18511SILEnglandLondon1851
110Peters, Tom F. "How Creative Engineers Think." Civil Engineering 68:3 (1998): 58-51.Discusses the building of the Crystal Palace, including the relationship between architect Joseph Paxton and builder Charles Fox.ArticlesGreat Exhibition of the Works of Industry of 18511SILEnglandLondon1851
111Peterson, M.J. "The Emergence of a Mass Market for Fax Machines." Technology in Society 17:4 (1995): 469-482.Author mentions briefly the development of fax machines in the 1840s and their being exhibited at the Crystal Palace.ArticlesGreat Exhibition of the Works of Industry of 18512/8/2007 0:00:001SILEnglandLondon1851
112Purbrick, Louise. "Knowledge is Property: Looking at Exhibits and Patents in 1851 (Henry Coles Great Exhibition at Londons South Kensington Museum)." Oxford Art Journal 20:2 (1997): 53-60.ArticlesGreat Exhibition of the Works of Industry of 18512/8/2007 0:00:001SILEnglandLondon1851
113Reynolds, Diana J. "The Great Exhibition of 1851." Events that Changed Great Britain Since 1869. Frank W. Thackeray and John E. Findling, eds. Westport, CT: Greenwood Press, 2002.ArticlesGreat Exhibition of the Works of Industry of 18512/8/2007 0:00:001SILEnglandLondon1851
114Shifman, B. "The Fourdinois Sideboard at the 1851 Great Exhibition (Second Empire Furniture)." Apollo- The Magazine of the Arts 156: 491 (Jan. 2003): 14-21.ArticlesGreat Exhibition of the Works of Industry of 18511SILEnglandLondon1851
115Smithhurst, Peter. "Observations on the Crystal Palace Exhibition." Tools & Technology 19:1 (2001): 9-10.Manufacturing centers throughout England and the world saw the 1851 Exhibit as an opportunity to show their achievements to the world and included several pioneers in manufacturing techniques.ArticlesGreat Exhibition of the Works of Industry of 18512/8/2007 0:00:001SILEnglandLondon1851
116The Societys History Study Group. "Symposium on Exhibition and Celebration: the RSA and the Great Exhibition of 1851, the Festival of Britain of 1951 and Plans for the Millennium." RSA Journal 143 (May 1995): 43-59.See specifically the first three speeches: Allan, D.G.C. "The Society of Arts and the National Repository"; Bonython, Elizabeth. "The Planning of the Great Exhibition of 1851"; Hobhouse, Hermione. "The Legacy of the Great Exhibition". Allans speech sheds light on the connection between the Great Exhibition and the Society. Bonython introduces the key individuals who took part in organizing the Great Exhibition and the process that they went through. Hobhouse delves into the lasting impact of that first world exposition: tourism, successor exhibitions, and the South Kensington estate of the Royal Commission for the Exhibition of 1851.ArticlesGreat Exhibition of the Works of Industry of 18512/15/2007 0:00:001SILEnglandLondon1851
117Zaitsev, Valentin Pavlovich. "Pervye Vsemirnye Promyshlennye vystavki V Londone." Novaia I Noveishaia Istoriia [Russia] 4(2001): 188-193.ArticlesGreat Exhibition of the Works of Industry of 18511SILEnglandLondon1851
118Auerbach, Jeffrey A. "Exhibiting the Nation: British National Identity and the Great Exhibition of 1851." Ph.D. Dissertation: Yale University, 1995.Theses/DissertationsGreat Exhibition of the Works of Industry of 18512/8/2007 0:00:001SILEnglandLondon1851
119The Crystal Palace, or The Great Exhibition of 1851: An OverviewWeb SitesGreat Exhibition of the Works of Industry of 1851http://www.victorianweb.org/history/1851/18511SILEnglandLondon1851
1201851 Project: The Great Exhibition (National Art Library)Web SitesGreat Exhibition of the Works of Industry of 1851http://www.nal.vam.ac.uk/projects/1851.html9/18/2006 0:00:001SILEnglandLondon1851
121Vincente, Filipa Lowndes. "The Future is a Foreign Country: The Visit of the King of Portugal, Dom Pedro V, to the Parisian Exposition Universelle of 1855." Journal of Romance Studies 3:2 (2003): 31-48.ArticlesExpositions universelle18551SILFranceParis1855
122Gregory, Martin. "Sewing Machines at the London Exhibition of 1862." ISMACS News: Journal of the International Sewing Machine Collectors Society 72 (2001): 4-9.ArticlesInternational Exhibition18621SILEnglandLondon1862
123Troyen, Carol. "Innocents Abroad: American Painters at the 1867 Exposition Universelle, Paris." American Art Journal 16:4 (Autumn 1984): 2-29.Wanting to present the best examples of American art in Paris to show that Americas artistic skill matched its industrial prowess, a committee of the nations leading artistic minds were gathered to select pieces to present as a part of its fine art exhibit. American cultural confidence was shattered, however, when only one medal was awarded to an American work, placing them below the French and English. This article includes discussion of individual works that were part of this exhibition, illustrations and reproductions of some of the artwork, and an index of all the works that comprised the exhibition.ArticlesExposition universelle18672/8/2007 0:00:001SILFranceParis1867
124Nikou, Mehrangiz. "National Architecture and International Politics: Pavilions of the Near Eastern Nations in the Paris International Exposition of 1867." Ph.D. Dissertation: Columbia University, 1997.The concept of national pavilions was debuted at the 1876 exposition. However, instead of Near Eastern countries of the Ottoman Empire defining their own identity through national architecture, their cultural identity was determined by the representations constructed by European commissioners and architects. These representations reflected the interests of Napolean IIIs political agenda. Includes illustrations and a bibliography.Theses/DissertationsExposition universelle18672/8/2007 0:00:001SILFranceParis1867
125Osman Hamdi Bey. 1873 Yilinda Türkiye ‘de halk Giysileri: Elbise-I Osmaniyye. Karaköy-Istanbul: Sabanci Universitesi, 1999.Books/MonographsWeltausstellung18732/8/2007 0:00:001SILAustriaVienna1873
126Tsunoyama, Yukihiro. Win Bankokuhaku no Kenkyu. Suita-shi: Kansai Daigaku Shuppanbu, 2000.Books/MonographsWeltausstellung18732/8/2007 0:00:001SILAustriaVienna1873
127Lackner, Monika. "Pasture Romance: Installation, National Self-Representation at the Vienna World Fair 1873."Making and Breaking of Borders: Ethnological Interpretations, Presentations. Helsinki: Finnish Literature Society, 2003: 303-309.ArticlesWeltausstellung18732/8/2007 0:00:001SILAustriaVienna1873
128Vienna International Exposition/Weltausstellung in Wien 1873 [Japanese and English]Weltausstellung1873http://www.ndl.go.jp/site_nippon/viennae/2/8/2007 0:00:001SILAustriaVienna1873
129Fisher, Felice. West Meets East: China and Japan at the Centennial Exhibition. Philadelphia: Philadelphia Museum of Art, 2001.Books/MonographsCentennial International Exhibition18762/8/2007 0:00:001SILUnited StatesPennsylvaniaPhiladelphia1876
130Giberti, Bruno. Designing the Centennial: A History of the 1876 International Exhibition in Philadelphia. Lexington: University Press of Kentucky, 2002,Behind the scenes look at the planning of Americas "first important worlds fair:" the conflicts between the players - scientists and engineers, planners and politicians demonstrate wider cultural clashes. Investigates the design process by considering the nature of display: what people were looking at, and how they were looking.Books/MonographsCentennial International Exhibition18762/8/2007 0:00:001SILUnited StatesPennsylvaniaPhiladelphia1876
131Owen, Nancy Elizabeth. Rookwood and the Industry of Art: Women, Culture, and Commerce, 1880-1913. Athens: Ohio University Press, 2001.Discusses the Philadelphia Centennial Exhibition at length and its influence on the rise of pottery art.Books/MonographsCentennial International Exhibition18761SILUnited StatesPennsylvaniaPhiladelphia1876
132Bonnell, Andrew. "Cheap and Nasty: German Goods, Socialism, and the 1876 Philadelphia World Fair." International Review of Social History 46:2 (2001): 207-226.ArticlesCentennial International Exhibition18762/8/2007 0:00:001SILUnited StatesPennsylvaniaPhiladelphia1876
133Donnelly, Max. "British Furniture at the Philadelphia Centennial Exhibition, 1876." Furniture History 36 (2001): 91-120.ArticlesCentennial International Exhibition18761SILUnited StatesPennsylvaniaPhiladelphia1876
134Fischer, Felice. "The Centennial Exhibition, the Philadelphia Museum of Art, and Hector Tyndale." Antiques 163:3 (2002): 97-107.ArticlesCentennial International Exhibition18761SILUnited StatesPennsylvaniaPhiladelphia1876
135Halen, Widar. "Christopher Dresser, the Centennial Exhibition and the Anglo-American Dialogue." Antiques 160 (September 2001): 354-60.ArticlesCentennial International Exhibition18762/8/2007 0:00:001SILUnited StatesPennsylvaniaPhiladelphia1876
136Howe, Jeffrey. "A Monster Ediface: Ambivalence, Appropriation, and the Forging of Cultural Identity at the Centennial Exhibition." Pennsylvania Magazine of History and Biography 126:4 (2002): 635-650.ArticlesCentennial International Exhibition18762/8/2007 0:00:001SILUnited StatesPennsylvaniaPhiladelphia1876
137Myers, Susan and Susan Padwee. Special issue of Tile Heritage devoted to tiles at the Centennial Exhibition. Tile Heritage 6:2 (2002).ArticlesCentennial International Exhibition18761SILUnited StatesPennsylvaniaPhiladelphia1876
138Nolan, Marianne. "A Century of Industrial Progress: Lighting Products at the Centennial Exhibition 1876." The Rushlight 65:3 (1999): 2-11.Describes the exhibiting and awarding of gas and glassware lighting fixtures at the fair. Includes listings of manufacturers and short descriptions of lighting fixtures as well as discussion of how exhibits were judged. Illustrations are also included.ArticlesCentennial International Exhibition18761SILUnited StatesPennsylvaniaPhiladelphia1876
139Pitman, Jennifer. "Chinas Presence at the Centennial Exhibition, Philadelphia, 1876." Studies in the Decorative Arts. 10:1 (2002-2003): 35-73.Details the national exhibit by the Chinese government at the Exhibition: China displayed and sold a wide variety of decorative arts, increasing the influence of Chinese styles in the U.S..ArticlesCentennial International Exhibition18762/8/2007 0:00:001SILUnited StatesPennsylvaniaPhiladelphia1876
140Remberger, Sebastian. "Billig und schlecht: Franz Reuleaux zu den Weltausstellungen in Philadelphia 1876 und Chicago 1893." Kultur & Technik (Juli-September 2000): 42-51.ArticlesCentennial International Exhibition18762/8/2007 0:00:001SILUnited StatesPennsylvaniaPhiladelphia1876
141Winpenny, Thomas R. "The Phoenix Tower and the Struggling Centennial Exhibition of 1876: A Tale of What Might Have Been." The Pennsylvania Magazine of History and Biography 124:4 (October 2000): 547-555.ArticlesCentennial International Exhibition18761SILUnited StatesPennsylvaniaPhiladelphia1876
142Yount, Sylvia. "A ‘New Century for Women: Philadelphias Centennial Exhibition and Domestic Reform." Philadelphias Cultural Landscape. Katharine Martinez and Page Talbott, eds. Philadelphia: Temple University Press, 2000.ArticlesCentennial International Exhibition18762/20/2007 0:00:001SILUnited StatesPennsylvaniaPhiladelphia1876
143Giberti, Bruno. "The Classified Landscape: Consumption, Commodity Order, and the 1876 Centennial Exhibition at Philadelphia." Ph.D. Dissertation, University of California, Berkeley, 1994.Giberti explores the discourse that surrounded the order and classification of objects at the Centennial Exhibition. The order and classification of objects determined all aspects of the exhibitions structure such as the organization of the site and architecture of the buildings and helped to develop a consumer-oriented environment. [Based on abstract from Dissertation Abstracts Online]Theses/DissertationsCentennial International Exhibition18761SILUnited StatesPennsylvaniaPhiladelphia1876
144Laidlaw, Christine Wallace. "The American Reaction to Japanese Art, 1853-1876." Ph. D. Dissertation: Rutgers University, New Brunswick, 1996.Japanese art affected American art in the 1860s and 1870s and had an impact on art, architecture, and views of nature. This influence became much more widely dispersed to the public at the International Exposition in 1876.Theses/DissertationsCentennial International Exhibition18762/15/2007 0:00:001SILUnited StatesPennsylvaniaPhiladelphia1876
145Owen, Nancy Elizabeth. "Women, Culture and Commerce: Rookwood Pottery, 1880-1913." Ph.D. Dissertation: Northwestern University, 1997.Chapter 4 of this dissertation is dedicated to the presence of Rookwood pottery - "the largest, longest lasting, and arguably most important American Art Pottery," according to the author - at international expositions. She notes that the American Art Pottery movement began as a result of the perceived inferiority of American ceramics at the Centennial International Exhibition of 1876. The first part of Chapter 4 looks at Rookwood participation at the fairs and the effort to distinguish the ceramics internationally. The second part consists of a case study of objects that were considered to be key examples of "American" art. Includes a bibliography and illustrations.Theses/DissertationsCentennial International Exhibition18761SILUnited StatesPennsylvaniaPhiladelphia1876
146The Centennial Exhibition Philadelphia 1876Web SitesCentennial International Exhibition1876http://libwww.library.phila.gov/CenCol/index.1SILUnited StatesPennsylvaniaPhiladelphia1876
147Davis, Shane Alder. "Fine Cloths on the Altar: The Commodification of Late Nineteenth-Century France." Art Journal 48:1 (Spring 1989): 85-89.French department stores and exhibitions conspired to change the French vision of womanhood from that of the thrifty republican housewife to the well-adorned Parisian fashion plate. Davis draws examples from the popular womens press to demonstrate this shift, and argues that these visions were incompatible and ultimately harmful to female identity.ArticlesExposition universelle18782/15/2007 0:00:001SILFranceParis1878
148Fox, Robert. "Thomas Edisons Parisian Campaign: Incandescent Lighting and the Hidden Face of Technology Transfer." Annals of Science 53 (1996): 157-193ArticlesExposition International dElectricite18812/8/2007 0:00:001SILFranceParis1881
149Segreto, Luciano. "Financing the Electric Industry Worldwide: Strategy and Structure of the Swiss Electric Holding Companies, 1895-1945." Business and Economic History 23: 1 (1994): 162-175.Makes reference to Thomas Edisons demonstration of incandescent lighting at the 1881 exposition as the start of the electric industry in Europe. He focuses primarily on the electric industry in Switzerland.ArticlesExposition International dElectricite18812/8/2007 0:00:001SILFranceParis1881
150Newman, Harvey K. Southern Hospitality: Tourism and the Growth of Atlanta. Tuscaloosa: University of Alabama Press, 1999.Books/MonographsInternational Cotton Exposition18811SILUnited StatesGeorgiaAtlanta1881
151Funderburke, Richard. "An Architect for the New South: The Atlanta Years of Edmund G. Lind, 1882-1893." Georgia Historical Quarterly 81:1 (1997): 25-51.The Cotton Exposition was the event that drew national attention to Atlanta and gave new life to the New South movement. The exposition is also known for drawing talented and enterprising individuals to Atlanta including Edmund Lind. This article focuses primarily on the professional development of Edmund Lind while living in Atlanta after the exposition. Includes drawings.ArticlesInternational Cotton Exposition18812/8/2007 0:00:001SILUnited StatesGeorgiaAtlanta1881
152Newman, Harvey K. "Atlantas Hospitality Businesses in the New South Era, 1880-1900." Georgia Historical Quarterly 80:1 (1996): 53-76.Discusses primarily early hotels such as the Kimball House and businesses like traveling circuses. The impact of prohibition is also addressed. Mention is made of the 1881 Cotton Exposition while the 1895 Cotton Exposition is dealt with in more detail.ArticlesInternational Cotton Exposition18812/8/2007 0:00:001SILUnited StatesGeorgiaAtlanta1881
153Sumner, Jim L. "Let Us Have a Big Fair: The North Carolina Exposition of 1884." North Carolina Historical Review 69:1 (1992): 57-81.The North Carolina Exposition represented an effort by the states citizens to show the nation that it adhered to the industrial message of the New South. Men who represented the industrial goals which North Carolina endeavored to achieve comprised the committee that organized this fair. North Carolinas participation in early worlds fairs is discussed briefly. The planning, organizing, and attendance at the exposition are also addressed. Includes photographs.ArticlesNorth Carolina State Exposition18842/15/2007 0:00:001SILUnited StatesNorth Carolina1884
154Aubain, Laurence. "La Russie a lExposition Universelle de 1889." Cahiers du Monde Russe 37: 3 (1996): 349-367.ArticlesExposition universelle18892/8/2007 0:00:001SILFranceParis1889
155Ducrey, Guy. "LAndalouse et lalmée: Quelques danseuses "sauvages" aux Expositions Universelles." Sociopoetique de la Danse: Anthropos (1998): 461-475.ArticlesExposition universelle18892/8/2007 0:00:001SILFranceParis1889
156Fey, Ingrid E. "Zwischen Zivilisation und Barbarei: Lateinamerika auf der Pariser Weltausstellung von 1889." Comparativ 9:5/6 (1999): 15-28.ArticlesExposition universelle18892/8/2007 0:00:001SILFranceParis1889
157Fey, Ingrid E. "Peddling the Pampas: Argentina at the Paris Universal Exposition of 1889." Latin American Popular Culture: an Introduction. Ed. William H. Beezley and Linda A. Curcio-Nagy. Wilmington, DE: SR Books, 2000: 61-85.ArticlesExposition universelle18892/8/2007 0:00:001SILFranceParis1889
158Fink, Lois Marie. "American Art at the 1889 Paris Exposition: The Paintings They Love to Hate." American Art 5:4 (Fall 1991): 34-53.Fink examines the American art work that was presented at the 1889 Exposition Universelle and again at a recent exhibition entitled "Paris 1889: American Artists at the Universal Exposition" in the context of the criticism that it received in the past and in the present day. She discusses the role of science as well as the ideological changes of the time that formed the basis of American artistic styles. Includes photographs and reproductions of some of the exhibited art.ArticlesExposition universelle18892/8/2007 0:00:001SILFranceParis1889
159Levin, Miriam R. "The City as a Museum of Technology." Industrial Society and its Museums 1890-1990: Social Aspirations and Cultural Politics. Brigitte Schroeder-Gudehus, ed. Chur: Harwood Academic, 1993: 27-36.Levin looks at the city of Paris as a living museum of technology. She includes a brief history of the Exposition Universelle of 1889 as one instance in which Republican reformers in the Third Republic transformed Paris into a museum. Includes drawings and photographs.ArticlesExposition universelle18893/26/2007 0:00:001SILFranceParis1889
160Lombard, Denys. "Le Kampong Javanais à lExposition universelle de Paris en 1889." Archipel 43 (1992): 115-129.ArticlesExposition universelle18892/8/2007 0:00:001SILFranceParis1889
161Oudoire, Jean-Marie. "Le Palais des Machines, un palais de la République." Revue du Nord 71 (Juillet-Décembre 1989): 1031-1035.ArticlesExposition universelle18892/8/2007 0:00:001SILFranceParis1889
162Stamper, John W. and Robert Mark. "Structure of the Galerie des Machines, Paris, 1889." History and Technology 10:3 (1993): 127-138.Analyzes the structure of the Galerie Des Machines. Reveals through photo elastic modelling that although this historic building was the one of most impressive of its time, it was not as structurally efficient. Includes a description of the building, photographs and diagrams, and a mathematical analysis.ArticlesExposition universelle18892/8/2007 0:00:001SILFranceParis1889
163Yasuda, Kyo. "1889 Nen Pari Bankoku Hakurankai Ni Okeru Jawa Buyo To Ongaku Ni Tsuite." Tonan Ajia Kenkyu 36:4 (1999): 505-524.ArticlesExposition universelle18892/15/2007 0:00:001SILFranceParis1889
164Cooley, Kristin Nicole. "The 1889 and 1900 Paris Universal Expositions: French Masculine Nationalism and the American Response." M.A. Thesis: University of Arizona, 2001.Universal expositions of the later nineteenth century were opportunities for the host country to reinforce its sense of nationalism and to showcase its technological progress or, read differently, the progress of man. This thesis examines nationhood as defined in terms of masculinity at the 1889 Paris Universal Exposition, which demonstrated French technological, colonial, and artistic superiority over all other nationsTheses/DissertationsExposition universelle18891SILFranceParis1889
165Fernandez, Maria Auxiliadora. "The Representation of National Identity in Mexican Architecture: Two Case Studies (1680 and 1889)." Ph.D. Dissertation: Columbia University, 1993.The author uses the government commissioned Pavilion of Mexico from the Universal Exposition as her 1889 case study. She argues that perspectives on national identity can be extracted by looking at Mexican architecture. She adds that foreign influences play a major role in formulating the national identity of a colony. The structure is analyzed in the context of Mexican social and political history. Includes illustrations and a bibliography.Theses/DissertationsExposition universelle18891SILFranceParis1889
166Portebois, Yannick. "Les fauteurs dorthographe: les écrivains et la réforme de lorthographe, de lExposition Universelle de 1889 à la première guerre mondiale." Ph.D. Dissertation: University of Montreal, 1995.Exposition universelle18892/15/2007 0:00:001SILFranceParis1889
167Anderson, Norman D. Ferris Wheels: An Illustrated History. Bowling Green, OH: Bowling Green State University Popular Press, 1992.Anderson notes that with the debut of the postcard at the Chicago worlds fair, much of the history of the Ferris wheel has been captured on these souvenirs. Chapter III is devoted to the history of the Ferris Wheel, built by George Ferris, Jr., at the 1893 exposition. Chapter IV deals with the continuing presence of the Ferris wheel at worlds fairs following 1893 and its influence on shaping amusement attractions. Anderson also mentions in Chapter V that the American carnival traces its lineage to the Midway Plaisance of the Columbian Exposition. Includes numerous photographs and illustrations, a bibliography, and an index.Books/MonographsWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
168Bertuca, David J., Donald K. Hartman and Susan M. Neumeister: Worlds Columbian Exposition: A Centennial Bibliographic Guide. Westport, CT: Greenwood Press, 1996.This extensive bibliography includes materials on the Chicago worlds fair of varying format and location as well as primary and secondary sources. It contains over 6,000 references and entries for 131 special collections worldwide. It includes a list of the journals that were indexed and is organized into general works and then into specific subject areas. An index is also provided.Books/MonographsWorlds Columbian Exposition18932/16/2007 0:00:001SILUnited StatesIllinoisChicago1893
169Brown, Julie K. Contesting Images: Photography and the Worlds Columbian Exposition. Tucson: University of Arizona Press, 1994.This work explores the multiple roles of photography at the fair. As a relatively new technology and mode of communication, photography was used for both documentation and exhibition. Brown divides the book into two parts, "Photographs on Display" and "Photographic Practices." A bibliography, glossary, and an index are included.Books/MonographsWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
170Carr, Carolyn Kinder and George Gurney, eds. Revisiting the White City: American Art at the 1893 Worlds Fair. Washington, DC: National Museum of American Art, National Portrait Gallery, 1993.This catalog accompanies an exhibition that was created by the NMAA and NPG to celebrate the 500th anniversary of Columbuss voyage and the 1893 Worlds Columbian Exposition. It assembles American art that was exhibited at the Fair and looks at them in a social and historical context. Essays by Robert Rydell and Carolyn Kinder Carr, images of the displayed works, and a catalog of the original fair exhibition are included.Books/MonographsWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
171Dabakis, Melissa. "The Spectacle of Labor: The Worlds Columbian Exposition of 1893." Visualizing Labor in American Sculpture: Monuments, Manliness, and the Work Ethic, 1880-1935. Melissa Dabakis, ed. New York: Cambridge University Press, 1999: 62-82, 231-242.The author uses gender as a critical framework in her analysis of the Exposition. The organizers were aware of labor issues, and created a visual spectacle about peaceful notions of work for the visiting public.Books/MonographsWorlds Columbian Exposition18932/16/2007 0:00:001SILUnited StatesIllinoisChicago1893
172Dybwad, G. L. and Joy V. Bliss. Chicago Day at the Worlds Columbian Exposition: Illustrated with Candid Photographs. Albuquerque, NM: Book Stops Here, 1997.Dybwad and Bliss tell the story of Chicago Day using both text and photographs. Following their recount are two short articles about gas ballooning and photography at fairs as well as a section of candid photographs. The authors look at both the viability of photography for amateurs during that time and the work that Chicago Day managers undertook. Includes numerous photographs and illustrations, an illustrated reference list, and an index.Books/MonographsWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
173Findling, John E. Chicagos Great Worlds Fairs. Manchester: New York: Manchester University Press, 1994.Books/MonographsWorlds Columbian Exposition18932/20/2007 0:00:001SILUnited StatesIllinoisChicago1893
174Gilbert, James Burkhart. Perfect Cities: Chicagos Utopias of 1893. Chicago: University of Chicago Press, 1991.Books/MonographsWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
175Hales, Peter Bacon. Constructing the Fair: Platinum Photographs by C.D. Arnold of the Worlds Columbian Exposition. Chicago: Art Institute of Chicago, 1993.This work accompanies a centennial exhibition organized by the Art Institute of Chicago. Charles Dudley Arnold was the official photographer hired by the Fairs Director of Works, Daniel H. Burnham. His works capture the beginning construction stages of the fair and its opening in May of 1893 as well as its consequent heyday and demise.Books/MonographsWorlds Columbian Exposition18932/16/2007 0:00:001SILUnited StatesIllinoisChicago1893
176Hartman, Donald K., ed. Fairground Fiction: Detective Stories from the Worlds Columbian Exposition. Kenmore, NY: Motif Press, 1992.This work contains two detective stories. The first, entitled "Against Odds," is by Emma Murdoch Van Deventer and was written in 1894. The second, "Chicago Charlie, the Columbian Detective," is by John Harvey Whitson and was written in 1932. Both stories are followed by short descriptions of the authors and a list of their other works. A map of the fairgrounds, photographs, as well as an annotated bibliography of other fictional works that use the Worlds Columbian Exposition as a setting are also included in this work.Books/MonographsWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
177Jonnes, Jill. "The Worlds Fair: The Electricians Ideal City." Empires of Light: Edison, Tesla, Westinghouse, and the Race to Electrify the World. Jill Jones, ed. New York: Random House, 2003: 241-275, 390-392.Details the successful illumination of the fair, and the competition for the contracts.Books/MonographsWorlds Columbian Exposition18932/16/2007 0:00:001SILUnited StatesIllinoisChicago1893
178Kirkpatrick, Diane, curator. The Fair View: Representations of the Worlds Columbian Exposition. Ann Arbor: University of Michigan Museum of Art; Chicago, Ill.: Terra Museum of American Art, 1993.This brochure provides an introduction to an exhibition of images of the Exposition. The images were divided into four sections: "Introduction," "Utopian Vision," "Nature and Culture," and "Construction and Destruction." Some illustrations and a brief description of late-nineteenth century photographic and mass media image processes are included.Books/MonographsWorlds Columbian Exposition18932/16/2007 0:00:001SILUnited StatesIllinoisChicago1893
179Larson, Erik. The Devil in the White City: Murder, Magic and Madness at the Fair that Changed America. New York: Crown, 2003.Tells the story of 2 men: Daniel H. Burnham, the architect responsible for the Fairs construction, and H.H. Holmes, a serial killer masquerading as a charming doctor. Burnham overcame tremendous obstacles as he organized the talents of Frederick Law Olmstead, Charles McKim, and Louis Sullivan.Books/MonographsWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
180Lewis, Arnold. An Early Encounter with Tomorrow: Europeans, Chicagos Loop, and the Worlds Columbian Exposition. Urbana: University of Illinois Press, 1997.Documents the mixture of amazement and alarm with which European visitors greeted 1890s Chicago: as a futuristic city animated by a crass, frenetic mercantile class.Books/MonographsWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
181Miller, Donald L. City of the Century: The Epic of Chicago and the Making of America. New York: Simon & Schuster, 1996.In the aftermath of the Great Fire, the year of the Worlds Columbian Exposition marked the pinnacle of Chicagos growth as one of the most modern and dynamic cities in the country. This work covers the history of Chicago from its initial "discovery" to the turn of the twentieth century. Chapter 14 is devoted to the events of 1893 and includes discussion of the exposition.Books/MonographsWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
182Reed, Christopher Robert. "All the World is Here!": The Black Presence at White City. Bloomington, IN: Indiana University Press, 2000.Discusses the role of African-Americans at the 1893 Columbian Exposition and looks at the fairs racism and exploitation of people of color, and the historical controversies that have ensued.Books/MonographsWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
183Adams, Judith A. "The Promotion of New Technology through Fun and Spectacle: Electricity at the Worlds Columbian Exposition." Journal of American Culture 18:2 (1995): 45-55.Although electricity was debuted at the 1876 exposition, it was not generally accepted and considered safe until its uses were promoted at the 1893 exposition. Adams asserts that amusement parks and fairs have successfully promoted new technology because they are presented in a way that is "fun." Venues such as the Electricity Building and mechanisms like the moveable sidewalk and the Ferris wheel were some ways in which the benefits of electricity were demonstrated. Includes a short bibliography.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
184Bank, Rosemarie K. "Representing History: Performing the Columbian Exposition." Theatre Journal 54:4 (December 2002): 589-606.Examines the 1893 Exposition, and particularly at performances of "Buffalo Bills Wild West" show.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
185Brown, Julie K. "Recovering Representations: U.S. Government Photographers at the Worlds Columbian Exposition, Chicago 1893." Prologue: The Journal of the National Archives 29:3 (1997): 218-231.Instead of relying on commercial sources for documentation, the government decided to photograph its own exhibitions at the Chicago worlds fair. The author asserts that this decision indicates the great amount of importance placed by the government on its representation at this type of venue.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
186Brown, Julie K. "The Baltimore & Ohio and Pennsylvania Railroad Displays: Chicago Worlds Columbian Exposition, 1893." History of Photography 24:2 (Summer 2000): 155-162.The article focuses on the use of photography for corporate display at the Exposition in order to show some of the complexities of the corporate image making process.ArticlesWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
187Burton, Shirley J. "Obscene, Lewd, and Lascivious: Ida Craddock and the Criminally Obscene Women of Chicago, 1873-1913." Michigan Historical Review 19:1 (1993): 1-16.Burton addresses the prosecution of women during this period under the federal obscenity law. Ida Craddock was one such woman who spoke in defense of Fahreda Mahzar, also known as "Little Egypt," a belly dancer who performed at the "A Street in Cairo" exhibit at the worlds fair. Although her performance was one of the most popular, conservative critics attempted to censor it by demanding its closure.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
188Carr, Carolyn Kinder and Sally Webster. "Mary Cassatt and Mary Fairchild MacMonnies: The Search for Their 1893 Murals." American Art 8:1 (Winter 1994): 52-69.The murals painted by the two artists along with the building in which they were housed celebrated women and their progress. Unfortunately, the two murals, Modern Woman by Cassatt and Primitive Woman by MacMonnies, cannot be found. Feminist scholarship and interest in "The White City" have recently uncovered clues that may lead to their recovery. Photographs of the murals are included.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
189Carriere, Marius. "Samuel Bond and the Crystal Palace Medal." West Tennessee Historical Society Papers 41 (1987): 1-3.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
190Casey, Constance K. "Culture and Commerce." Chicago History 22:3 (1993): 4-19.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
191Clarke, Jane H. "The Art Institutes Guardian Lions." Art Institute of Chicago Museum Studies 14 (1988): 46-55.Clarkes brief history of the lions designed by Edward L. Kemeys for the Art Institute of Chicago also contains information on the design of the sculptural decoration of the Worlds Columbian Exposition.ArticlesWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
192Cressman, Jodi. "Helen Keller and the Minds Eyewitness." Western Humanities Review 54:2 (Fall 2000): 108-123.The psychologist Joseph Jastrows pavilion at the 1893 Fair put Helen Keller and all of her struggles on display. In her performances with Sullivan, the audience of the fair were rendered witnesses of Kellers consciousness.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
193Davis, Merle. "Sundays at the Fair: Iowa and the Sunday Closing of the 1893 Worlds Columbian Exposition." Palimpsest 74:4 (1993): 156-159.Many states, including Iowa, had "blue laws" which made certain activities on the Christian Sabbath illegal. A debate arose over whether or not the Worlds Columbian Exposition should remain open on Sundays. Iowa and several other states decided to close their exhibits on Sundays, while the rest of the fair remained open.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
194Dean, Andrea Oppenheimer. "Revisiting the White City: The Lasting Influence of the 1893 Chicago Worlds Columbian Exposition." Historic Preservation 45:2 (March/April 1993): 42-49, 97-98.Although the fair was lauded by critics of the day as a wonder of urban planning and architecture, in retrospect it can be seen as halting the development of modern and functional American architecture. Dean delves into this debate by bringing to light its historical context and by analyzing the design of several key buildings. Includes photographs.ArticlesWorlds Columbian Exposition18932/20/2007 0:00:001SILUnited StatesIllinoisChicago1893
195Ebling, Charles W. "You Call That Damn Thing a Boat? More Than a Century Ago, Ships that Looked Like Nuclear Submarines were Everywhere on the Great Lakes." American Heritage of Invention and Technology. 17:2 (2001): 25-27.Examines the history of shipbuilding around the Great Lakes including ships that were used for the 1893 Columbian Exposition as ferryboats to carry visitors between downtown Chicago and the fairgrounds.ArticlesWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
196Garfinkle, Charlene G. "Lucia Fairchild Fullers Lost Womans Building Mural." American Art 7:1 (1993): 2-7.Up until recently, all of the murals of the Womans Building were thought to be lost or destroyed. Only one, Fullers The Women of Plymouth, has been located in New Hampshire. Includes photographs of the mural.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
197Gilbert, Emily. "Naturalist Metaphors in the Literatures of Chicago, 1893-1925." Journal of Historical Geography 20:3 (1994): 283-304.Gilbert analyzes the use by turn of the century writers of organic metaphors to describe the modern city. She contextualizes this discussion by also looking at "other cultural projects of the period," one of which was the 1893 Worlds Columbian Exposition.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
198Gilbert, James. "A Contest of Cultures." History Today 42 (July 1992): 33-39.The author asserts that the expositions designers constructed the fair in a way that would promote "high culture," or the "superiority of European art and architecture and American Victorian moral sensibilities." This metaphor is explored by comparing and contrasting the manifestation of high culture, the White City, and its opposite as embodied in the Midway.ArticlesWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
199Gullett, Gayle. "Our Great Opportunity: Organized Women Advanced Womens Work at the Worlds Columbian Exposition of 1893." Illinois Historical Journal 87 (1994): 259-276.Organized women saw the Columbian Exposition as a chance to promote "organized womanhood" and the advancement of women. They also wanted to promote womens work, believing that all work was valuable if it remained faithful to womens "moral responsibilities to wards home and society." The efforts made at the exposition strengthened the womens movement and expanded the notion of womens politics.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
200Harris, Leo. "Wrecking to Save: The Chicago House Wrecking Company." Journal of the West 38:4 (October 1999): 65-74.Russian immigrant Moses Harris established a successful salvage business that reused materials from worlds fairs. His companies included the Chicago House Wrecking Company and the Columbia Exposition Salvage Company in which he pioneered techniques for preserving historical materials by reusing them.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
201Harris, Moira F. "Curt Teich Postcards of Minnesota." Minnesota History 54:7 (1995): 304-315.Harris expounds the historical value of studying postcards, specifically those of the Curt Teich Printing Company. The debut of the postcard at the 1893 worlds fair is mentioned briefly.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
202Harris, Neil. "Dream Making." Chicago History 23:2 (1994): 44-57.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
203Hinsley,Curtis M. "The World as Marketplace: Commodification of the Exotic at the Worlds Columbian Exposition, Chicago, 1893." Exhibiting Cultures:The Poetics and Politics of Museum Display. Washington, DC: Smithsonian Institution Press,1991. 344-365.ArticlesWorlds Columbian Exposition18932/15/2007 0:00:001SILUnited StatesIllinoisChicago1893
204Hunt, Sylvia. "Throw Aside the Veil of Helplessness: A Southern Feminist at the 1893 Worlds Fair." Southwestern Historical Quarterly 100:1 (1996): 48-62.Hunt looks at the life and philosophy of Sue Huffman Brady, a woman representing the South who delivered a speech to the Congress of Women. By examining her life and the participation of other women at the fair, an assessment can be made about the extent to which southern women experienced concepts such as "separate spheres" and "feminism" in the context of the contemporary womens movement.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
205Hutton, John. "Picking Fruit: Mary Cassatts Modern Woman and the Womans Building of 1893." Feminist Studies 20:2 (1994): 318-348.Although Cassatts mural, Modern Woman, was derided by critics of the time, their criticisms are testament to the way in which her depiction of women broke boundaries in the late nineteenth century. Her nontraditional use of Eve and Eden imagery has been the subject of contemporary feminist discussion.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
206Kasson, Joy S. "At the Columbian Exposition, 1893." Buffalo Bills Wild West: Celebrity, Memory, and Popular History. New York: Hill and Wang, 2000: 93-121, 284-287.ArticlesWorlds Columbian Exposition18932/15/2007 0:00:001SILUnited StatesIllinoisChicago1893
207Kennedy, Charles A. "When Cairo Met Main Street: Little Egypt, Salome Dancers, and the Worlds Fairs of 1893 and 1904." Music and Culture in America, 1861-1918. Ed. Michael Saffle. New York: Garland Publishing, 1998: 271-298.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
208Klasey, Jack. "Who Invented the Ferris Wheel?" American History Illustrated 28:4 (September/October 1993): 60-63.Klasey contemplates the true origin of the Ferris wheel asserting that although George Washington Gale Ferris is credited with its invention, its conceptual beginnings can be traced to earlier sources. He also touches upon the patent difficulties that Ferris encountered soon after the wheels debut.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
209Madsen, Carol Cornwall. "Decade of Detente: The Mormon-Gentile Female Relationship in Nineteenth-Century Utah." Utah Historical Quarterly 63: 4 (1995): 298-319.ArticlesWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
210Madsen, Carol Cornwall. "The Power of Combination: Emmeline B. Wells and the National and International Councils of Women." Brigham Young University Studies 33:4 (1993): 646-673.Mentions the convening of the first meeting of the International Council of Women at the 1893 exposition and the impact this had on womens activism worldwide. Wells participation in this meeting provided the impetus for her work in further developing womens networks.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
211Massa, Ann. "The Columbian Ode and Poetry, A Magazine of Verse: Harriet Monroes Entrepreneurial Triumphs." Journal of American Studies 20:1 (1986): 51-69.Massa discusses the performing of Harriet Monroes "The Columbian Ode" at the opening ceremonies of Dedication Day at the 1893 exposition as well as the establishment of the first journal dedicated to the publication and criticism of poetry.ArticlesWorlds Columbian Exposition18932/15/2007 0:00:001SILUnited StatesIllinoisChicago1893
212McCarthy, Michael P. "Should We Drink the Water?: Typhoid Fever Worries at the Columbian Exposition." Illinois Historical Journal 86:1 (1993): 2-14.Polluted drinking water from Lake Michigan caused a typhoid fever epidemic in Chicago from 1890-1892. The British raised concerns about the Columbian Exposition because of the typhoid fear. The movement to rid Chicago of this disease provides a historical look at solving public health problems and improving sanitation and water supply mechanisms.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
213Meister, Chris. "The Texas State Building: J. Riely Gordons Contribution to the Worlds Columbian Exposition." Southwestern Historical Quarterly 98:1 (July 1994): 1-24.Meister recounts the story of Texan participation in the fair and the process of selecting and then modifying Gordons building design. The buildings stylistic affect on subsequent architectural designs is also discussed.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
214Miller, Daniel T. "The Columbian Exposition of 1893 and the American National Character." Journal of American Culture 10:2 (Summer 1987): 17-22.Miller relies on contemporary published accounts of the fair to identify three "national traits": insecurity, discord and optimism.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
215Miller, Donald L. "The White City." American Heritage 44:4 (July/August 1993): 70-87.Although the Worlds Columbian Exposition was an amazing and historic event for the nation, it was even more so for the city of Chicago. Rising out of the ashes of the Great Fire of 1871, this worlds fair marked a moment in time when Chicago was at its greatest and most dynamic. Miller traces both its rise and its fall in the shadow of economic depression.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
216Mills, Stephen F. "The Presentation of Foreigners in the Land of Immigrants: Paradox and Stereotype at the Chicago World Exposition." European Contributions to American Studies 34 (1996): 251-65.Mills is concerned primarily with the presentation of the Irish by the British at the Chicago worlds fair. The Irish, he argues, were presented as the "modern," "after" product of Great Britains civilization processes.ArticlesWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
217Nathan, Marvin. "Visiting the Worlds Columbian Exposition at Chicago in July 1893: A Personal View." Journal of American Culture 19:2 (Summer 1996): 79-102.Analyzes a letter written by an "ordinary" visitor, Annie Finette Lynch, about her experiences at the Chicago worlds fair. Includes the text of the letter, which was written to her younger sister, as well as numerous photographs.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
218Ochsner, Jeffrey Karl. "In Search of Regional Expression: The Washington State Building at the Worlds Columbian Exposition, Chicago, 1893." Pacific Northwest Quarterly 86:4 (1995): 165-177.Although the Washington State building was commended for its uniqueness and beauty, its design was ultimately determined not by the state, but by D.H. Burnham, the fairs chief of construction. Burnhams choice for the buildings design is indicative of eastern civic and business leaders preconceived notion of western states as rural and primitive.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
219Paddon, Anna R. and Sally Turner. "African Americans and the Worlds Columbian Exposition." Illinois Historical Journal 88:1 (1995): 19-36.African American community leaders gathered in Chicago to deliberate how they should react to their exclusion from the fairs planning and exhibitions. The authors argue that their exclusion and the consequential process of responding to it helped to the lay the groundwork for twentieth century black political, social, and artistic movements.ArticlesWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
220Paddon, Anna R. and Sally Turner."Douglasss Triumphant Days at the Worlds Columbian Exposition." Proteus 12:1 (1995): 43-47.Paddon and Turner trace the change of heart that Frederick Douglass had for the Chicago worlds fair, having first denounced it along with Ida B. Wells before its opening and then using his appointed position as commissioner from Haiti to champion the causes of African Americans within fair venues. They also include discussion of his address, "Honor to Their Race."ArticlesWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
221Palmer, Richard F. "Postcard Craze Engulfs the Great Lakes." Inland Seas 50:1 (1994): 39-45.Discusses the origin and popularity of the postcard, mentioning the issuing of numerous souvenir postcards at the Chicago worlds fair. Collecting and care and handling of postcards is also addressed.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
222Patton, Phil. "Mammy: Her Life and Times." American Heritage 44:5 (1993): 78-87.Patton traces the evolution of the multi-faceted American icon, Mammy. He looks closely at Aunt Jemima, the commercial image used to sell baking goods, who made her debut at the Worlds Columbian Exposition.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
223Patton, Phil. "Sell the Cookstove if Necessary, but Come to the Fair." Smithsonian 24:3 (June 1993): 38-51.Patton provides a general yet comprehensive overview of the Worlds Columbian Exposition phenomenon which encompasses the publics reaction, its architecture and splendor, and its commercialism. Patton also discusses aspects of racism and sexism at the fair including the segregation and exclusion of African Americans and the condescending nature with which Asians, Native Americans, and women were treated.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
224Phipps, Linda S. "The 1893 Art Institute Building and the ‘Paris of America: Aspirations of Patrons and Architects in Late Nineteenth-Century Chicago," Art Institute of Chicago Museum Studies 14:1 (1988): 28-45.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
225Rabinovitz, Laura."The Fair View: The 1893 Chicago Worlds Columbian Exposition." For the Love of Pleasure: Women, Movies, and Culture in Turn-of-the-Century Chicago. New Brunswick: Rutgers University Press, 1998: 47-67.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
226Raibmon, Paige."Theatres of Contact: The Kwakwakwakw Meet Colonialism in British Columbia and the Chicago Worlds Fair." Canadian Historical Review 81:2 (June 2000): 157-190.Focuses on the reaction of spectators to the performers from Vancouver Island during the Fair. Description of the version of the hamasta, or cannibal dance, a spiritually and politically important tribal initiation rite, and assertion of their cultural persistence.ArticlesWorlds Columbian Exposition18932/16/2007 0:00:001SILUnited StatesIllinoisChicago1893
227Reinhardt, Richard. "The Midway Plaisance: Notorious Ancestor of Todays Amusement Parks." Worlds Fair 13:2 (April-June 1993): 15-20.Reinhart captures the lasciviousness of the Midway, the first amusement area officially part of an American fair.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
228Ridge, Martin. "Turner the Historian: A Long Shadow." Journal of the Early Republic 13:2 (1993): 132-144.Mentions briefly Frederick Jackson Turners address, "The Significance of the American Frontier in American History," given at the 1893 worlds fair.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
229Rudwick, Elliot and August Meier. "Black Man in the ‘White City: Negroes and the Columbian Exposition, 1893." Phylon 26:4 (Winter 1965): 354-361.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
230Rydell, Robert. "The Chicago Worlds Columbian Exposition of 1893: ‘And was Jerusalem Builded Here?" Representing the Nation: A Reader: Histories, Heritage, and Museums. Ed. D. Boswell and Jessica Evans. London: Routledge, 1999.ArticlesWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
231Savory, Jerold J. "Cartoon Commentary." Chicago History 23:1 (1994): 32-57.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
232Shaw, Marian. "The Fair in Black and White." Chicago History 22:2 (1993): 54-72.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
233Steiner, Michael. "Parables of Stone and Steel: Architectural Images of Progress and Nostalgia at the Columbian Exposition and Disneyland." American Studies 42:1 (2001): 39-67.As a way to gauge changing perceptions of technological progress, compares public attitudes toward Chicagos 1893 Worlds Columbian Exposition to those toward Disneyland since its 1955 opening. Fairgoers of 1893 were fascinated and overwhelmed by the technological features offered at the Chicago exposition, while early visitors to Disneyland longed for the Old West, while also marveling at what tomorrow could bring.ArticlesWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
234Swaim, Ginalie, Becky Hawbaker, Lisa Moran, and Bill Silag. "Iowans at the 1893 Worlds Columbian Exposition: What They Took to the Fair, What They Did There, and What They Brought Home." Palimpsest 74:4 (1993): 161-187.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
235Tehranian, Katherine Kia. "The Chicago Columbian Exposition of 1893: A Symbol of Modernism." Proceedings of the National Conference on American Planning History 5 (1993): 500-511.Traces the development of urban planning in America as well as the significance of it at the Chicago worlds fair. The planning of this exposition was one of the first large scale projects in which a group of experts was brought together to work collaboratively.ArticlesWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
236Vaillant, Derek. "Preludes of Reform: The Chicago Jubilee, Thomas Summer Nights Concerts, and the 1893 Worlds Columbian Exposition." Sounds of Reform: Progressivism and Music in Chicago, 1873-1935.Chapel Hill: UNC Press, 2003.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
237Valis, Noël. "Womens Culture in 1893: Spanish Nationalism and the Chicago Worlds Fair." Letras Peninsulares 13:2-3 (2001): 633-664.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
238Vendl, Karen and Mark Vendl. "The Mines and Mining Building of the Worlds Columbian Exposition, 1893: A Photographic Essay." Mining History Journal 8 (2001): 30-41.The architecture and internal design of the Mines and Mining Building, one of 14 primary exhibit halls constructed for Chicagos 1893 Worlds Columbian Exposition, recognized the industrys importance to Americas economy, workforce, and culture by showcasing mineral samples, new technology, and production methods from mines in Colorado, Montana, Michigan, and other states, as well as several other nations.ArticlesWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
239Weimann, Jeanne Madeline. "The Great 1893 Womans Building: Can We Measure up in 1992." MS Magazine 41 (March 1983): 65-67.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
240Wills, Garry. "Sons and Daughters of Chicago." New York Review of Books 61:11 (June 1994): 52-59.A review of several books on Chicago and the Worlds Columbian Exposition, principally on the architecture of the fair, the Womens Pavilion, and Chicago architects including Daniel Burnham, H.H. Richardson and Frank Lloyd Wright.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
241Wilmerding, John. "Essential Reading." American Art 11:2 (1997): 28-35.This piece primarily discusses the life of Henry Adams and his autobiography, The Education of Henry Adams. Adams philosophy on learning was changed by his visit to the 1893 worlds fair and what he saw as "an image of American unity."ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
242Wilson, Matthew. "The Advent of the Nigger: The Careers of Paul Laurence Dunbar, Henry O. Tanner, and Charles W. Chesnutt." American Studies 43:1 (2002): 5-50.ArticlesWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
243Wilson, William H. "The Worlds Columbian Exposition and the City Beautiful Movement: What Really Happened?" Proceedings of the National Conference on American Planning History 5 (1993): 487-499.Asserts that the "White City" influenced the City Beautiful movement in terms of design, collaboration, and the use of experts, but did not begin or lead the movement of "comprehensive city planning." Architects of the City Beautiful movement purposely tied their efforts to the worlds fair in order to advance their own agendas.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
244Zimmerman, Karen P. "Promoting the Prairie Cornucopia: South Dakota at the 1893 Worlds Columbian Exposition." South Dakota History 23:4 (1993): 281-300.Considering the difficulties of South Dakotas first years of statehood, Governor Mellette saw the fair as an opportunity to bolster the states image and encourage immigration. Zimmerman discusses the effort to appropriate funds for the states participation, the role of citizens in garnering the needed support, and the agricultural theme of the state building. Includes photographs.ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
245Ziolkowski, Eric J. "Waking Up From Akbars Dream: The Literary Prefiguration of Chicagos 1893 Worlds Parliament of Religions." The Journal of Religion 73:1 (January 1993): 42-60.The author brings together the worlds of religion and literature by arguing that the Parliament of Religions traces its origins to "a concurrent maverick theme of religious tolerance that had been emergent in Western literature since the Middle Ages." The author asserts that these themes influenced the parliaments chairman through the "poetry of Alfred Tennyson."ArticlesWorlds Columbian Exposition18932/8/2007 0:00:001SILUnited StatesIllinoisChicago1893
246Brittain, Randy Charles. "Festival Jubilate, Op. 17 by Amy Cheney Beach (1867-1944): A Performing Edition." Ph.D. Dissertation: University of North Carolina, Greensboro, 1994.Brittain asserts that the first prominent American woman composer in choral music was Amy Cheney Beach. Beach was commissioned by the Board of Lady Managers of the Chicago worlds fair to compose music for the opening of the Womans Building. Festival Jubilate, op. 17 was the resulting piece. In this work, Brittain produces a new edition of the piano-vocal score of Festival Jubilate.Theses/DissertationsWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
247Canfield, Amy Taipale. "Discovering Woman: Womens Performances at the Worlds Columbian Exposition Chicago, 1893." Ph.D. Dissertation: Ohio State University, 2002.A pivotal event in the adjustment of Americas attitudes towards women was the Worlds Columbian Exposition in Chicago in 1893. Because the images that women performed, both on-stage and off, in conjunction with the Exposition, reached so many people, this occasion can be considered a landmark in the shaping of public attitudes towards women in theatre and in general. This study examines the performances of three groups of women: the Board of Lady Managers, which had official responsibility for activities relating to women at the Exposition; actresses who performed in the legitimate drama in Chicago during the Exposition; and the women who formed part of the village performances and living ethnological exhibits on the fairgrounds.Theses/DissertationsWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
248Dillon, Diane. "The Fair as Spectacle: American Art and Culture at the 1893 Worlds Fair." Ph.D. Dissertation: Yale University, 1994.Dillon examines the intersection between American capitalism and American culture and aesthetics as was seen in the Worlds Columbian Exposition. She focuses on the American art exhibition on at the Fine Arts Palace, analyzing the works and then contextualizing them within the larger framework of American culture and history. Includes illustrations and a bibliography.Theses/DissertationsWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
249Garfinkle, Charlene. "Women at Work: The Design and Decoration of the Womans Building at the 1893 Worlds Columbian Exposition: Architecture, Exterior Sculpture, Stained Glass and Interior Murals." Ph.D. Dissertation: University of California, Santa Barbara, 1996.Garfinkle analyzes the Womens Building, designed and built entirely by women, as "a visible manifestation of the New Woman" at the turn of the century. She does so by looking at its architecture and art. She also asserts that the building, under the direction of the Board of Lady Managers, was designed to send a strong message which would "transcend the limited existence of the building."Theses/DissertationsWorlds Columbian Exposition18932/16/2007 0:00:001SILUnited StatesIllinoisChicago1893
250Harding, John Sheldon. "Mahayana Phoenix: Japans Buddhists at the 1893 Worlds Parliament of Religions." Ph.D. Dissertation: University of Pennsylvania, 2003.A group of Japanese Buddhists traveled to Chicagos Columbian Exposition in the 1893 Parliament of Religions. These delegates combined religious aspirations with nationalist ambitions. Their portrayal of Buddhism mirrored modern reforms in Meiji Japan and the historical context of cultural competition and religious exhibition on display at the 1893 Worlds Fair.Theses/DissertationsWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
251Hubbard, Ladee. "Mobility in America: The Myth of the Frontier and the Performance of National Culture at the Chicago Worlds Fair of 1893." Ph.D. Dissertation: University of California, Los Angeles, 2003.Theses/DissertationsWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
252Potter-Hennessey, Pamela. "The Sculpture at the 1893 Worlds Columbian Exposition: International Encounters and Jingoistic Spectacles." Ph.D. Dissertation: University of Maryland, 1995.Theses/DissertationsWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
253Interactive Guide to the Worlds Columbian ExpositionWeb SitesWorlds Columbian Exposition1893http://users.vnet.net/schulman/Columbian/colu1SILUnited StatesIllinoisChicago1893
254Ida B. Wells: The Reason Why the Colored American is not in the Worlds Columbian Exposition.Web SitesWorlds Columbian Exposition1893http://womhist.binghamton.edu/ibw/abstract.ht1SILUnited StatesIllinoisChicago1893
255Welcome to The Web-Book Of The Fair - a window on the Chicago Worlds Fair Of 1893, the Columbian ExpositionWeb SitesWorlds Columbian Exposition1893http://fly.hiwaay.net/~shancock/fair/1893.htm1SILUnited StatesIllinoisChicago1893
256The Worlds Columbian Exposition: Idea, Experience, AftermathWeb SitesWorlds Columbian Exposition1893http://xroads.virginia.edu/~MA96/WCE/title.ht1SILUnited StatesIllinoisChicago1893
257Chandler, Arthur and Marvin Nathan.The Fantastic Fair: The Story of the California Midwinter International Exposition, Golden Gate Park, San Francisco, 1894. CA: Pogo Press, 1993.Books/MonographsCalifornia Midwinter International Exposition18942/16/2007 0:00:001SILUnited StatesCaliforniaSan Francisco1894
258Lipsky, William. San Franciscos Midwinter Exposition. Chicago: Arcadia Publishing, 2002.Books/MonographsCalifornia Midwinter International Exposition18942/16/2007 0:00:001SILUnited StatesCaliforniaSan Francisco1894
259San Francisco History Association. "Centennial Journey" 1894-1994: California Midwinter International Exposition, 1894, Golden Gate Park, San Francisco. San Francisco: San Francisco History Association, 1994.Books/MonographsCalifornia Midwinter International Exposition18942/8/2007 0:00:001SILUnited StatesCaliforniaSan Francisco1894
260Silver, Mae. 1894 California Midwinter Fair Women Artists: An Appreciation. S.I.: s.n., 1994.Books/MonographsCalifornia Midwinter International Exposition18944/9/2007 0:00:001SILUnited StatesCaliforniaSan FranciscoArtists,Women -- Feminism1894
261Berglund, Barbara. "The Days of Old, the Days of Gold, the Days of 49: Identity, History, and Memory at the California Midwinter International Exposition, 1894." Public Historian 25:4 (Fall 2003): 25-49.ArticlesCalifornia Midwinter International Exposition18942/8/2007 0:00:001SILUnited StatesCaliforniaSan Francisco1894
262Goodson, Steve. Highbrows, Hillbillies, and Hellfire: Public Entertainment in Atlanta, 1880-1930. Athens: University of Georgia Press, 2002.Books/MonographsCotton States and International Exposition18952/8/2007 0:00:001SILUnited StatesGeorgiaAtlanta1895
263Lorini, Alessandra. "International Expositions in Chicago and Atlanta: Rituals of Progress and Reconciliation." Rituals of Race: American Public Culture and the Search for Racial Democracy. Charlottesville, VA: University Press of Virginia, 1999: 33-75.ArticlesCotton States and International Exposition18952/8/2007 0:00:001SILUnited StatesGeorgiaAtlanta1895
264Newman, Harvey K. "Atlantas Hospitality Businesses in the New South Era, 1880-1900." Georgia Historical Quarterly 80:1 (1996): 53-76.Discusses primarily early hotels such as the Kimball House and businesses like traveling circuses. The impact of prohibition is also addressed. Mention is made of the 1881 Cotton Exposition while the 1895 Cotton Exposition is dealt with in more detail.ArticlesCotton States and International Exposition18952/8/2007 0:00:001SILUnited StatesGeorgiaAtlanta1895
265Coons, F. H. Boyd. "The Cotton States and International Exposition in the New South: Architecture and Implications." M. Arch. Hist. Thesis: University of Virginia, 1988.Created to espouse the positive traits of the New South, the Cotton States and International Exposition occurred at a time of "renewed regional identity." The layout of the fairgrounds as well as the disunity of architectural style amongst the buildings were indicative of the New Souths unresolved identity issues. Includes photographs and a bibliography.Theses/DissertationsCotton States and International Exposition18952/16/2007 0:00:001SILUnited StatesGeorgiaAtlanta1895
266Cajka, Liz. Westward the Empire: Omahas World Fair of 1898. Omaha, NE: University of Nebraska at Omaha, 1998.Books/MonographsTrans-Mississippi and International Expositio18982/8/2007 0:00:001SILUnited StatesNebraskaOmaha1898
267Gale, Kira. Buffalo Bill and Geronimo at the Trans-Miss. Omaha, NE: River Junction Press, 1998.Books/MonographsTrans-Mississippi and International Expositio18982/8/2007 0:00:001SILUnited StatesNebraskaOmaha1898
268Larsen, Lawrence Harold. The Gate City: A History of Omaha. Lincoln: University of Nebraska Press, 1997.Books/MonographsTrans-Mississippi and International Expositio18981SILUnited StatesNebraskaOmaha1898
269 Loving Memories: Trans-Mississippi 1898 and Greater America 1899. Kearney, NE: Morris Press, 1999.Books/MonographsTrans-Mississippi and International Expositio18982/8/2007 0:00:001SILUnited StatesNebraskaOmaha1898
270Peterson, Jess R. Omahas Trans-Mississippi Exposition. Chicago: Arcadia, 2003.Books/MonographsTrans-Mississippi and International Expositio18981SILUnited StatesNebraskaOmaha1898
271Beam, Patrice Kay. "The Last Victorian Fair: The Trans-Mississippi International Exposition." Journal of the West 33:1 (January 1994): 10-23.Provides a general overview of different aspects of the fair and places the fair within an American historical context. Includes photographs as well as a table of attendance figures from worlds fairs from 1851 to 1904.ArticlesTrans-Mississippi and International Expositio18982/8/2007 0:00:001SILUnited StatesNebraskaOmaha1898
272Moore, Sarah J. "Mapping Empire in Omaha and Buffalo: Worlds Fairs and the Spanish American War." Bilingual Review/ La Revista Bilingüe 25:1 (2000): 111-126.ArticlesTrans-Mississippi and International Expositio18981SILUnited StatesNebraskaOmaha1898
273Trans-Mississippi & International Exposition of 1898Web SitesTrans-Mississippi and International Expositio1898http://www.omaha.lib.ne.us/transmiss/about/ab1SILUnited StatesNebraskaOmaha1898
274Special Collections: 1898 Omaha Trans-Mississippi and International ExpositionWeb SitesTrans-Mississippi and International Expositio1898http://www.lib.csufresno.edu/subjectresources1SILUnited StatesNebraskaOmaha1898
275Bruson, Jean-Marie, Diane Pietrucha Fischer and Linda Jones Docherty. Paris 1900: les artistes américains á lExposition universelle: Musée Carnavalet, Histoire de Paris, 21 février - 29 avril 2001. Paris: Paris-Musées, 2001.Books/MonographsExposition universelle19002/8/2007 0:00:001SILFranceParis1900
276Fischer, Diane P., ed. Paris 1900: The "American School" at the Universal Exposition. New Brunswick, NJ: Rutgers University Press, 1999.Books/MonographsExposition universelle19002/8/2007 0:00:001SILFranceParis1900
277Greenhalgh, Paul. Art Nouveau: 1890-1914. London: Washington DC: Victoria and Albert Museum; National Gallery of Art, 2000.Art Nouveau exploded onto the art and design scene in the early 1890s, and spread rapidly throughout the western world with an enormous showcase at the 1900 Exposition Universelle.Books/MonographsExposition universelle19002/8/2007 0:00:001SILFranceParis1900
278Kiddle, Charles. The Paris Universal Exposition 1900: The Poster Stamps-Vignettes. Alton: World Poster Stamps, 2000.Books/MonographsExposition universelle19002/8/2007 0:00:001SILFranceParis1900
279Lewis, David Levering and Deborah Willis. A Small Nation of People: W.E.B. Du Bois and African American Portraits of Progress. New York: Amistad, 2003.W.E.B. DuBois and the Paris Exposition; including 150 of the photographs that DuBois included in his display on African Americans in Georgia at the 1900 Paris Exposition.Books/MonographsExposition universelle19002/16/2007 0:00:001SILFranceParis1900
280Lorrain, Jean and Phillipe Martin Lau. Mes Expositions Universelles: 1889-1900. Paris: H. Champion, 2002.Books/MonographsExposition universelle19001SILFranceParis1900
281Mabire, Jean- Christophe. LExposition universelle de 1900. Paris: LHarmattan, 2000.Books/MonographsExposition universelle19002/8/2007 0:00:001SILFranceParis1900
282Mogensen, Margit. "New Technology for Social Health: The Finsen Lamp at the World Exhibition in Paris, 1900." ICON: Journal of the International Committee for the History of Technology. 7 (2001): 35-48.ArticlesExposition universelle19002/8/2007 0:00:001SILFranceParis1900
283Robinson, Joyce Henri. "M Exhibits: Exposing Art in 2000." Museum News (September/October 2000): 39-63.Review of two traveling exhibits based on the 1900 Exposition, and their attempt to recreate the ambiance of the original exhibition. Did the art of the time belong to the Post-Impressionist giants in the 1880s or to the early twentieth century artists?ArticlesExposition universelle19002/8/2007 0:00:001SILFranceParis1900
284Smeds, Kerstin. "A Paradise Called Finland." Scandinavian Journal of Design History 6 (1996): 62-77.Amidst a tumultuous history of war between Sweden and Russia, one way in which Finland attempted to establish its distinctive national identity was through architecture. The Finnish Pavilion at the 1900 worlds fair was a key example of "nation-building" during a period of imposed Russification. The pavilion is discussed in the early portion of the article. Photographs are also included.ArticlesExposition universelle19002/8/2007 0:00:001SILFranceParis1900
285Trocme, Helen. "1900: Les Américains à lExposition universelle de Paris." Revue Française dEtudes Américaines 59 (1994): 34-44.ArticlesExposition universelle19002/8/2007 0:00:001SILFranceParis1900
286Buffalo and Erie County Historical Society. Treasures from the Past: The Pan-Am Expo of 1901. Buffalo, NY: Buffalo and Erie County Historical Society, 2001.Offers educators a practical way to teach the Pan-American Exposition curriculum. Provides lessons for all grade levels, source documents, links to web sites: CD Rom included.Books/MonographsPan-American Exposition19012/8/2007 0:00:001SILUnited StatesNew YorkBuffalo1901
287Grant, Kerry S. The Rainbow City: Celebrating Light, Color, and Architecture at the Pan American Exposition, Buffalo, 1901. Buffalo, NY: Canisius College Press, 2001.Books/MonographsPan-American Exposition19012/8/2007 0:00:001SILUnited StatesNew YorkBuffalo1901
288Harmon, Carey A. and Varney Greene. The Pan-American Exposition: A Selected Annotated Bibliography of Sources Available at the Buffalo and Erie County Public Library. Revised by Varney Greene. Buffalo, NY: The Library, 2001.Books/MonographsPan-American Exposition19012/16/2007 0:00:001SILUnited StatesNew YorkBuffalo1901
289Lee, Raya and Robert Berkman. Pan American Exposition, Buffalo New York, 1901: A Birds Eye View of Sights and Sounds. Buffalo, NY: Canisius College Press, 2001.Accompanying CD includes popular music of the time period.Books/MonographsPan-American Exposition19012/8/2007 0:00:001SILUnited StatesNew YorkBuffalo1901
290Loos, William H., Ami N. Savigny and Robert M. Gurn.The Forgotten "Negro Exhibit": African American Involvement in Buffalos Pan-American Exposition, 1901. Buffalo, NY: Buffalo & Erie County Public Library and the Library Foundation of Buffalo & Erie County: 2001.Books/MonographsPan-American Exposition19012/20/2007 0:00:001SILUnited StatesNew YorkBuffalo1901
291Bamford, Heidi. "A Century Ago: Behind the Scenes with Uncle Hank: The 1901 Pan-American Exposition in Buffalo." Nineteenth Century 21:2 (2002): 44-47.Looks back on the 1901 Exposition, how it came into being, and a book that was written by Thomas Fleming, Around the ‘Pan with Uncle Hank: His Trip Through the Pan-American Exposition.ArticlesPan-American Exposition19012/8/2007 0:00:001SILUnited StatesNew YorkBuffalo1901
292Bewley, Michele Ryan. "The New World in Unity: Pan-America Visualized at Buffalo in 1901." New York History 84:2 (2003): 179-203.ArticlesPan-American Exposition19011SILUnited StatesNew YorkBuffalo1901
293Illuminations: Revisiting the Buffalo Pan-American Exposition of 1901.Web SitesPan-American Exposition1901http://ublib.buffalo.edu/libraries/exhibits/p1SILUnited StatesNew YorkBuffalo1901
294Chibbaro, Anthony. The Charleston Exposition. Charleston, SC: Arcadia, 2001.Books/MonographsSouth Carolina and Inter-State and West India1901-19022/8/2007 0:00:001SILUnited StatesSouth CarolinaCharleston
295Bland, Sidney R. "Women and Worlds Fairs: The Charleston Story." South Carolina Historical Magazine 94:3 (1993): 166-184.Worlds fairs at the turn of the century began to celebrate the accomplishments of women. Womens pavilions and activities from previous worlds fairs set the precedent for following womens forums, including that of the West Indian Exposition. The Womans Department formed the backbone of organizing efforts and in the process created an image of the southern woman as having aspects of both "traditional womanhood and new womanhood."ArticlesSouth Carolina and Inter-State and West India1901-19022/8/2007 0:00:001SILUnited StatesSouth CarolinaCharleston
296Harvey, Bruce. "Struggles and Triumphs Revisited: Charlestons West Indian Exposition and the Development of Urban Progressivism." Proceedings of the South Carolina Historical Association (1988): 85-93.Despite ending up bankrupt by the end of the fair, the West Indian Exposition can be seen, according to Harvey, as a success for the city of Charleston. The fair was an effort to establish Progressivism in the southern business community and revive the southern economy.ArticlesSouth Carolina and Inter-State and West India1901-19022/8/2007 0:00:001SILUnited StatesSouth CarolinaCharleston
297Smyth, William D. "Blacks and the South Carolina Interstate and West Indian Exposition." South Carolina Historical Magazine 88:4 (1987): 211-219.Smyth looks specifically at the Negro Building as well as the Negro Department which had Booker T. Washington as its chief commissioner. The organizers of the building wanted to showcase black progress in industry, education, and agriculture. Smyth asserts that the building was well received by visitors and helped to unite blacks in the South.ArticlesSouth Carolina and Inter-State and West India1901-19022/8/2007 0:00:001SILUnited StatesSouth CarolinaCharleston
298Bossaglia, Rossana, Ezio Godoli, and Marco Rosci, (eds). Torino 1902: Le arti decorative internazionali del nuovo secolo. Milan: Fabbri, 1994.Books/MonographsEsposizione internazionale darte decorativa m19022/20/2007 0:00:001SILItalyTurin1902
299Garuzzo, Valeria. Lesposizione del 1902 a Torino. [Italian] Torino: Testo & imagine, 1999.Books/MonographsEsposizione internazionale darte decorativa m19021SILItalyTurin1902
300Weisberg, Gabriel P. "The Turin Exposition of International Design 1902: The Mystery of the Stile Floreale and the Palazzina of Augostino Lauro." Arts Magazine 62 (April 1988): 32-36.During a period in which Italian design was considered "weak," the Turin Exposition was designed to stimulate the creative forces of Italian artistry in buildings and furniture by placing their works in direct competition with foreign designs. The exposition marked the debut of a new, original Italian style called Stile Floreale. The Palazzina was built to demonstrate this modern style.ArticlesEsposizione internazionale darte decorativa m19022/16/2007 0:00:001SILItalyTurin1902
301Barnes, Harper. Standing on a Volcano: The Life and Times of David Rowland Francis. St. Louis: Missouri Historical Society Press, 2001.Biography of the "father" of the St. Louis Fair who was later appointed ambassador to Russia by Woodrow Wilson.Books/MonographsLouisiana Purchase Exposition19042/15/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
302Breitbart, Eric. A World on Display: Photographs from the St. Louis Worlds Fair, 1904. Albuquerque: University of New Mexico Press, 1997.Books/MonographsLouisiana Purchase Exposition19041SILUnited StatesMissouriSt. Louis1904
303Clevenger, Martha R., ed. "Indescribably Grand": Diaries and Letters from the 1904 Worlds Fair. St. Louis: Missouri Historical Society Press, 1996.This work focuses on the reactions of visitors to the various aspects of the worlds fair. It includes the diaries and letters of four visitors as well as an overview of the 1904 worlds fair by Clevenger. Illustrations, a bibliography, and an index are included.Books/MonographsLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
304Fox, Elana V. Inside the Worlds Fair of 1904: Exploring the Louisiana Purchase Exposition 2 vols. Bloomington, IN: 1st Books Library, 2003.Visual history of the Exposition.Books/MonographsLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
305Fox, Timothy J. and Duane R. Sneddeker. From the Palaces to the Pike: Visions of the 1904 Worlds Fair. St. Louis: Missouri Society Press, 1997.This photographic history of the fair presents readers with images of the fairs opening day, over fourteen of its buildings, the Philippine Reservation and Anthropological Division, the 1904 Olympic Games, its special events, and the fair goers. Each section includes a brief introduction.Books/MonographsLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
306Hendershott, Robert L. The 1904 St. Louis Worlds Fair: The Louisiana Purchase Exposition Mementos and Memorabilia. Iola, WI: Kurt F. Krueger Pub., 1994.This guide includes over 2400 listings for actual items with corresponding photographs. Photographs are black and white. The items are arranged by category and each listing includes the items value range.Books/MonographsLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
307Minkin, Bertram. Legacies of the St. Louis Worlds Fair. St. Louis, MO.: Virginia Publishing, 1998.Books/MonographsLouisiana Purchase Exposition19041SILUnited StatesMissouriSt. Louis1904
308Rademacher, Diane. Still Shining: Discovering Lost Treasures from the 1904 St. Louis Worlds Fair. St. Louis, MO: Virginia Publishing, 2003.Tracks down the present history and location of the 1904 fair buildings, sculptures, and structures. Contains original photographs as well as photographs of how the structures look today. Also provides background on the items and how they came to be included in the fair.Books/MonographsLouisiana Purchase Exposition19042/16/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
309Afable, Patricia O. "The Exhibition of Cordillerans in the United States during the Early 1900s." Igorot Quarterly 6:2 (1997): 19-22.A large Philippine exhibit which included an estimated 800 to 1000 Filipinos was created for the fair in order to display the United States recently acquired colonial spoils and justify its imperial presence in the Philippines. Afable discusses some of the key features of the exhibit, its popularity, and the present day effort to unearth more information about its Igorot participants. Includes references.ArticlesLouisiana Purchase Exposition19042/8/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
310Armstrong, Agnes. "The Organ in the Iowa State Building at the Louisiana Purchase Exhibition." The Tracker: Journal of the Organ Historical Society. 36:4 (1992): 25-30.ArticlesLouisiana Purchase Exposition19041SILUnited StatesMissouriSt. Louis1904
311Barr, Bernadine Courtright. "Entertaining and Instructing the Public: John Zahorskys 1904 Incubator Institute." Social History of Medicine 8:1 (1995): 17-36.ArticlesLouisiana Purchase Exposition19042/8/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
312Book, Jeff. "Return of a Giant." Smithsonian 34:12 (March 2004): 27-28.Birmingham, Alabama was a major iron-making center at the beginning of the 20th century: to prove this to the world, they built a colossal iron statue of Vulcan, Roman God of the forge for the 1904 St. Louis Worlds Fair. The statue has been restored, and now sits in Vulcan Park.ArticlesLouisiana Purchase Exposition19042/8/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
313Blumentritt, Mia. "Bontoc Eulogy, History and the Craft of Memory: An Extended Conversation with Marlon E. Fuentes." Amerasia Journal 24:3 (1998): 75-91.Concerned with the Filipino experience at the St. Louis Fair, and the historical importance of the fair to Filipinos as well as the conditions of the indigineous Filipinos who were brought to the Fair.ArticlesLouisiana Purchase Exposition19042/8/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
314Christ, Carol A. "Japans Seven Acres: Politics and Aesthetics at the 1904 Louisiana Purchase Exposition." Gateway Heritage 17:2 (1996): 2-15.For Japan, the 1904 worlds fair was the opportunity to present two images to the world. In the midst of Western imperial encroachment into Asia, Japan wanted to project an image of military strength equal to that of the United States and Great Britain. On the other hand, Japan provided fair goers with an image of uniqueness based on ancient culture and tradition that resisted the imposition of Western standards. Some of the areas covered by the article are Japanese participation in earlier worlds fairs, Japanese collaboration with American anthropologists to exhibit the indigenous Ainu, the Russo-Japanese War, and Japanese aesthetics. Includes photographs and a brief bibliography of primary and secondary resources.ArticlesLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
315Christ, Carol A. "The Sole Guardians of the Art Inheritance of Asia: Japan and China at the 1904 St. Louis Worlds Fair." Positions: East Asia Cultures Critique 8:3 (Winter 2000): 675-709.Describes Japanese participation in the 1904 Worlds Fair, and Japans use of the Exposition to claim the status of colonial power. Distinctions between the Japanese and Chinese, and how they were viewed by the world.ArticlesLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
316Clevenger, Martha R. "Through Western Eyes: Americans Encounter Asians at the Fair." Gateway Heritage 17:2 (1996): 42-51.The worlds fairs showcased what organizers believed was "progress" according to Western standards. These standards were used to judge non-Western cultures and deem them uncivilized and backward. Organizers juxtaposed these cultural exhibitions in order to educate attendees of the "benefits" of Western progress. Clevenger discusses the impact that the Chinese, Japanese, and Filipino exhibits had on audiences based on the personal accounts of four fair attendees. She also delves into greater detail about each countrys exhibit. This piece was adapted from an excerpt from Clevengers "Indescribably Grand": Diaries and Letters from the 1904 Worlds Fair. Includes photographs and short bibliography.ArticlesLouisiana Purchase Exposition19042/8/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
317Cody, David C. "Henry Adams and the City of Brass." New England Quarterly 60:1 (March 1987): 89-91.Adams used the phrase "the city of brass" to describe the night time illumination of the St. Louis fairgrounds. Cody traces its history and reveals the more ominous meanings of the phrase in noting that Kipling and the tales of Scheherazade used the "city of brass" as a metaphor for "a ghastly monument of spiritual starvation in the midst of material plenty."ArticlesLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
318Crets, Jennifer. "What the Carnival is at Rome, the Fair is at St. Louis: The Nascent Years of the St. Louis Agricultural and Mechanical Fair." Gateway Heritage 22:4 (2002): 22-33.ArticlesLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
319Dyreson, Mark. "The Playing Fields of Progress: American Athletic Nationalism and the 1904 Olympics." Gateway Heritage 16:2 (1995): 18-37.The 1904 Olympic Games were held in conjunction with the worlds fair. The games were incorporated into the fair as an example of "social technology," a theme that coincided with the touting of human progress at all worlds fairs. Photographs are included.ArticlesLouisiana Purchase Exposition19042/8/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
320Edwards, Sue Bradford. "Imperial East Meets Democratic West: The St. Louis Press and the Fairs Chinese Delegation." Gateway Heritage 17:2 (1996): 32-41.Despite being invited to the worlds fair by fair officials, the majority of the Chinese delegation was subjected to negative treatment, harassment, and curfews. Only high ranking Chinese officials like Prince Pu Lun and Wong Kai Kah were treated better, but only after initially being portrayed by the media as "backwards and bizarre." Discussion focuses around Chinese and Western commercial relations, stereotypes held by Americans of Chinese, Chinese laborers in the U.S., and the experiences of the Chinese delegation at the fair. Photographs and a short bibliography are included.ArticlesLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
321Everdell, William R. "Meet Me in Saint Louis: Modernism Comes to Middle America, 1904." The First Moderns. Chicago: University of Chicago Press, 1997: 206-226, 396-400.ArticlesLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
322Feldman, Richard D. "The Golden Hill Totem Pole of Indianapolis: The Missing Pole from the Brady Collection of Sitka National Historical Park." American Indian Art Magazine 21:2 (Spring 1996): 58-71.Delineates Feldmans search for the Alaskan totem pole that was once displayed at the 1904 fair and then found its way to the Indianapolis, Indiana neighborhood of Golden Hill.ArticlesLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
323Frelinghuysen, Alice Cooney. "The Early Artistic Jewelry of Louis C. Tiffany." The Magazine Antiques 162:1 (July 2002): 90-95.Louis Comfort Tiffanys earliest jewelry was exhibited at the 1904 Exhibition, and received more attention from art critics than did Tiffany and Companys displays.ArticlesLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
324Grindstaff, Beverly K. "Creating Identity: Exhibiting the Philippines at the 1904 Louisiana Purchase Exposition." National Identities 1:3 (November 1999): 245-264.Focuses on the Philippine culture exhibit at the fair and the importance of the Exhibition in creating Philippine identity.ArticlesLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
325Gunning, Tom. "The World as Object Lesson: Cinema Audiences, Visual Culture, and the St. Louis Worlds Fair, 1904." Film History 6 (1994): 422-444.ArticlesLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
326Gustaitis, Joseph. "Who Invented the Ice Cream Cone?" American History Illustrated 23:4 (Summer 1988): 42-44.This brief article describes the convergence of rolled waffles and ice cream at the Louisiana Purchase Exposition and names the contenders for the title of inventor of the ice cream cone.ArticlesLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
327Kierstead, Matthew A. "Vulcan: Birminghams Industrial Colossus." IA: The Journal of the Society of Industrial Archaeology 28:1 (2002): 59-74.Vulcan, the largest cast-iron statue in the world was conceived by a Birmingham, Alabama, businessman as a dramatic booster for the industry of the city and the South for display at the 1904 St. Louis Exposition…the statue was a sensation at the fair.ArticlesLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
328Kramer, Paul. "Making Concessions: Race and Empire Revisited at the Philippine Exposition, St. Louis, 1901-1905." Radical History Review 73 (Winter 1999): 74-114.Justifying overseas colonies and the American presence in the Philippines was difficult for those who worked to establish American imperialism abroad at the turn of the century. One way of promoting imperialism was through expositions. Kramer explores these efforts and their outcomes by closely examining the Philippine Exposition at the 1904 worlds fair.ArticlesLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
329Laurie, Clayton D. "An Oddity of Empire: The Philippine Scouts and the 1904 Worlds Fair." Gateway Heritage 15:3 (1994-95): 44-55.The Philippine Exhibit, designed to showcase American imperialism was one of the largest and most frequently visited displays at the fair. Within the exhibit, the most popular native group featured was the US Army Philippine Scouts, "Filipino soldiers who served the American military establishment in the archipelago." These soldiers were used to quell popular rebellions against the Americans during the colonization process. Photographs are included.ArticlesLouisiana Purchase Exposition19042/8/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
330Lerner, Michael. "Hoping for a Splendid Summer: African-American St. Louis, Ragtime, and the Louisiana Purchase Exposition." Gateway Heritage 19:3 (1998-99): 28-41.By supporting and participating in the 1904 Louisiana Purchase Exposition, African Americans hoped to promote the economic advancement of the black community. The Exposition never welcomed African American artists like ragtime musicians and some groups did boycott the fair.ArticlesLouisiana Purchase Exposition19041SILUnited StatesMissouriSt. Louis1904
331Long, Burke O. "Lakeside at Chautauquas Holy Land." Journal for the Study of the Old Testament 92 (March 2001): 1-26.Presents information on the Louisiana Purchase Exposition and the idea of the holy land in the American Republic, with background on the Palestine Park.ArticlesLouisiana Purchase Exposition19041SILUnited StatesMissouriSt. Louis1904
332Miyatake, Kimio. "Jinruigaku to Orinpikku: Ainu to 1904 nen Sentoruisu Orinpikku." Hokkaido Daigaku Bungaku-bu Kiyo 108 (2002): 1-22.ArticlesLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
333Moenster, Kathleen. "Jessie Beals: Official Photographer of the 1904 Worlds Fair." Gateway Heritage 3:2 (1982): 22-29.ArticlesLouisiana Purchase Exposition19041SILUnited StatesMissouriSt. Louis1904
334Mullen, Robert. "The First Monument to the Third President: The Worlds Fair Comes to an End." Gateway Heritage 16:1 (1995): 14-19.After the closing of the 1904 fair, the Louisiana Purchase Exposition Company (LPEC) had a surplus of profit. The LPEC, as its final act, decided to erect a monument to Thomas Jefferson with the excess funds. The Jefferson Memorial Building was finally built in 1913. Includes photographs.ArticlesLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
335Parezo, Nancy, J. and John W. Troutman." The Shy Cocopa Go to the Fair."Selling the Indian: Commercializing & Appropriating American Indian Cultures. Ed. Carter Jones Meyer and Diana Royer. Tucson: University of Arizona Press, 2001: 3-43.ArticlesLouisiana Purchase Exposition19042/20/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
336Paul, Andrea I. "Nebraskas Home Movies: The Nebraska Exhibit at the 1904 Worlds Fair." Nebraska History 76:1 (1995): 22-27.ArticlesLouisiana Purchase Exposition19042/8/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
337Peavy, Linda and Ursula Smith. "World Champions: the 1904 Girls Basketball Team from Fort Shaw Indian Boarding School." Montana 51:4 (2001): 2-25.ArticlesLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
338Sanger, Chesley W. and Anthony B. Dickenson. "The Construction and Display of the First Full-Scale Model of a Blue Whale: The Newfoundland Connection." Acadiensis 27:1 (1997): 67-84.ArticlesLouisiana Purchase Exposition19042/8/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
339Scott, Catherine. "Pygmy in the Zoo: the Story of Ota Benga." Bronx County Historical Society Journal 38:2 (2001): 84-95.In 1904, an American explorer brought a number of pygmies to America whom he exhibited at the Worlds Fair. One of them, Ota Benga ended up on display in the Bronx Zoo, which outraged the African American community.ArticlesLouisiana Purchase Exposition19041SILUnited StatesMissouriSt. Louis1904
340Shapiro-Shapin, Carolyn G. "Filtering the Citys Image: Progressivism, Local Control, and the St. Louis Water Supply, 1890-1906." Journal of the History of Medicine 54 (July 1999): 387-412.St. Louisans realized that a successful fair depended on the world perceiving their city as a healthy locale, despite the increase in typhoid fever. The article discusses the advances towards “pure water,” and the need for visitors to see the improvements.ArticlesLouisiana Purchase Exposition19041SILUnited StatesMissouriSt. Louis1904
341Simpson, Pamela H. "Meet Me in St. Louis: Lexingtonians Go to the Fair." Proceedings of the Rockbridge Historical Society 10 (1980-1989): 355-364.This address presented a general overview of the fair covering features such as its planning, exhibitions, and architecture. It includes discussion of how Lexingtonians reacted to the fair. Photographs are also included.ArticlesLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
342Smith, Jeffrey E. "A Mirror Held to St. Louis: William Marion Reedy and the 1904 Worlds Fair." Gateway Heritage 19:1 (1998): 32-39.ArticlesLouisiana Purchase Exposition19042/8/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
343Steffensen-Bruce, Ingrid. "Classic Serenity or Oriental Splendor: Cass Gilberts Designs for the Louisiana Purchase Exposition, 1904." Nineteenth Century 19:2 (1999): 35-43.ArticlesLouisiana Purchase Exposition19041SILUnited StatesMissouriSt. Louis1904
344Trennert, Robert A. "A Resurrection of Native Arts and Crafts: The St. Louis Worlds Fair, 1904." Missouri Historical Review 87:3 (April 1993): 274-292.ArticlesLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
345VanStone, James W. "The Ainu Group at the Louisiana Purchase Exposition, 1904." Arctic Anthropology 30:2 (1993): 77-91.ArticlesLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
346Vostral, Sharra L. "Imperialism on Display: The Philippine Exhibition at the 1904 Worlds Fair." Gateway Heritage 13:4 (Spring 1993): 18-31.The Philippine Exhibition left fair goers with the image of Filipinos as savage, barbaric dog-eaters. The exhibition was constructed as propaganda to justify US imperialism in the Philippines. The US was portrayed as "benevolent" and civilizing and economic investment in the islands was encouraged. Discussion of US involvement in the Spanish-American War and the consequent annexation of the Philippines is included. Photographs are included as well.ArticlesLouisiana Purchase Exposition19042/9/2007 0:00:001SILUnited StatesMissouriSt. Louis1904
347Watkins, W. Merle and Bill Watkins. "The Worlds Fair in a Rowboat." Goldenseal 27:2 (2001): 66-71.ArticlesLouisiana Purchase Exposition19041SILUnited StatesMissouriSt. Louis1904
348Harper, Christine Froechtenight. "The Water Wizard: John F. Wixford and the Purification of the St. Louis Water Supply in 1904." Ph.D. Dissertation: St. Louis University, 2001.Theses/DissertationsLouisiana Purchase Exposition19041SILUnited StatesMissouriSt. Louis1904
349Luftschein, Susan Elise. "The Changing Face of an Expanding America: The City Beautiful Movement, the Myth of the Frontier, and the Louisiana Purchase Exposition, St. Louis, 1904." Ph.D. Dissertation: City University of New York, 1996.This fair was dedicated to the one-hundred year anniversary of Jeffersons purchase of the Louisiana Territory and embodied the City Beautiful Movement. This work looks at the "artistic achievements" of the fair and analyzes them with respect to historical context. Two aspects of the fair, the layout of the grounds and the free standing sculpture, are focused on. Illustrations and a bibliography are included.Theses/DissertationsLouisiana Purchase Exposition19041SILUnited StatesMissouriSt. Louis1904
350Terrys 1904 Worlds Fair PageWeb SitesLouisiana Purchase Exposition1904http://www.tlaupp.com/1SILUnited StatesMissouriSt. Louis1904
351Hampton Roads Naval Museum. An Illustrated History of the Jamestown Exposition. Norfolk: The Museum, 2nd edition, 2000.Books/MonographsJamestown Exposition19071SILUnited StatesVirginiaJamestown1907
352Yarsinske, Amy Waters. Jamestown Exposition: American Imperialism on Parade. 2 vols. Charleston, SC: Arcadia, 1999.Books/MonographsJamestown Exposition19072/9/2007 0:00:001SILUnited StatesVirginiaJamestown1907
353Gleach, Frederic W. "Pocahontas at the Fair: Crafting Identities at the 1907 Jamestown Exposition." Ethnohistory 50:3 (Summer 2003): 419-445.The 1907 Exposition was held to celebrate the 300th anniversary of the English settlement. The Powhatan Indians were seeking ways to improve their conditions – this article explores the ways in which their performances were intertwined with identity construction.ArticlesJamestown Exposition19072/9/2007 0:00:001SILUnited StatesVirginiaJamestown1907
354Watkins, Sarah Howard. "The Negro Building: African American Representation at the 1907 Jamestown Tercentennial Exposition." M.A. Thesis: College of William and Mary, 1994.Theses/DissertationsJamestown Exposition19072/9/2007 0:00:001SILUnited StatesVirginiaJamestown1907
355Wilkes, John Thomas. "Enough Glory for Us All: the Negro Exhibit at the Jamestown Tercentennial Exposition, 1907." M.A. Thesis: University of Richmond, 2003.Theses/DissertationsJamestown Exposition19072/9/2007 0:00:001SILUnited StatesVirginiaJamestown1907
356Bonnett, Wayne. City of Dreams: Panama-Pacific International Exposition. Sausalito, CA: Windgate Press, 1995.Books/MonographsPanama-Pacific International Exposition19151SILUnited StatesCaliforniaSan Francisco1915
357Bruml, Laura and Paul J. Hershey. Electric Lights Dazzling: An Account of One Familys Visit to the 1915 Panama Pacific International Exposition. Los Angeles: Info-Miner Research, 1999.Books/MonographsPanama-Pacific International Exposition19151SILUnited StatesCaliforniaSan Francisco1915
358Eggener, Keith L. "Maybecks Melancholy: Architecture, Empathy, Empire, and Mental Illness at the 1915 Panama-Pacific International Exposition." Winterthur Portfolio 29:4 (Winter 1994): 211-226.This article examines the Palace of Fine Arts and its creator, Bernard Maybeck. Through architecture, he tried to build an environment where the structure, viewer, and artworks would be linked, conveying to the visitor the feeling of "melancholy," or sadness and seriousness, that the artworks evoked. The mental disorder "melancholia" in the early 1900s and its relation to Maybecks structure is also addressed. Illustrations and photographs are included.ArticlesPanama-Pacific International Exposition19152/9/2007 0:00:001SILUnited StatesCaliforniaSan Francisco1915
359Ewald, Donna and Peter Clute. "America in Photographs: The Enchanted City." American History Illustrated 27: 3 (July/August 1992): 46-57.In the aftermath of the 1906 earthquake, businessman Reuben Hale spearheaded the formation of a committee to create an exposition that would celebrate the opening of the Panama Canal. This article includes numerous photographs documenting various aspects of the fair such as its construction and the "Zone," the fairs amusement district.ArticlesPanama-Pacific International Exposition19152/9/2007 0:00:001SILUnited StatesCaliforniaSan Francisco1915
360Lundberg, Robert. "The Art Room in the Oregon Building: Oregon Arts and Crafts in 1915." Oregon Historical Quarterly 101:2 (Summer 2000): 214-227.Surveys the artistic holdings in the Oregon Building Art Room at the Exposition including basketry, books, furniture, music, paintings, and photography.ArticlesPanama-Pacific International Exposition19152/9/2007 0:00:001SILUnited StatesCaliforniaSan Francisco1915
361Reinhardt, Richard. "Day of the Daredevil." American Heritage of Invention and Technology 11:2 (1995): 10-21.Tells the story of Lincoln Beachey, a thrill seeking aviator who plunged to his death as spectators watched from the shores of the 1915 Panama-Pacific Exposition, and Art Smith, an aviator who flew successfully at the same fair. Photographs are included.ArticlesPanama-Pacific International Exposition19151SILUnited StatesCaliforniaSan Francisco1915
362Shields, Scott A. "The Panama Pacific International Exposition Silver Spade." Silver Magazine (March/April 2000): 24-25.In 1911, President William Taft went to San Francisco to break ground for the Pan-Pacific Exposition of 1915. During the groundbreaking, he used a sterling silver spade created especially for the occasion; one of the few sterling silver shovels ever made in the U.S..ArticlesPanama-Pacific International Exposition19152/9/2007 0:00:001SILUnited StatesCaliforniaSan Francisco1915
363Williams, Reba White. "Prints in the United States, 1900-1918." Prints Quarterly (Great Britain) 14: 2 (1997): 151-73.This article focuses on the history prints in the early part of the twentieth century and makes mention of the Panama-Pacific Exposition as the host of the first large exhibition of American prints. Appendix D includes a list of American prize winners at the fair.ArticlesPanama-Pacific International Exposition19151SILUnited StatesCaliforniaSan Francisco1915
364Bolton, Marie. "Recovery for Whom?: Social Conflict After the San Francisco Earthquake and Fire, 1906-1915." Ph.D. Dissertation: University of California, Davis, 1997.Theses/DissertationsPanama-Pacific International Exposition19151SILUnited StatesCaliforniaSan Francisco1915
365Lee, Anthony Wallace. "Public Painting in San Francisco: Diego Rivera and His Contemporaries." Ph.D. Dissertation: University of California, Berkeley, 1995.Theses/DissertationsPanama-Pacific International Exposition19151SILUnited StatesCaliforniaSan Francisco1915
366Powell, Chandra A. "A Study of James Earle Frasers End of the Trail: A New Interpretation for the Image of the Defeated Native American." M.A. Thesis: Oklahoma City University, 1998.Theses/DissertationsPanama-Pacific International Exposition19152/9/2007 0:00:001SILUnited StatesCaliforniaSan Francisco1915
367The Panama-Pacific International ExpositionWeb SitesPanama-Pacific International Exposition1915http://www.sanfranciscomemories.com/ppie/pana1SILUnited StatesCaliforniaSan Francisco1915
368The Panama Pacific International Exposition: Bibliography by LocationWeb SitesPanama-Pacific International Exposition1915http://userwww.sfsu.edu/~scottrau/bibliograph1SILUnited StatesCaliforniaSan Francisco1915
369Panama Pacific International Exposition 3DWeb SitesPanama-Pacific International Exposition1915http://www.exploratorium.edu/history/PPIE-3D/1SILUnited StatesCaliforniaSan Francisco1915
370The 1915 Panama-Pacific International ExpositionWeb SitesPanama-Pacific International Exposition1915http://www.nps.gov/prsf/history/ppie/ppie.htm1SILUnited StatesCaliforniaSan Francisco1915
371The Way California Could Be: The Panama-Pacific International ExpositionWeb SitesPanama-Pacific International Exposition1915http://bancroft.berkeley.edu/Exhibits/Looking1SILUnited StatesCaliforniaSan Francisco1915
372Amero, Richard W. "The Southwest on Display at the Panama-California Exposition." Journal of San Diego History 36:4 (1990): 182-220.Amero presents a detailed history of the Panama California Exhibition. He discusses the planning process as well as many of the buildings and their distinctive use of Southwestern motifs. Includes numerous photographs.ArticlesPanama-California Exposition1915-19162/9/2007 0:00:001SILUnited StatesCaliforniaSan Diego
373Bokovoy, Matthew F. "Peers of Their White Conquerors: The San Diego Expositions and Modern Spanish Heritage in the Southwest 1880-1940." New Mexico Historical Review 78:4 (2003): 387-418.The 1915 Exhibition focused on the southwest and its cultures with an extensive section devoted to Native Americans including displaying Hopi, Navajo, and Pueblo Indians in “their natural state.” The author also discusses the 1935 Exposition and the relationship between Whites and Mexicans.ArticlesPanama-California Exposition1915-19161SILUnited StatesCaliforniaSan Diego
374Kropp, Phoebe S. "There is a Little Sermon in That: Constructing the Native Southwest at the San Diego Panama-California Exposition of 1915." The Great Southwest of the Fred Harvey Company. Ed. Marta Weigle. Phoenix: Heard Museum, 1996.ArticlesPanama-California Exposition1915-19162/9/2007 0:00:00SILSILCaliforniaSan Diego
375Barnd, Natchee Blu. "Erasing Indians in the Making of Paradise: Race, Space, History and San Diegos Panama - California Exposition of 1915." M.A. Thesis: University of California San Diego, 2002.Theses/DissertationsPanama-California Exposition1915-19161SILUnited StatesCaliforniaSan Diego
376Bates, Cheryl Lei. "The Life and Times of Gilbert Aubrey Davidson." M.A. Thesis: University of San Diego, 1995.Theses/DissertationsPanama-California ExpositionMiscellaneous1915-19168/27/2007 0:00:001SILUnited StatesCaliforniaSan Diego
377Bokovoy, Matthew Francis. "San Diegos Expositions as ‘Islands on the Land, 1915, 1935: Southwestern Culture, Race, and Class in Southern California." Ph.D. Dissertation: Temple University, 1999.Topics covered include the myths of agricultural boosterism, the role of popular anthropology in the construction of ethnic identity, and the representations of Native American culture and Indian resistance within ethnic dioramas during the 1915 exposition. The section on the 1935 San Diego fair analyzes New Deal policy, the California Dream, and the “culture of abundance.”Theses/DissertationsPanama-California Exposition1915-19162/9/2007 0:00:001SILUnited StatesCaliforniaSan Diego
378Jansen, Gail Ann. "The Political-Economic Aspects of Architectural Choice at the Panama California Exposition, San Diego (1915): Why Bertram Goodhue?" M.A. Thesis: University of California, Los Angeles, 1999.Theses/DissertationsPanama-California Exposition1915-19162/20/2007 0:00:001SILUnited StatesCaliforniaSan Diego
379Kropp, Phoebe S. "All Our Yesterdays: The Spanish Fantasy Past and the Politics of Public Memory in Southern California 1884-1939." Ph.D. Dissertation: University of California, San Diego, 1999.The author states that a movement to construct a tourist mission road, El Camino Real, established the popularity of the Spanish past in the early years of the century. The staging of the Panama-California Exposition in San Diego in 1915 provided a key moment for a definition of the region in terms of its Spanish image.Theses/DissertationsPanama-California Exposition1915-19162/16/2007 0:00:001SILUnited StatesCaliforniaSan Diego
380Panama-California Exposition ~ San Diego ~ 1915-1916 (The San Diego Historical Society)Web SitesPanama-California Exposition1915-1916http://www.sandiegohistory.org/pancal/sdexpo41SILUnited StatesCaliforniaSan Diego
381Panama-California Exposition ~ San Diego ~1915-1916Web SitesPanama-California Exposition1915-1916http://www.sandiegohistory.org/pancal/index.h1SILUnited StatesCaliforniaSan Diego
382August, Thomas G. "Art and Empire -- Wembley, 1924." History Today 43 (October 1993): 38-44.ArticlesBritish Empire Exhibition1924-19252/9/2007 0:00:001SILEnglandWembley
383Walthew, Kenneth. "The British Empire Exhibition of 1924." History Today 31 (August 1981): 34-39.ArticlesBritish Empire Exhibition1924-19252/9/2007 0:00:001SILEnglandWembley
384Ramsay, Ellen Louise. "The Promotion of the Fine Arts in Canada, 1880-1924: The Development of Art Patronage and the Formation of Public Policy." Ph.D. Dissertation: University of London, 1988.This dissertation traces the growth in art patronage and public policy during these years from the formation of the Royal Canadian Academy (RCA) in 1880 to the celebration of the first school of national landscape painters at the British Empire Exhibition in 1924.Theses/DissertationsBritish Empire Exhibition1924-19252/8/2007 0:00:001SILEnglandWembley
385Gura, Judith B. "Modernism and the 1925 Paris Exposition." Magazine Antiques 158 (2000): 194-200.ArticlesExposition internationale des arts decoratifs19251SILFranceParis1925
386Hillier, Bevis and Stephen Escritt. "Strictly Modern: The 1925 Paris Exposition and the State of European Decoration." Art Deco Style. London: Phaidon, 1997: 26-55.ArticlesExposition internationale des arts decoratifs19252/9/2007 0:00:001SILFranceParis1925
387Gronberg, Tag. "Cité dillusion: Staging Modernity at the 1925 Paris Exposition Internationale des Arts Decoratifs et Industriels Modernes." Ph.D. Dissertation: Open University, 1994.Situated in the heart of Paris, the 1925 Exposition Internationale des Arts Decoratifs et Industriels Modernes was criticised at the time for its overtly temporary and artificial architecture--for being a cite dillusion and a decor de theatre as opposed to a cite reelle. The Exhibitions emphasis on ostentatious and luxurious display was also widely attacked.Theses/DissertationsExposition internationale des arts decoratifs19252/9/2007 0:00:001SILFranceParis1925
388Lucas, J. "The Greatest Gathering of Olympians: An Historical Flashback." Olympian 9:2 (July/August 1984): 6-8.ArticlesSesquicentennial International Exposition19262/9/2007 0:00:001SILUnited StatesPennsylvaniaPhiladelphia1926
389Cleary, Calista Keller. "The Past is Present: Historical Representation at the Sesquicentennial International Exposition." Ph.D. Dissertation: University of Pennsylvania, 1999.The fair offered a forum in which Philadelphians confronted some of the most pressing issues of the early twentieth century: urbanization, consumerism, the changing role of women, immigration, racism, racial diversity and mass culture. Even though the fairs organizers touted peace, the event proved to be battleground, an arena in which numerous interests fought to control the depiction of the past in order to control the shape of the future.Theses/DissertationsSesquicentennial International Exposition19261SILUnited StatesPennsylvaniaPhiladelphia1926
390Wilson, Martin Willever. "From the Sesquicentennial to the Bicentennial: Changing Attitudes toward Tourism in Philadelphia, 1926-1976." Ph.D. Dissertation: Temple University, 2000.Theses/DissertationsSesquicentennial International Exposition19262/9/2007 0:00:001SILUnited StatesPennsylvaniaPhiladelphia1926
391Evans, Martin. "Projecting a Greater France." History Today 50:2 (February 2000): 18-25.ArticlesExposition coloniale internationale19312/9/2007 0:00:001SILFranceParis1931
392Hodeir, Catherine. "La ‘Fee Electricite a L Exposition Coloniale Internationale de Paris (1931)." Outre-Mers: Revue dHistorie 89:1 (2002): 55-69.ArticlesExposition coloniale internationale19312/9/2007 0:00:001SILFranceParis1931
393Ezra, Elizabeth Rose. "The Identification of Difference: Raymond Roussel, Rene Crevel and the Colonial Exhibitions in Interwar France." Ph.D. Dissertation: Cornell University, 1992.This thesis examines the construction of group identities in French colonial discourse of the 1920s and 1930s through readings of literary texts with colonial themes, and through studies of archival data pertaining to the 1931 Exposition Coloniale Internationale and the colonial section of the 1937 Worlds Fair, both held in Paris.Theses/DissertationsExposition coloniale internationale19312/8/2007 0:00:001SILFranceParis1931
394Chandler, Arthur. Empire of the Republic: The Exposition Coloniale Internationale de Paris, 1931.Exposition coloniale internationale1931http://130.212.41.61/PEF/1931a.html2/8/2007 0:00:001SILFranceParis1931
395Gleisten, Samantha. Chicagos 1933-34 Worlds Fair: A Century of Progress in Vintage Postcards. Chicago, IL: Arcadia, 2002.Books/MonographsCentury of Progress International Exposition1933-19342/11/2007 0:00:001SILUnited StatesIllinoisChicago
396Ingerle, Rudolph.Rudolph Ingerle 1879-1950: Paintings of the Ozarks, the Great Smoky Mountains, and the 1933 Chicago Century of Progress Exhibition. Chicago, IL: Aaron Galleries, 2000.Books/MonographsCentury of Progress International Exposition1933-19342/11/2007 0:00:001SILUnited StatesIllinoisChicago
397Taragin, Davira S. Alliance of Art and Industry: Toledo Designs for a Modern America. Toledo, OH: Toledo Museum of Art, Hudson Hills Press, 2002.Concerns industrial designers who worked with companies in Toledo and includes substantial references to the Chicago Exposition of 1933 and the contributions of those designers.Books/MonographsCentury of Progress International Exposition1933-19342/11/2007 0:00:001SILUnited StatesIllinoisChicago
398Waldvogel, Merikay and Barbara Brackman. Patchwork Souvenirs of the 1933 Worlds Fair: The Sears National Quilt Contest and Chicagos Century of Progress Exposition. Nashville, TN: Rutledge Hill Press, 1993.The Sears National Quilt Contest which was held at the fair was the largest exhibition of quilts ever organized. Some of the quilts that were displayed and the women who made them are discussed. A brief overview of the fair is also given and numerous full color photographs of are included.Books/MonographsCentury of Progress International Exposition1933-19342/11/2007 0:00:001SILUnited StatesIllinoisChicago
399Boehm, Lisa Krisoff. "The Fair and the Fan Dancer: A Century of Progress and Chicagos Image." Chicago History 27:2 (1998): 42-55.Chicagos second Worlds Fair was supposed to transform Chicagos image from that of a frontier, vice-ridden town to one of sophisticated metropolis supporting the finest cultural events: this was not the case.ArticlesCentury of Progress International Exposition1933-19342/9/2007 0:00:001SILUnited StatesIllinoisChicago
400Havlik, Robert J. "The Chicago Century of Progress Sky-Ride 1932-1935." Image File: A Journal from the Curt Teich Postcard Archives 7:1 (1992): 3-6.A commercial success rather than an engineering wonder, the Sky Rides design, construction and demolition are the subject of this article.ArticlesCentury of Progress International Exposition1933-19342/11/2007 0:00:001SILUnited StatesIllinoisChicago
401Kay, Gwen. "Seeing the Fair the FDA Way: The 1933 Century of Progress Exposition." Journal of Illinois History 5:3 (2002): 197-212.Details how the Food and Drug Administration used its exhibit space in the Government building at the Exposition to further its agenda of revising the 1906 Pure Food and Drug Act in order to better protect the consumer.ArticlesCentury of Progress International Exposition1933-19342/11/2007 0:00:001SILUnited StatesIllinoisChicago
402Kegl, Rosemary. "Wrapping Togas over Elizabethan Garb: Tabloid Shakespeare at the 1934 Chicago Worlds Fair." Renaissance Drama 28 (1999): 73-97.Examines the popularity of the 1934 Chicago Worlds Fair and focuses on the reconstruction of Englands Globe Theater which presented forty minute productions of Shakespeares plays.ArticlesCentury of Progress International Exposition1933-19341SILUnited StatesIllinoisChicago
403Ohman, Marian. "Major N. Clark Smith in Chicago." Journal of the Illinois State Historical Society 96:1 (2003): 49-79.Chronicles the career of N. Clark Smith, a leading African American composer and his role in "Negro Day" at the fair.ArticlesCentury of Progress International Exposition1933-19342/11/2007 0:00:001SILUnited StatesIllinoisChicago
404Sherman, Jane. "Ruth St. Denis: The Lost Ballet." Dance Chronicle 20:1 (1997): 49-62.Ruth St. Denis was appointed dance director for the 1933-34 Century of Progress International Exposition. She produced a detailed plan for the ambitious project called the Ballet of the States, but it was not produced as it was declared too expensive.ArticlesCentury of Progress International Exposition1933-19342/11/2007 0:00:001SILUnited StatesIllinoisChicago
405Talbot-Stanaway, Susan. "The Giant Jewel." Chicago History 22:2 (1993): 4-23.Evaluates the architecture of Chicagos Century of Progress Exposition of the summers of 1933 and 1934, paying special attention to the color scheme assigned to fair buildings designed by Joseph Urban.ArticlesCentury of Progress International Exposition1933-19342/11/2007 0:00:001SILUnited StatesIllinoisChicago
406McDaniel, David Paul. "A Century of Progress? Cultural Change and the Rise of Modern Chicago." Ph.D. Dissertation, University of Wisconsin, Madison, 1999.By 1933, the Midways forces of popular culture had achieved cultural hegemony: in the rise of popular entertainment, mass-production-based consumer culture, and a rise in beliefs in the power of science.Theses/DissertationsCentury of Progress International Exposition1933-19341SILUnited StatesIllinoisChicago
407Schrenk, Lisa Diane. "The Role of the 1933-34 Century of Progress International Exposition in the Development and Promotion of Modern Architecture in the United States." Ph.D. Dissertation, University of Texas at Austin, 1998.During the years that the Exposition was designed and built, architects were searching for design solutions appropriate for the rapidly changing world. The Exposition provided an opportunity for architects to explore a wide range of new ideas reflective of the times.Theses/DissertationsCentury of Progress International Exposition1933-19341SILUnited StatesIllinoisChicago
408Century of Progress 1933-34 (Chicago Historical Society)Web SitesCentury of Progress International Exposition1933-1934http://www.chicagohs.org/history/century.html1SILUnited StatesIllinoisChicago
409Chicago Worlds Fair: A Century of Progress Exhibition 1933-1934Web SitesCentury of Progress International Exposition1933-1934http://hometown.aol.com/chicfair/1SILUnited StatesIllinoisChicago
410Bokovoy, Matthew F. "The FHA and the Culture of Abundance at the 1935 San Diego Worlds Fair." Journal of the American Planning Association 68:4 (Autumn 2002): 371-387.Explores the debate about modern housing in the history of Southern California with an examination of the Federal Housing Administrations participation in the Fair.ArticlesCalifornia Pacific International Exposition1935-19362/11/2007 0:00:001SILUnited StatesCaliforniaSan Diego
411California Pacific Exposition, San Diego 1935-1936 (The San Diego Historical Society)Web SitesCalifornia Pacific International Exposition1935-1936http://www.sandiegohistory.org/calpac/35expo11SILUnited StatesCaliforniaSan Diego
412Robinson, Jennifer. "Johannesburgs 1936 Empire Exhibition: Interaction, Segregation and Modernity in a South African City." Journal of Southern African Studies 29:3 (September 2003): 759-789.The article explores the implications of the encounters and juxtapositions that took place there for understanding the meanings of interaction and segregation in South African cities at this time.ArticlesEmpire Exhibition1936-19372/11/2007 0:00:001SILSouth AfricaJohannesburg
413Peer, Shanny. France on Display: Peasants, Provincials, and Folklore in the 1937 Paris Worlds Fair. Albany: State University of New York Press, 1998.Unlike other French worlds fairs, this one in particular also celebrated "rural life, regionalism, and folklore," which was seen as contradictory to the usual themes of modernization. This work looks in detail at those exhibits for insights into the French response to modernization and the effort to establish a new national identity. Illustrations, a bibliography, and an index are included.Books/MonographsExposition international des arts et techniqu19371SILFranceParis1937
414Barker, Michael. "International Exhibitions at Paris Culminating with the Exposition Internationale des Arts et Techniques dans la vie moderne - Paris 1937." Decorative Arts Society 27 (2003): 7-21.Discusses a number of expositions in Paris, but focuses on 1937 and the pavilions and architecture from the various participating countries.ArticlesExposition international des arts et techniqu19371SILFranceParis1937
415Chipp, Herschel. "The First Step Towards Guernica." Arts Magazine 63.2 (October 1988): 62-67.Chipp studies Picassos plans for his 1937 Paris Worlds Fair mural and their relationship with Guernica.ArticlesExposition international des arts et techniqu19372/11/2007 0:00:001SILFranceParis1937
416Costa Meyer, Esther da. "Cruel Metonymies: Lilly Reichs Designs for the 1937 Worlds Fair." New German Critique 76 (Winter 1999): 161-189.ArticlesExposition international des arts et techniqu19372/11/2007 0:00:001SILFranceParis1937
417Ryckelynek, Xavier. "LExpo de 1937." Gavroche 35 (September - October 1987): 17-21.ArticlesExposition international des arts et techniqu19372/11/2007 0:00:001SILFranceParis1937
418Fiss, Karen A. "Deutschland in Paris: The 1937 German Pavilion and Franco-German Cultural Relations." Ph.D. Dissertation: Yale University, 1995.Designed by Albert Speer, the German pavilion at the 1937 Paris Exposition international was the most elaborate pre-war manifestation of National-Socialist culture outside of Germany. It contained a carefully orchestrated program of conservative official art, juxtaposed with the most advanced products of German technology.Theses/DissertationsExposition international des arts et techniqu19372/11/2007 0:00:001SILFranceParis1937
419Moentmann, Elise Marie. "Conservative Modernism at the 1937 International Exposition in Paris." Ph.D. Dissertation: University of Illinois at Urbana-Champaign, 1998.Theses/DissertationsExposition international des arts et techniqu19371SILFranceParis1937
420Udovicki-Selb, Danilo. "The Elusive Faces of Modernity: The Invention of the 1937 Paris Exhibition and the Temps Nouveaux Pavilion." Ph.D. Dissertation: Massachusetts Institute of Technology, 1995.Theses/DissertationsExposition international des arts et techniqu19371SILFranceParis1937
421Expo. Internationale des Arts et des Techniques dans la vie Moderne, Paris 1937Web SitesExposition international des arts et techniqu1937http://www.geocities.com/bolnaya/paris.html1SILFranceParis1937
422Callahan, Randall B. Magic City: The San Francisco Fair, Treasure Island 1939-1940: A Book of Postcards. San Francisco: Pomegranate, 1999.Books/MonographsGolden Gate International Exposition1939-19401SILUnited StatesCaliforniaSan Francisco
423Rubens, Lisa. "Re-Presenting the Nation: The Golden Gate International Exposition." European Contributions to American Studies 27 (1994): 121-139.Traces the development of the GGIE and analyzes its content. The fair departed from tradition in its eclectic organization of exhibits which included productions, displays, lectures, films, demonstrations, and bazaars.ArticlesGolden Gate International Exposition1939-19402/8/2007 0:00:001SILUnited StatesCaliforniaSan Francisco
424Meyn, Susan Labry. "More than Curiosities: A Grassroots History of the Indian Arts and Crafts Board and Its Precursors, 1920 to 1942." Ph.D. Dissertation: University of Cincinnati, 1997.In the midst of a revival of Indian arts in the Southwest and the growing destitution of the Indian people, Congress passed the Indian Arts and Crafts Act in 1935 to encourage economic development through their artistic products. One result of this act was the creation of the Indian exhibition at the San Francisco exposition. Chapter 6 of this work looks closely at the exhibition. Bibliography included.Theses/DissertationsGolden Gate International Exposition1939-19401SILUnited StatesCaliforniaSan Francisco
425The Diego Rivera Mural ProjectWeb SitesGolden Gate International Exposition1939-1940http://www.riveramural.org/1SILUnited StatesCaliforniaSan Francisco
426Golden Gate International Exposition, San Francisco: New Deal Network Treasure Island 1939-40.Web SitesGolden Gate International Exposition1939-1940http://www.lib.csufresno.edu/subjectresources1SILUnited StatesCaliforniaSan Francisco
427Hard Times, High Visions: Golden Gate International ExpositionWeb SitesGolden Gate International Exposition1939-1940http://bancroft.berkeley.edu/Exhibits/Looking1SILUnited StatesCaliforniaSan Francisco
428GGIE 1939-40Web SitesGolden Gate International Exposition1939-1940http://www.earthstation9.com/index.html?1939_1SILUnited StatesCaliforniaSan Francisco
429Gelernter, David Hillel. 1939: The Lost World of the Fair. New York: Free Press, 1995.This work is a historical piece, but is told through fictional characters and dialog. It is based on contemporary literature of the fair, modern works, and personal interview with visitors. Includes photographs as well as a bibliography.Books/MonographsNew York Worlds Fair1939-19401SILUnited StatesNew YorkNew York
430Handley, Susannah. Nylon: The Story of a Fashion Revolution, A Celebration of Design from Art Silk to Nylon and Thinking Fibres. Baltimore, MD: Johns Hopkins University Press, 1999.Nylon was first introduced at the 1939 Worlds Fair.Books/MonographsNew York Worlds Fair1939-19402/11/2007 0:00:001SILUnited StatesNew YorkNew York
431Martins, Rui Cardoso. Nova Iorque, 1939. Lisboa: Expo 98, 1996.Books/MonographsNew York Worlds Fair1939-19402/11/2007 0:00:001SILUnited StatesNew YorkNew York
432Museum of the City of New York. Drawing the Future: Design Drawings for the 1939 New York Worlds Fair. New York: Museum of the City of New York, 1996.This work accompanied the exhibition at the Museum of the City of New York. It includes a brief overview of design at the 1939 fair and a catalog of the forty works that were chosen for the exhibition. Biographies of the artists are also included.Books/MonographsNew York Worlds Fair1939-19402/11/2007 0:00:001SILUnited StatesNew YorkNew York
433Portnoy, Mitchell, F. Mineral Day at the 1939/40 New York Worlds Fair. New York: New York Mineralogical Club, 2000.Books/MonographsNew York Worlds Fair1939-19401SILUnited StatesNew YorkNew York
434Schnaffer, Ingrid. Salvador Dalis Dream of Venus: The Surrealist Funhouse from the 1939 Worlds Fair. New York: Princeton Architectural Press, 2002Books/MonographsNew York Worlds Fair1939-19402/11/2007 0:00:001SILUnited StatesNew YorkNew York
435Smith, Terry. Making the Modern: Industry, Art and Design in America. Chicago: University of Chicago Press, 1993.Books/MonographsNew York Worlds Fair1939-19401SILUnited StatesNew YorkNew York
436Swan, Claudia, ed. 1939: Music and the Worlds Fair. New York: Eos Music, 1998.This work accompanied the Third Eos Music Festival which focused specifically on music from the 1939 worlds fair. The music chosen for this fair is significant in that it allows us to view the "state of the world" just before it was plunged into the most transformative war in history. Along with music, areas such as art, architecture, and the "Worlds Fair Puppet Theater" are covered. Photographs are included.Books/MonographsNew York Worlds Fair1939-19402/11/2007 0:00:001SILUnited StatesNew YorkNew York
437Dort, Paul M. van 1939: New York Worlds Fair Photo Collection. Sparks, NV: Paul M. van Dort, 2002.Books/MonographsNew York Worlds Fair1939-19402/16/2007 0:00:001SILUnited StatesNew YorkNew York
438Becker, Ron. "Hear - and - See Radio: In the World of Tomorrow: RCA and the Presentation of Television at the Worlds Fair, 1939-40." Historical Journal of Film, Radio and Television 21:4 (2001): 361-378."Building the World of Tomorrow" marked the first public presentation of television. Fairgoers viewed news broadcasts and boxing matches, but with the U.S. entry into W.W. II, television was not brought into most American homes until the 1950s.ArticlesNew York Worlds Fair1939-19402/11/2007 0:00:001SILUnited StatesNew YorkNew York
439Cogdell, Christina. "The Futurama Recontextualized: Norman Bel Geddes Eugenic World of Tomorrow." American Quarterly 52:2 (June 2000): 193-245.Norman Bel Geddes, a designer known for his innovations in lighting, set, and theater design, developed 4 exhibits at the Fair. Eugenics formed the basis of Futurama, which showed his idea of the evolutionary hierarchy of the Anglo-American.ArticlesNew York Worlds Fair1939-19402/11/2007 0:00:001SILUnited StatesNew YorkNew York
440Cowell, Elspeth. "The Canadian Pavilion at the 1939 New York Worlds Fair and the Development of Modernism in Canada." Bulletin of the Society for the Study of Architecture in Canada (March 1994): 13-20.ArticlesNew York Worlds Fair1939-19401SILUnited StatesNew YorkNew York
441Cull, Nicholas J. "Overture to an Alliance: British Propaganda at the New York Worlds Fair, 1939-40." Journal of British Studies 36:3 (1997): 325-354.An integral part of British strategy to promote its empire in the eyes of the U.S. citizens in preparation for war was the British Pavilion at the Fair. President Roosevelt had invited King George VI to attend the fair: this was a big success for U.S.- British relations.ArticlesNew York Worlds Fair1939-19402/11/2007 0:00:001SILUnited StatesNew YorkNew York
442Fotsch, Paul Mason. "The Building of a Superhighway Future at the New York Worlds Fair." Cultural Critique 48 (Spring 2001): 65-97.ArticlesNew York Worlds Fair1939-19402/11/2007 0:00:001SILUnited StatesNew YorkNew York
443Gelvin, James L. "Zionism and the Representation of Jewish Palestine at the New York Worlds Fair, 1939-1940." International History Review 22:1 (March 2000): 37-64.One American effort at promoting Zionism in the United States was a Jewish Palestine pavilion at the 1939 Fair, and was an exceptionally contentious display.ArticlesNew York Worlds Fair1939-19402/11/2007 0:00:001SILUnited StatesNew YorkNew York
444Groh, Karl F. "Rapid Transit to New York Worlds Fair I, 1939-40." Headlights 54: 3-4 (1992): 3-9.ArticlesNew York Worlds Fair1939-19401SILUnited StatesNew YorkNew York
445Hart, Jeffrey. "Yesterdays America of Tomorrow." Commentary 80 (July 1985): 62-65.Hart provides a brief overview of the New York fair asserting that it was the international exposition that was the most successful in conveying the notions of "progress and enlightenment." Its planners had two motives: first, they wanted to show fair goers that the means for overcoming the Great Depression were available, and second, they wanted to showcase and promote democracy.ArticlesNew York Worlds Fair1939-19402/11/2007 0:00:001SILUnited StatesNew YorkNew York
446Kuznick, Peter J. "Losing the World of Tomorrow: The Battle Over the Presentation of Science at the 1939 New York Worlds Fair." American Quarterly 46:3 (September 1994): 341-373.Scientists with the intention of popularizing science as more than just "gadgets, commodities, and magic," were denied an active role in the planning of the New York Worlds Fair. Scientists and their desire to present "pure science" at the fair were marginalized, thus foreshadowing the "corporate appropriation" of science for military and industrial ends.ArticlesNew York Worlds Fair1939-19402/11/2007 0:00:001SILUnited StatesNew YorkNew York
447Marchand, Roland."The Designers Go to the Fair, I: Walter Darwin Teague and the Professionalization of corporate Industrial Exhibits, 1933-1940; The Designers Go to the Fair, II: Norman Bel Geddes, the General Motors Futurama, and the Visit-to-the-Factory Transformed." Design History: An Anthology. Ed. Dennis Doordan. Cambridge, MA: MIT Press, 1995: 89-121.ArticlesNew York Worlds Fair1939-19402/16/2007 0:00:001SILUnited StatesNew YorkNew York
448Nye, David E. "The 1939 New York Worlds Fair." American Technological Sublime. Cambridge, MA: MIT Press, 1994.Nye refers to the 1939 Worlds Fair in New York as a "man-made sublime" event, which featured the "marriage of modernism and the vernacular of Broadway." Contributors to the Fair strove to demonstrate that modern technology and science could solve the problems of the world, specifically, the economic crisis of the time - the Great Depression.ArticlesNew York Worlds Fair1939-19402/11/2007 0:00:001SILUnited StatesNew YorkNew York
449Swift, Anthony. "The Soviet World of Tomorrow at the New York Worlds Fair, 1939." Russian Review 57:3 (July 1998): 364-379.ArticlesNew York Worlds Fair1939-19402/16/2007 0:00:001SILUnited StatesNew YorkNew York
450Turim, Gayle. "Remembering a Fine Fair." Americana 17:3 (1989): 50-54.ArticlesNew York Worlds Fair1939-19401SILUnited StatesNew YorkNew York
451Barrington, Thomas M. "A Vision of a Modern Future: A Fantasy Theme and Rhetorical Vision Analysis of the New York Worlds Fair of 1939." M.A. Thesis: Southwest Texas State University, 1992.Theses/DissertationsNew York Worlds Fair1939-19402/11/2007 0:00:001SILUnited StatesNew YorkNew York
452Cusker, Joseph P. "The World of Tomorrow: The 1939 New York Worlds Fair." Ph.D. Dissertation: Rutgers University, 1990.Theses/DissertationsNew York Worlds Fair1939-19402/11/2007 0:00:001SILUnited StatesNew YorkNew York
453Frydrych, Valerie Ann. "Building the Consumer of Tomorrow: Social Messages of the Spectacle at the 1939 New York Worlds Fair." Honors Thesis: Smith College, Northampton, MA, 1992.Theses/DissertationsNew York Worlds Fair1939-19402/11/2007 0:00:001SILUnited StatesNew YorkNew York
454Hagan, Carol A. "Visions of the City at the 1939 New York Worlds Fair." Ph. D. Dissertation: University of Pennsylvania, 2000.Theses/DissertationsNew York Worlds Fair1939-19401SILUnited StatesNew YorkNew York
455Morshed, Adnan Zillur. "The Aviators (Re)Vision of the World: An Aesthetics of Ascension in Norman Bel Geddess Futurama." Ph.D. Dissertation: Massachusetts Institute of Technology, 2002.Theses/DissertationsNew York Worlds Fair1939-19402/11/2007 0:00:001SILUnited StatesNew YorkNew York
456OMalley, Christine Grace. "The ‘Design Decade and Beyond: American Industrial Designers and the Evolution of the Consumer Landscape from the 1930s to the 1950s." Ph.D. Dissertation: University of Virginia, 2002.Theses/DissertationsNew York Worlds Fair1939-19402/11/2007 0:00:001SILUnited StatesNew YorkNew York
457Post, Pamela Lee. "East Meets West: The Model Homes Exhibit at the 1939-1940 New York and San Francisco Worlds Fairs." Ph.D. Dissertation: University of California, Santa Barbara, 2000.Theses/DissertationsNew York Worlds Fair1939-19402/11/2007 0:00:001SILUnited StatesNew YorkNew York
458Scullin, Kevin. "All the Worlds a Film: Multimedia Exhibits at the 1939 New York Worlds Fair." M.A. Thesis: Western Washington University, 1999.Theses/DissertationsNew York Worlds Fair1939-19401SILUnited StatesNew YorkNew York
459Todd, Jesse T. "Imagining the Future of American Religion at the New York Worlds Fair, 1939-40." Ph. D. Dissertation: Columbia University, 1996.Theses/DissertationsNew York Worlds Fair1939-19401SILUnited StatesNew YorkNew York
460Zimnica, Elizabeth. "Making History: Poland at the 1939 Worlds Fair in New York." M.A. Thesis: Queens University, Kingston, Ontario, 1999.Theses/DissertationsNew York Worlds Fair1939-19402/20/2007 0:00:001SILUnited StatesNew YorkNew York
461NEW YORK WORLDS FAIR 1939-1940Web SitesNew York Worlds Fair1939-1940http://websyte.com/alan/nywf.htm1SILUnited StatesNew YorkNew York
462The Iconography of Hope: The 1939-40 New York Worlds FairWeb SitesNew York Worlds Fair1939-1940http://xroads.virginia.edu/~1930s/DISPLAY/39w1SILUnited StatesNew YorkNew York
463Images of the 1939-40 New York Worlds FairWeb SitesNew York Worlds Fair1939-1940http://www.sjsu.edu/faculty/wooda/39fair.html1SILUnited StatesNew YorkNew York
464New York Worlds Fair, 1939 (New Deal Network)Web SitesNew York Worlds Fair1939-1940http://newdeal.feri.org/library/d_z_an.htm1SILUnited StatesNew YorkNew York
465Television in the World of TomorrowWeb SitesNew York Worlds Fair1939-1940http://www.mztv.com/worldhome.html1SILUnited StatesNew YorkNew York
466Devos, Rika. "Het Vaticaanse Paviljoen Op Expo 58 En De Moderne Religieuze Kunst in Belgie." Trajecta 10:3 (2001): 244-263.ArticlesExposition universelle et internationale19582/11/2007 0:00:001SILBelgiumBrussels1958
467Haddow, Robert Hamilton. "Material Culture and the Cold War: International Trade Fairs and the American Pavilion at the 1958 Brussels Worlds Fair." Ph.D. Dissertation: University of Minnesota, 1994.The American Pavilion at the 1958 Brussels Worlds Fair, the focus of this study, displayed the largest collection of American art and artifacts of any international exhibition during the 1950s, and was itself one of the most dramatic symbols of American culture ever created.Theses/DissertationsExposition universelle et internationale19582/11/2007 0:00:001SILBelgiumBrussels1958
468Kint, Johanna Maria Lucia. "Expo 58 as the Expression of a Humanist Modernism." Ph.D. Dissertation: Technische Universiteit Te Delft, 2001.Theses/DissertationsExposition universelle et internationale19582/11/2007 0:00:001SILBelgiumBrussels1958
469Nilsen, Sarah Dawn. "Projecting America: Films at the Brussels Worlds Fair of 1958." Ph. D. Dissertation: University of Southern California, 2000.Theses/DissertationsExposition universelle et internationale19581SILBelgiumBrussels1958
470Duncan, Don. Meet Me at the Center: The Story of Seattle Center from the Beginnings to the 1962 Seattle Worlds Fair to the 21st Century. Seattle: Seattle Center Foundation, 1992.Books/MonographsCentury 21 Exhibition19622/11/2007 0:00:001SILUnited StatesWashingtonSeattle1962
471Bernklow, Gary M. "Seattles Century 21, 1962." Pacific Northwest Forum. 7:1 (1994): 68-80.Describes the Century 21 Exposition as one of the most successful worlds fairs ever: attracted extensive media attention, boosted the local economy, supported urban renewal, and generated a site that could be used for multiple purposes after the fair ended.ArticlesCentury 21 Exhibition19622/11/2007 0:00:001SILUnited StatesWashingtonSeattle1962
472Schlimgen, Veta R. "Defining Participation and Place: Women and the Seattle Worlds Fairs of 1909 and 1962." M.A. Thesis: University of Washington, 2000.Theses/DissertationsCentury 21 Exhibition19621SILUnited StatesWashingtonSeattle1962
473A Fair to Remember: Seattle Center at 40Web SitesCentury 21 Exhibition1962http://seattlepi.nwsource.com/specials/worlds1SILUnited StatesWashingtonSeattle1962
474Symmes, Marilyn. "Remembering the Fountain of the Planets at the New York Worlds Fair,1964-65." Fountains: Splash and Spectacle: Water and Design from Renaissance to the Present. Marilyn Symmes, ed. New York: Rizzoli,1998.ArticlesNew York Worlds Fair1964-19652/11/2007 0:00:001SILUnited StatesNew YorkNew York
475Exploring Americas Space Age Worlds FairWeb SitesNew York Worlds Fair1964-1965http://www.nywf64.com/1SILUnited StatesNew YorkNew York
476Gopnick, Blake and Michael Sorkin. Moshe Safdie: Habitat 67, Montreal. Torino: [Italian] Testo and Immagine, 1998.Books/MonographsExpo 67: Man and His World19671SILCanadaMontreal1967
477Jasmin, Yves. La Petite Historie dExpo 67: lExpo 67 Comme Vous ne lavez Jamais Vue. Montreal: Eds. Quebec/Amerique, 1997.Books/MonographsExpo 67: Man and His World19671SILCanadaMontreal1967
478Brydon, Sherry. "The Indians of Canada Pavilion at Expo 67." American Indian Art Magazine 22:3 (1997): 54-63.ArticlesExpo 67: Man and His World19671SILCanadaMontreal1967
479Kroller, Eva-Marie. "Expo 67: Canadas Camelot?" Canadian Literature 152/153 (Spring/Summer 1997): 36-52.Describes Canadas hosting of and participation in Expo 67,and its social and political implications; including the marginalized role of women at the exposition and a comparison with other world expositions.ArticlesExpo 67: Man and His World19671SILCanadaMontreal1967
480Safdie, Moshe. "Habitat at 25." Architectural Record 180 :7(July 1992): 40-44.Examines Habitat, the Montreal housing complex designed by the author and unveiled at Expo 67. Discusses the goals of the complex and how it is viewed at 25.ArticlesExpo 67: Man and His World19671SILCanadaMontreal1967
481"The Centennial and Expo." Macleans 112:26 (July 1999): 42-44.Discusses how the centennial celebrations in Canada and the Worlds Fair Expo 67 brought out pride and confidence within the country.ArticlesExpo 67 : Man and His World19672/20/2007 0:00:001SILCanadaMontreal1967
482Tippett, Maria. "Expressing Identity." Beaver 80:1 (2000): 18-27.The author argues that twentieth century Canadian writers, artists, and musicians did not realize a shared culture being divided geographically as well as by language and ethnicity. Cultural artisans shared a sense of identity during WW I, the Great Depression, and most notable in EXPO 67.ArticlesExpo 67 : Man and His World19672/20/2007 0:00:001SILCanadaMontreal1967
483Kicksee, Richard Gordon. "Scaled Down to Size: Contested Liberal Commonsense and the Negotiation of ‘Indian Participation in the Canadian Centennial Celebrations and Expo 67." M.A. Thesis: Queens University at Kingston [Canada], 1996.Theses/DissertationsExpo 67 : Man and His World19672/16/2007 0:00:001SILCanadaMontreal1967
484Miedema, Gary R. "Canadas Sake: The Re-visioning of Canada and the Re-structuring of Public Religion in the 1960s." Ph.D. Dissertation: Queens University, 2000.Theses/DissertationsExpo 67: Man and His World19671SILCanadaMontreal1967
485Whitney, Allison. "Labyrinth: Cinema, Myth and Nation at Expo 67." M.A. Thesis: McGill University, 1999.Theses/DissertationsExpo 67: Man and His World19671SILCanadaMontreal1967
486Expo 67 Man and His WorldWeb SitesExpo 67: Man and His World1967http://www.archives.ca/05/0533/0533020101_e.h1SILCanadaMontreal1967
487Expo 67 - Montreal Worlds FairWeb SitesExpo 67: Man and His World1967http://naid.sppsr.ucla.edu/expo67/1SILCanadaMontreal1967
488Welcome to Worlds Fair ‘74Web SitesExpo 741974http://expo74.brandx.net/1SILUnited StatesWashingtonSpokane1974
489Urban Land Institute. Worlds Fair Site Knoxville, Tennessee: Strategies for the Development of a Convention Center and the Redevelopment of the Worlds Fair Site. Washington, D.C.: Urban Land Institute, 1998.Books/MonographsKnoxville International Energy Exposition19821SILUnited StatesTennesseeKnoxville1982
4901982 Knoxville Worlds Fair: Energy Turns the WorldWeb SitesKnoxville International Energy Exposition1982http://users.vnet.net/schulman/1982/fair.html1SILUnited StatesTennesseeKnoxville1982
491Dimanche, Frederic. "Special Events Legacy: The 1984 Louisiana Worlds Fair in New Orleans." Quality Management in Urban Tourism. Ed. Peter E. Murphy. New York: John Wiley and Sons. 66-74.ArticlesLouisiana World Exposition19841SILUnited StatesLouisianaNew Orleans1984
492Glazer, Susan Herzfeld. " A Worlds Fair to Remember." New Orleans Magazine 38:2 (November 2003): D4For six months in 1984, New Orleans enjoyed an ongoing Mardi Gras and Jazz Festival hosting an international exhibition highlighting the importance of water to the world.ArticlesLouisiana World Exposition19842/16/2007 0:00:001SILUnited StatesLouisianaNew Orleans1984
493Hagan, Peter Edward. "The History and Impact of the 1984 Louisiana World Exposition." M.A. Thesis: Tulane University, 1994.Theses/DissertationsLouisiana World Exposition19842/20/2007 0:00:001SILUnited StatesLouisianaNew Orleans1984
494Srinivasan, Sumitra. "New Life for Old Fairs." Masters Thesis: University of Texas at Austin, 1991.Theses/DissertationsLouisiana World Exposition19841SILUnited StatesLouisianaNew Orleans1984
495Davies, Colin and Nicholas Grimshaw. British Pavilion, Seville Exposition 1992: Nicholas Grimshaw and Partners. London: Phaidon, 1992.Books/MonographsExposición Universal19921SILSpainBarcelona1992
496Harvey, Penelope. Hybrids of Modernity: Anthropology, the Nation State and the Universal Exhibition. London: Routledge, 1996.Books/MonographsExposición Universal19921SILSpainBarcelona1992
497Pollalis, Spiro. What is a Bridge?: The Making of Calatravas Bridge in Seville. Cambridge: MIT Press, 1999.Books/MonographsExposición Universal19921SILSpainBarcelona1992
498Rispa, Raul. Expo 92 Seville: Architecture and Design. Milan: Electa, 1993.Books/MonographsExposición Universal19921SILSpainBarcelona1992
499Fernández Salinas, Victor. "Las Grandes Tranformaciones Urbanas de Sevilla Durante Los Anos Previos a la Exposicion Universal." Estudios Geográficos [Spain] 54:212 (1993): 387-407.ArticlesExposición Universal19921SILSpainBarcelona1992
500Harvey, Penolope. "Multiculturalism Without Responsibility? The Contemporary Universal Exhibition." Critical Quarterly 38 (Autumn 1996): 30-44.The author examines the 1992 Universal Exhibition as an interesting example of cultural theory in practice. She discusses the presentations of the European community, Spain, U.K., Czechoslovakia, and Switzerland.ArticlesExposición Universal19921SILSpainBarcelona1992
501Breuel, Birgit, Stefan Iglhaut and Thomas Springer. Ideen für die Zukuft: Weltweite Projekte, Global Dialogue und Themenpark der EXPO 2000 Hannover. Berlin: Jovis, 2001.Books/MonographsUniversal Exhibition20001SILGermanyHannover2000
502Herzog, Thomas. Expodach: Symbolbauwerk zur Weltausstellung Hannover 2000. Muchen: Prestel, 2000.Books/MonographsUniversal Exhibition20002/16/2007 0:00:001SILGermanyHannover2000
503Louafi, Kamel. Die Gärten der Weltausstellung auf dem Kronsberg, EXPO 2000 Hannover. Berlin: Aedes East, 1998.Books/MonographsUniversal Exhibition20001SILGermanyHannover2000
504Schwarz, Michiel. Holland Schept Ruimte: het Nederlanse Paviljoen op de Wereldtentoonstelling, EXPO 2000 te Hanover. Den Haag: Blaricum, 1999.Books/MonographsUniversal Exhibition20002/16/2007 0:00:001SILGermanyHannover2000
505Steckeweh, Carl and Reinhart Wustlich. EXPO Architektur Dokumente: Beiträge zur Weltausstellung Expo 2000 in Hannover.[German] Ostfildren-Ruit: Hatje Cantz, 2000.MonographsUniversal Exhibition200010/4/2006 0:00:001CSUFGermanyHannover2000
506Zumthor, Peter, Plinio Bachmann and Roderick Hönig. Swiss Sound Box: A Handbook for the Pavillion of the Swiss Confederation at Expo 2000 in Hanover. Basel: Birkhäuser, 2000.Books/MonographsUniversal Exhibition20002/16/2007 0:00:001SILGermanyHannover2000
507Special Edition. “Expo 2000 Erste Weltausstellung in Deutschland: Themen, Visionen, Geschichte." Kultur & Technik. July-September 2000.ArticlesUniversal Exhibition20001SILGermanyHannover2000
508Dillon Diane. "Mapping Enterprise: Cartography and Commodification at the 1893 World Columbian Exposition."Nineteenth Century Geographies Ed. Helena Michie and Ronald Thomas. New Brunswick: Rutgers University, 2003.ArticlesWorlds Columbian Exposition18931SILUnited StatesIllinoisChicago1893
509Coté, Joost. “To See is to Know: the Pedagogy of the Colonial Exhibition, Semarang, 1914.” Paedagogica Historica 36:1 (2000): 341-366.ArticlesKoloniale Tentoonstelling19149/21/2006 0:00:000CSUFIndonesiaSemarang1914
510Abbatista, Guido. “Torino 1884: Africani in mostra.” Contemporanea 3 (agosto 2004): 369-410.ArticlesEsposizione generale italiana18843/27/2007 0:00:000CSUFItalyTurinAnthropology -- Ethnography,Ethnographic disp1884
511Accornero, Cristina. “Le exposizioni e le culture urbane: Tommaso Villa e le abitazioni popolari.” Le Culture della Tecnica: Rivista semestrale dell’Archivio Storico AMMA 2 (1996): 105-120.ArticlesEsposizione generale italiana18843/27/2007 0:00:000CSUFItalyTurinExhibitions - national,Urban space -- Urban p1884
512Aimone, Linda. “L’Esposizione del 1884 al Valentino.” Storia illustrata di Torino. Valerio Castronovo, ed. Milano: E. Sellino, 1992.ArticlesEsposizione generale italiana18843/27/2007 0:00:000CSUFItalyTurinExhibitions - national,Italy1884
513Bartolozzi, Carla, ed. Un borgo colla dominante rocca. Torino: Celid, 1995.Books/MonographsEsposizione generale italiana18843/27/2007 0:00:000CSUFItalyTurinExhibitions - national,Historic village re-cr1884
514Cerrato, Vittorio. Borgo e rocca medioevali in Torino. Torino: Stamperia del Borgo, 1984.Books/MonographsEsposizione generale italiana18843/27/2007 0:00:000CSUFItalyTurinExhibitions - national,Historic village re-cr1884
515Cerrato, Vittorio. Torino: borgo medioevale (1884). Tesi di Laurea in Architettura: Politecnico di Torino, 1981/1982.Theses/DissertationsEsposizione generale italiana18843/27/2007 0:00:000CSUFItalyTurinArchitects -- Architecture,Exhibitions - nat1884
516Maggio Serra, Rosanna, ed. Perché un castello medioevale? Precisazioni e guida. Torino: Musei Civici, 1985.Books/MonographsEsposizione generale italiana18843/27/2007 0:00:000CSUFItalyTurinExhibitions - industrial and trade,Historic v1884
517Bassignana, Pier Luigi and Rosanna Roccia, eds. 1898: L’Esposizione generale italiana: Dal dibattito preparatorio alla valutazione dei risultati. Torino: Archivio storico della Città di Torino, 1999.Books/MonographsEsposizione generale italiana18983/27/2007 0:00:000CSUFItalyTurinExhibitions - national,Impact of expositions,1898
518D’Aronco, Raimondo. Torino 1902. Turin: Galleria Civica d’Arte Moderna, 1994.Books/MonographsEsposizione internazionale darte decorativa m19023/27/2007 0:00:000CSUFItalyTurinArtists,Arts and artists - decorative and fin1902
519Fratini, Francesca Romana, ed. Torino 1902: Polemiche in Italia sull’Arte Nuova. Torino: Martano, 1971.Books/MonographsEsposizione internazionale darte decorativa m19023/27/2007 0:00:000CSUFItalyTurinArtists,Arts and artists - decorative and fin1902
520Stavenow-Hidemark, Elisabet. “A Jury Members Notes: Erick Folcker in Turin 1902.” Scandinavian Journal of Design History 10 (2000): 6-13.ArticlesEsposizione internazionale darte decorativa m19023/27/2007 0:00:000CSUFItalyTurinAdministration -- Organization -- Staff,Exhib1902
521Moriondo, Carlo. Torino 1911: La Favolosa Esposizione. Torino: Daniela Piazza Editore, 1981.Books/MonographsEsposizione internazionale19113/27/2007 0:00:000CSUFItalyTurinExhibitions - national,Italy1911
522Pellegrino, Anna. “Il gran dimenticato’: lavoro, tecnologia e progresso nelle relazioni degli ‘operai’ fiorentini all’Esposizione di Milano del 1906.” Esposizioni in Europa tra Otto e Novecento: Spazi, organizzazione, rappresentazioni. Alexander C.T. Geppert and Massimo Baioni, eds. Milano: FrancoAngeli, 2004 [Special issue of Memoria e Ricerca: Rivista di storia contemporanea 17 (settembre-dicembre 2004)]: 165-190.ArticlesEsposizione internazionale del Sempione19063/27/2007 0:00:000CSUFItalyMilanLabor,Science – Technology -- Mathematics,Vis1906
523E 42: Utopia e scenario del regime. Vol. 1.: Ideologia e programma dell’Olimpiade delle Civiltà. Tullio Gregory and Achille Tartaro, eds. Venezia: Cataloghi Marsilio, 1987.Books/MonographsEsposizione universale19423/27/2007 0:00:000CSUFItalyRomeExhibitions - national,Failed projects -- Exh1942
524E 42: Utopia e scenario del regime. Vol. 2: Urbanistica, archittectura, arte e decorazione. Calvesi, Maurizio, Enrico Guidoni and Simonetta Lux, eds. Venezia: Cataloghi Marsilio, 1987.Books/MonographsEsposizione universale19423/27/2007 0:00:000CSUFItalyRomeArchitects,Architectural legacies -- Symbols 1942
525“Esposizione Universale Romana (E 42).” Dizionario del fascismo. Victoria de Grazia and Sergio Luzzato, eds. Torino: Einaudi, 2002: 488-490.ArticlesEsposizione universale19423/27/2007 0:00:000CSUFItalyRomeColonialism and imperialism ,Failed projects 1942
526Fuller, Mia. “Wherever You Go, There You Are: Fascist Plans for the Colonial City of Addis Ababa and the Colonizing Suburb of EUR ’42.” Journal of Contemporary History 31:2 (April 1996): 397-418.ArticlesEsposizione universale19423/27/2007 0:00:000CSUFItalyRomeAnthropology -- Ethnography,Ethnographic disp1942
527Ghirardo, Diane Yvonne. “Città Fascista: Surveillance and Spectacle.” Journal of Contemporary History 31:2 (April 1996): 347-372.ArticlesEsposizione universale19423/27/2007 0:00:000CSUFItalyRomeColonialism and imperialism ,Failed projects 1942
528Irace, Furio. “Reconsidering Architecture: EUR (Roma) 1937-1987.” Abitare 255 (giugno 1987): 178-185, 192.ArticlesEsposizione universale19423/27/2007 0:00:000CSUFItalyRomeArchitects -- Architecture,Architectural leg1942
529Mariani, Riccardo, ed. E 42: un progetto per l’Ordine Nuovo.’ Milano: Edizioni Comunità.Books/MonographsEsposizione universale19423/27/2007 0:00:000CSUFItalyRomeFailed projects -- Exhibitions never held or 1942
530Muratore, Giorgio. “Die Überwindung des ersten Modernismus: Eine neue Stadt für die Weltausstellung 1942 – E’ 42.” Jan Tabor, ed. Kunst und Diktatur: Architektur, Bildhauerei und Malerei in Österreich, Deutschland, Italien und der Sowjetunion 1922-1956. Bd. 2. Baden: Grasl, 1994: 632-637.ArticlesEsposizione universale19423/27/2007 0:00:000CSUFItalyRomeArchitecture,Failed projects -- Exhibitions n1942
531Notaro, Anna. “Exhibiting the New Mussolinian City: Memories of Empire in the World Exhibition of Rome (EUR).” GeoJournal 51:1 (2000): 15-22.ArticlesEsposizione universale19423/27/2007 0:00:000CSUFItalyRomeArchitectural legacies -- Symbols -- Monument1942
532Booth, Karen. “When Jamaica Welcomed the World: The Great Exhibition of 1891.” Jamaica Journal 18:8 (1985): 39-51.ArticlesInternational Exhibition18919/19/2006 0:00:000CSUFJamaicaKingston1891
533Taylor, Frank Fonda. “The Resurrection of Jamaica: The International Exhibition of 1891.” Revista/Review Interamericana 14:1-4 (1984): 122-132.ArticlesInternational Exhibition18909/19/2006 0:00:000CSUFJamaicaKingston1890
534Montijn, Ileen. Kermis van Koophandel: De Amsterdamse Wereldtentoonstelling van 1883. Bussum: Van Holkema & Warendorf, 1983.Books/MonographsInternationale Koloniale en Uitvoerhandel-Ten18839/13/2007 0:00:000CSUFNetherlandsAmsterdam1883
535Grever, Maria and Berteke Waaldijk. Transforming the Public Sphere: The Dutch National Exhibition of Womens Labor in 1898. Durham, NC: Duke University Press, 2004.Books/MonographsNationale Tentoonstelling van Vrouwenarbeid18983/28/2007 0:00:000CSUFNetherlandsAmsterdamExhibitions - national,Labor,Women -- Feminis1898
536Grever, Maria and Berteke Waaldijk. Feministische openbaarheid: de Nationale Tentoonstelling van Vrouwenarbeid in 1898. Amsterdam: Stichting Beheer IISG/IIAV, 1998.Books/MonographsNationale Tentoonstelling van Vrouwenarbeid18983/28/2007 0:00:000CSUFNetherlandsAmsterdamExhibitions - national,Labor,Women -- Feminis1898
537Sharfe, Jean. “The New Zealand International Exhibition at Christchurch in 1906-07.” History Now 1:2 (1995): 27-31. ArticlesInternational Exhibition1906-19079/19/2006 0:00:000CSUFNew ZealandChristchurch
538Thomson, John Mansfield, ed. Farewell Colonialism: The New Zealand International Exhibition Christchurch, 1906-07. Palmerston North: Dunmore Press, 1998.Books/MonographsInternational Exhibition1906-19079/19/2006 0:00:000CSUFNew ZealandChristchurch
539Leonard, Yves. "Le Portugal et ses ‘sentinelles de Pierre’: L’Exposition du Monde Portugais en 1940." Vingtième siècle 62 (1999): 27-37.ArticlesExposiçao do Mundo Português19409/19/2006 0:00:000CSUFPortugalLisbon1940
540Portugal. Secretariado Nacional da Informação. Mundo português: imagens de uma exposiçãp histórico, 1940. Lisboa: Edições S. N. I, 956.Books/MonographsExposiçao do Mundo Português19409/19/2006 0:00:000CSUFPortugalLisbon1940
541Kallestrup, S. “Romanian National Style and the 1906 Bucharest Jubilee Exhibition.” Journal of Design History 15:3 (2002): 147-162.ArticlesJubilee Exhibition19069/19/2006 0:00:000CSUFRumaniaBucharest1906
542Hirschfield, Charles. “America on Exhibition: The New York Crystal Palace.” American Quarterly 9:2 (Summer 1957): 101-116.ArticlesExhibition of the Industry of All Nations1853-185411/15/2007 0:00:001CSUFUnited StatesNew YorkNew York
543Hyman, Linda. Crystal Palace/42 Street/1853-54. New York: City University of New York, 1974.Books/MonographsExhibition of the Industry of All Nations1853-185411/15/2007 0:00:001CSUFUnited StatesNew YorkNew York
544Jayne, Thomas Gordon. “The New York Crystal Palace: An International Exhibition of Goods and Ideas.” M.A. Thesis: University of Delaware, 1990.Theses/DissertationsExhibition of the Industry of All Nations1853-185411/15/2007 0:00:001CSUFUnited StatesNew YorkNew York
545Post, Robert C. “Reflections of American Science and Technology at the New York Crystal Palace Exhibition of 1853.” Journal of American Studies 17:3 (1983): 337-356.ArticlesExhibition of the Industry of All Nations1853-185411/15/2007 0:00:001CSUFUnited StatesNew YorkNew York
546Reinhardt, Richard. “The Dubious Glory of New York’s ‘Great Exhibition.’” World’s Fair 6:1 (Winter 1986): 1-10.ArticlesExhibition of the Industry of All Nations1853-185411/15/2007 0:00:001CSUFUnited StatesNew YorkNew York
547Rosenberg, Nathan (ed.). The American System of Manufactures: The Report of the Committee on the Machinery of the United States 1855, and the Special Reports of George Wallis and Joseph Whitworth 1854. Edinburgh: Edinburgh University Press, 1969.MonographsExhibition of the Industry of All Nations1853-185410/9/2006 0:00:000CSUFUnited StatesNew YorkNew York
548Sacco, Ellen Fernandez. “Art for the Millions: The Rise of Barnum’s American Museum and the New York Crystal Palace.” M.A. Thesis: Hunter College, 1991.Theses/DissertationsExhibition of the Industry of All Nations1853-185411/15/2007 0:00:001CSUFUnited StatesNew YorkNew York
549Steen, Ivan D. “America’s First World’s Fair: The Exhibition of the Industry of All Nations at New York’s Crystal Palace, 1853-1854.” New York Historical Society Quarterly 47:3 (July 1963): 256-287.ArticlesExhibition of the Industry of All Nations1853-185411/15/2007 0:00:001CSUFUnited StatesNew YorkNew York
550Steen, Ivan D. “The New York Crystal Palace Exhibition.” M.A. Thesis: New York University, 1959.Theses/DissertationsExhibition of the Industry of All Nations1853-185411/15/2007 0:00:001CSUFUnited StatesNew YorkNew York
551Bacon, Margaret H. “Friends and the 1876 Centennial: Dilemmas, Controversies and Opportunities.” Quaker History 66:1 (1977): 41-50.ArticlesCentennial International Exhibition187610/9/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
552Benson, Maxine F. “Colorado Celebrates the Centennial, 1876.”Colorado Magazine 53:2 (1976): 129-52.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
553Brown, Dee Alexander. The Year of the Century: 1876. New York: Scribner, 1966.Books/MonographsCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
554Calkin, Homer L. “The Centennial of American Independence ‘Round the World.’” Historian 38:4 (1976): 613-628.ArticlesCentennial International Exhibition187610/9/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
555Calkin, Homer L. “Iowa and the Centennial Exhibition of 1876.” Annals of Iowa 43:6 (1976): 443-58.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
556Calkin, Homer L. “Music during the Centennial of American Independence.” Pennsylvania Magazine of History and Biography 100:3 (1976): 374-89.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
557Cheney, Lynne Vincent. “1876: The Eagle Screams.” American Heritage 25:3 (April 1974): 15-35, 98-99.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
558Cleary, Calista Keller. “The Past is Present: Historical Representation at the Sesquicentennial International Exposition.” Ph.D. Dissertation: University of Pennsylvania, 1999.Theses/DissertationsCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
559Coolidge, Theresa. “The Poets and the Centennial Exposition.” Boston Public Library Quarterly 5 (April 1953): 114-115.ArticlesCentennial International Exhibition187610/9/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
560Cordato, Mary Frances. “Toward a New Century: Women and the Philadelphia Centennial Exhibition, 1876.” Pennsylvania Magazine of History and Biography 107:1 (January 1983): 113-135.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
561Donaldson, Christine Hunter. “The Centennial of 1876: The Exposition, and Culture for America.” Ph.D. Dissertation: Yale University, 1948.DissertationsCentennial International Exhibition187610/9/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
5621876: American Art of the Centennial; May 28-November 28, 1976, National Collection of Fine Arts, Smithsonian Institution, Washington, D.C. Washington, DC: Smithsonian Institution Press, 1976.MonographsCentennial International Exhibition187610/9/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
563Ellis, Anita J. “The Centennial Exhibition, 1876.” The Ceramic Career of M. Louise McLaughlin. Cincinnati: Cincinnati Art Museum; Athens: Ohio University Press, 2003: 38-42.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
564Ellis, Anita J. “The Martha Washington and Centennial Tea Parties, 1875.” The Ceramic Career of M. Louise McLaughlin. Cincinnati: Cincinnati Art Museum; Athens: Ohio University Press, 2003: 25-37.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
565Evensen, Bruce J. “’Saving the City’s Reputation’: Philadelphia’s Struggle over Self-Identity, Sabbath-Breaking and Boxing in America’s Sesquicentennial Year.” Pennsylvania History 60:1 (January 1993): 6-34.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
566Fisher, David C. “Westliche Hegemonie und Russische Ambivalenz: Das Zarenreich auf der Centennial Exposition in Philadelphia 1876.” Comparativ 9:5/6 (1999): 44-60.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
567Foner, Philip S. “Black Participation in the Centennial of 1876.” Negro History Bulletin 39:2 (February 1976): 533-538.ArticlesCentennial International Exhibition18762/22/2007 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphiaAfrican Americans1876
568Foner, Philip S. “Black Participation in the Centennial of 1876.” Phylon 39:4 (Winter 1978): 283-296.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
569Foner, Philip S. “The French Trade Union Delegation to the Philadelphia Centennial Exposition, 1876.” Science and Society 40:3 (1976): 257-287.ArticlesCentennial International Exhibition187610/9/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
570Goodheart, Adam. “The Machine of the Myth.” Design Quarterly 155 (Spring 1992): 24-28.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
571Hicks, John Henry: “The United States Centennial Exhibition of 1876.” Ph.D. Dissertation: University of Georgia, 1972.Theses/DissertationsCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
572Hilton, Suzanne. The Way It Was - 1876. Philadelphia: Westminster Press, 1975.MonographsCentennial International Exhibition187610/9/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
573Holland, Juanita Marie. “To Be Free, Gifted, and Black: African American Artist, Edward Mitchell Bannister.” International Review of African American Art 12:1 (1995): 4-25.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
574Indiana Historical Society. Lectures 1972-1973: 1876: The Centennial Year. Indianapolis: Indiana Historical Society, 1973.Books/MonographsCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
575Kruska, Dennis G. Sierra Nevada Big Trees: History of the Exhibitions, 1850-1903. Los Angeles: Dawson’s Book Shop, 1985.Books/MonographsCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
576Krutisch, Petra. “’...billig und schlecht!’ Das deutsche Kunstgewerbe auf der Weltausstellung in Philadelphia in 1876” Renaissance der Renaissance: Ein bürgerlicher Kunststil im 19. Jahrhundert. G. Ulrich Großmann, ed. München: Deutscher Kunstverlag, 1995: 13-32.ArticlesCentennial International Exhibition187610/9/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
577Lancaster, Clay. “The Philadelphia Centennial Towers.” Journal of the Society of Architectural Historians 19:1 (March 1960): 11-15.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
578Lewis, Berkeley R. Small Arms Ammunition at the International Exposition, Philadelphia, 1876. Washington, DC: Smithsonian Institution Press, 1972.Books/MonographsCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
579Looney, Robert F. Old Philadelphia in Early Photographs, 1839-1914: 215 Prints from the Collection of the Free Library of Philadelphia. New York: Dover Publications, 1976.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
580Loose, John W.W. “Lancaster and the American Centennial Exposition of 1876." Journal of the Lancaster County Historical Society 92:3 (1989/90): 93-100.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
581Maass, John. The Glorious Enterprise: The Centennial Exhibition of 1876 and H.J. Schwarzmann, Architect-in-Chief. Watkins Glen, NY: American Life Foundation, 1973.ArticlesCentennial International Exhibition187610/9/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
582Maass, John. The Glorious Enterprise: The Centennial Exhibition of 1876 and H.J. Schwarzmann, Architect-in-Chief. Watkins Glen, NY: American Life Foundation, 1973.MonographsCentennial International Exhibition187610/9/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
583Maass, John. “Memorial Hall 1876: International Architecture in the First Age of Mass Communications.” Architectura (1972): 127-152.ArticlesCentennial International Exhibition187610/5/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
584Maass, John. “Who Invented Dewey’s Classification?” Wilson Library Bulletin 47:4 (December 1972): 335-341.ArticlesCentennial International Exhibition187610/9/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
585Macdonald, Anna L. “Centennial Sisterhood.” Feminine Ingenuity: Women and Invention in America. New York: Ballantine Books, 1992: 71-102.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
586Mahan, Bruce E. “Iowa at the Centennial.” Palimpsest 5 (September 1924): 334-338.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
587Matthews, Mildred Byars. “The Painters of the Hudson River School in the Philadelphia Centennial of 1876.” Art in America 34:3 (July 1946): 143-160.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
588Meech, Julia and Gabriel P. Weisberg. Japonisme Comes to America: The Japanese Impact on the Graphic Arts 1876-1925. New York: Abrams, 1990.Books/MonographsCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
589Miller, Lillian B. “Engines, Marbles, and Canvases: The Centennial Exposition of 1876.” Indiana Historical Society Lectures 1972-1973: 1876: The Centennial Year, Indianapolis 1973. Indiana Historical Society, 2002: 2-29.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
590Miner, H. Craig. “The United States Government Building at the Centennial Exhibition, 1874-77.” Prologue: The Journal of the National Archives 4:4 (Winter 1972): 202-218.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
591Morgan, H. Wayne. “Art and Culture in the Centennial Summer of 1876.” Indiana Historical Society: Lectures 1972-1973: 1876: The Centennial Year. Indiana Historical Society: Indianapolis, 1973: 46-58.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
592Myhrman, Anders. “Selma Josefina Borg: Finland-Swedish Musician, Lecturer, and Champion of Women’s Rights.” Swedish Pioneer Historical Quarterly 30:1 (1979): 25-34.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
593Nicolai, Richard R. Centennial Philadelphia. Bryn Mawr, PA: Bryn Mawr Press, 1976.Books/MonographsCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
594Nix, James R. “The American Centennial: An Adventist Perspective.” Adventist Heritage 3:1 (1976): 11-16.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
595Nugent, Walter T.K. “Seed Time of Modern Conflict: American Society at the Centennial.” 1876: The Centennial Year. Indianapolis: Indiana Historical Society, 1973: 30-45. ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
596Paine, Judith. “The Women’s Pavilion of 1876.” Feminist Art Journal 4:4 (Winter 1976): 5-12.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
597Pauly, Thomas H. “In Search of “The Spirit of ’76.” American Quarterly 28:4 (Fall 1976): 445-464.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
598Pesavento, Sandra J. “Imagens da nação, do progresso e da tecnologia: a Exposição Universal de Filadélfia de 1876.” Anais do Museu Paulista: História e Cultura Material, n.s. 2 (1994): 151-167. ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
599Post, Robert C. (ed.). A Treatise upon Selected Aspects of the Great International Exhibition Held in Philadelphia on the Occasion of Our Nation’s One-hundredth Birthday, with Some Reference to Another Exhibition Held in Washington Commemorating That Epic Event, and Called 1876: A Centennial Exhibition. Washington, DC: National Museum of History and Technology, Smithsonian Institution, 1976.Books/MonographsCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
600Purcell, L. Edward. “The Centennial Exposition, 1876.” Palimpsest 57:3 (1976): 76-81.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
601Randel, William P. “John Lewis Reports the Centennial.” Pennsylvania Magazine of History and Biography 79 (July 1955): 364-374.ArticlesCentennial International Exhibition187610/9/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
602Reinhardt, Richard. “Ezekiel’s Wheel and the Wild Man of Borneo.” World’s Fair 7:4 (Fall 1987): 1-8.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
603Rinhart, Floyd and Marion Rinhart. America’s Centennial Celebration (Philadelphia 1876). Winter Haven, FL: Manta Books, 1976.Books/MonographsCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
604Rothenberg, Marc and Peter Hoffenberg. “Australia at the 1876 Exhibition in Philadelphia.” Historical Records of Australian Science 8:2 (June 1990): 55-62.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
605Sands, John O. “U.S. Light-House Board: Progress through Process.” American Neptune 19 (Summer 1987): 174-192.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
606Schlereth, Thomas J. “The Philadelphia Centennial as a Teaching Model.” Hayes Historical Journal 1 (1977): 201-210.ArticlesCentennial International Exhibition187610/9/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
607Scobey, David. “What Shall We Do with Our Walls? The Philadelphia Centennial and the Meaning of Household Design.” Fair Representations: World’s Fairs and the Modern World. Robert W. Rydell and Nancy Gwinn, eds. Amsterdam: VU University Press, 1994: 88-120.ArticlesCentennial International Exhibition187610/9/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
608Smith, Thomas A. “Governor Hayes Visits the Centennial.” Hayes Historical Journal 1:3 (1977): 159-163.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
609Socolofsky, Homer E. “Kansas in 1876.” Kansas Historical Quarterly 43:11 (1977): 1-43.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
610Swidler, Arlene. “Catholics and the 1876 Centennial.” Catholic Historical Review 62:3 (1976): 349-365.ArticlesCentennial International Exhibition18769/28/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
611Taylor, Lisa McQuail. “’Articles of Peculiar Excellence’: The Siam Exhibit at the U.S. Centennial Exposition (Philadelphia, 1876).’” Journal of the Siam Society 79:2 (1991): 12-23.ArticlesCentennial International Exhibition187610/9/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
612Trennert, Robert A. “A Grand Failure: The Centennial Indian Exhibition of 1876.” Prologue: The Journal of the National Archives 6:2 (Summer 1974): 118-129.ArticlesCentennial International Exhibition187610/9/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
613Warner, Deborah J. “Women Inventors at the Centennial.” Dynamos and Virgins Revisited: Women and Technological Change in History: An Anthology. Martha Moore Trescott, ed. Metuchen, NJ: Scarecrow Press, 1979.ArticlesCentennial International Exhibition18769/29/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
614Washburn, Wilcomb E. “A Contribuição da marinha brasileira para a exposição universal de 1876 em Filadélfia.” Navigator: subsídios para a História da Marinha do Brasil 13 (junho 1976-dezembro 1977): 51-58. ArticlesCentennial International Exhibition18769/29/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
615Zegas, Judy Brown. “North American Indian Exhibit at the Centennial Exposition.” Curator 19:2 (1976): 162-173.ArticlesCentennial International Exhibition18769/29/2006 0:00:000CSUFUnited StatesPennsylvaniaPhiladelphia1876
616Hardy, Donald Clive. “The World’s Industrial and Cotton Centennial Exposition.” M.A. Thesis: Tulane University, 1964.Theses/DissertationsWorld’s Industrial and Cotton Centennial Expo1884-18853/20/2007 0:00:001CSUFUnited StatesLouisianaNew Orleans
617Lill, Winston. “New Orleans Looks Ahead to 1984 - and Back to 1884.” World’s Fair 3:2 (Spring 1983): 1-3.ArticlesWorld’s Industrial and Cotton Centennial Expo1884-18853/20/2007 0:00:001CSUFUnited StatesLouisianaNew Orleans
618Shepherd, Samuel C. “A Glimmer of Hope: The World’s Industrial and Cotton Centennial Exposition, 1884-1885.” Louisiana History 26:3 (1985): 271-290.ArticlesWorld’s Industrial and Cotton Centennial Expo1884-18853/20/2007 0:00:001CSUFUnited StatesLouisianaNew Orleans
619Stahls, Paul F., Jr. A Century of World’s Fairs in Old New Orleans, 1884-1984. Baton Rouge: VAAPR, 1984.Books/MonographsWorld’s Industrial and Cotton Centennial Expo1884-18853/20/2007 0:00:001CSUFUnited StatesLouisianaNew Orleans
620Weimann, Jeanne Madeline. “Women of Veiled Fire.” World’s Fair 4:4 (Fall 1984): 13-17.ArticlesWorld’s Industrial and Cotton Centennial Expo1884-18858/13/2007 0:00:001CSUFUnited StatesLouisianaNew OrleansWomen -- Feminism
621Adams, Judith A. “The Form Emerges: The World’s Columbian Exposition.” The American Amusement Park Industry: A History of Technology and Thrills. Boston, MA: Twayne Publishers, 1991: 19-40.ArticlesWorlds Columbian Exposition189310/4/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
622Allen, Robert V. “Forty Commissars in Chicago: Russian Perceptions of American Technology, Methods, and Education.” Russia Looks at America: The View to 1917. Washington, DC: Library of Congress, 1988: 183-228.ArticlesWorlds Columbian Exposition189310/4/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
623Appelbaum, Stanley. The Chicago World’s Fair of 1893: A Photographic Record: Photos from the Collections of the Avery Library of Columbia University and the Chicago Historical Society. New York, NY: Dover Publications, 1980.Books/MonographsWorlds Columbian Exposition189310/4/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
624Badger, Rodney Reid. The Great American Fair: The World’s Columbian Exposition & American Culture. Chicago, IL: Nelson Hall, 1979.Books/MonographsWorlds Columbian Exposition189310/4/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
625Badger, Rodney Reid. “The World’s Columbian Exposition: Patterns of Change and Control in the 1890’s.” Ph.D. Dissertation: Syracuse University, 1975.Theses/DissertationsWorlds Columbian Exposition189310/4/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
626Barker, Barbara. “Imre Kiralfy’s Patriotic Spectacles: Columbus, and the Discovery of America (1892-1893) and America (1893).” Dance Chronicle 17:2 (1994): 149-178.ArticlesWorlds Columbian Exposition189310/4/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
627Bigler, Brian J. and Lynn Martinson Mudrey. The Norway Building of the 1893 Chicago World’s Fair: A Building’s Journey from Norway to America: An Architectural Legacy. Blue Mounds, WI: Little Norway, 1992.Books/MonographsWorlds Columbian Exposition189310/4/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
628Bleuler, Gordon and Jim Doolin. “The Columbian Exposition, Chicago, 1893.” American Philatelist 93:11 (November 1979): 994-1006.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
629Bleuler, Gordon and Jim Doolin. “World’s Columbian Exposition, 1893: Official and Unofficial Souvenir Postal Cards.” American Philatelist 94:8 (August 1980): 713-726.ArticlesWorlds Columbian Exposition189310/9/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
630Bolotin, Norman and Christine Laing. The Chicago World’s Fair of 1893: The World’s Columbian Exposition. Washington, DC: Preservation Press, 1992.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
631Bolotin, Norman and Christine Laing. The World’s Columbian Exposition: The Chicago World’s Fair of 1893. Urbana: University of Illinois Press, 2002.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
632Broun, Elizabeth. “American Paintings and Sculpture in the Fine Arts Building of the World’s Columbian Exposition, Chicago, 1893.” Ph.D. Dissertation: University of Kansas, 1976.Theses/DissertationsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
633Burg, David F. Chicago’s White City of 1893. Lexington: University of Kentucky Press, 1976.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
634Cassell, Frank A. and Marguerite E. Cassell. “The White City in Peril: Leadership and the World’s Columbian Exposition.” Chicago History 12:3 (Fall 1983): 10-27.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
635Çelik, Zeynep. “Speaking Back to Orientalist Discourse at the Worlds Columbian Exposition.” Noble Dreams, Wicked Pleasures: Orientalism in America, 1870-1930. Holly Edwards, ed. Princeton, NJ: Princeton University Press in association with the Sterling and Francine Clark Art Institute, 2000: 77-98.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
636Clarke, Jane H. “The Art Institute’s Guardian Lions.” Museum Studies [Chicago, IL] 14 (1988): 46-55.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
637Cottrell, Beekman W. “The Pride of America: George Ferris’s Wonderful Wheel.” World’s Fair 1:3 (Summer 1981): 1-5.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
638Cronon, William. Nature’s Metropolis: Chicago and the Great West. New York: Norton, 1991.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
639Crook, David Heathcote. “Louis Sullivan and the Golden Doorway.” Journal of the Society of Architectural Historians 26:4 (1967): 250-258.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
640Crook, David Heathcote. “Louis Sullivan, the World’s Columbian Exposition and American Life.” Ph.D. Dissertation: Harvard University, 1963.Theses/DissertationsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
641Cunningham, Michael James. “The Image of the Artist in Chicago Fiction Following the World’s Columbian Exposition.” Ph.D. Dissertation: Bowling Green State University, 1978.Theses/DissertationsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
642Darling, Sharon. Chicago Furniture: Art, Craft, & Industry, 1833-1983. New York: Norton, 1984.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
643Darnall, Margaretta Jean. “From the Chicago Fair to Walter Gropius: Changing Ideals in American Architecture.” Ph.D. Dissertation: Cornell University, 1975.Theses/DissertationsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
644Dedmon, Emmett. “The Glories of the White City.” Fabulous Chicago. New York: Random House, 1953: 220-237.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
645Deem, Roger A. A Century of Wheels, 1893-1993: Eli Bridge Company Salutes the International Year of the Wheel. Jacksonville, IL: Eli Bridge Co., 1993.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
646Doenecke, Justus D. “Myths, Machines and Markets: The Columbian Exposition of 1893.” Journal of Popular Culture 6:3 (Spring 1973): 535-549.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
647Downey, Dennis Bernard. “The Congress of Labor at the World’s Columbian Exposition.” Illinois State Historical Society Journal 76 (1983): 131-138.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
648Downey, Dennis Bernard. “Rite of Passage: The World’s Columbian Exposition and American Life.” Ph.D. Dissertation: Marquette University, 1981.Theses/DissertationsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
649Downey, Dennis Bernard. A Season of Renewal: The Columbian Exposition and Victorian America. Westport, CT: Praeger, 2002.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
650Downey, Dennis Bernard. “Tradition and Acceptance: American Catholics and the Columbian Exposition.” Mid-America 63:2 (1981): 79-92.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
651Downey, Dennis Bernard. “William Stead and Chicago: A Victorian Jeremiah in the Windy City.” Mid-America 68 (October 1986): 153-166.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
652Druyvesteyn, Kenten. “The World’s Parliament of Religions.” Ph.D. Dissertation: University of Chicago, 1976.Theses/DissertationsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
653Duis, Perry. Chicago: Creating New Traditions. Chicago: Chicago Historical Society, 1976.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
654Eckert, Allan W. The Scarlet Mansion. Toronto: Bantam Books, 1986.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
655Eglit, Nathan N. Columbiana: The Medallic History of Christopher Columbus and the Columbian Exposition of 1893. Chicago: Privately published, 1965.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
656Faulkner, Joseph W. “Painters at the Hall of Expositions: 1890.” Chicago History 2:1 (1972): 14-16.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
657Feldman, Ann E. “Being Heard: Women Composers and Patrons at the 1893 World’s Columbian Exposition.” Notes [Music Library Association] 47 (September 1990): 7-20.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
658Fort, Tim. “Steele MacKaye’s Lighting Vision for the World Finder.” Nineteenth Century Theatre 18:1-2 (1990): 35-51.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
659Funderburg, Anne. “America’s Eiffel Tower.” American Heritage of Invention & Technology 9:2 (Fall 1993): 8-16.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
660Gillette, Howard F. “White City, Capital City.” Chicago History 18 (1989/90): 26-45.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
661Golomb, Deborah Grand. “The 1893 Congress of Jewish Women: Evolution or Revolution in American Jewish Women’s History?” American Jewish History 70:1 (1980): 52-67.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
662Gowans, Alan. Images of American Living: Four Centuries of Architecture and Furniture as Cultural Expression. Philadelphia: Lippincott, 1964: 132-159.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
663Grabenhorst-Randall, Terree. “The Woman’s Building.” Heresies 1:4 (1978): 44-46.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
664Hales, Peter Bacon. “At Its Peak: Grand-Style Photography and the World’s Columbian Exposition, 1892-1895.” Silver Cities: The Photography of American Urbanization, 1839-1915. Philadelphia: Temple University Press, 1984: 132-159.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
665Hales, Peter Bacon. “Photography and the World’s Columbian Exposition: A Case Study.” Journal of Urban History 15:3 (May 1989): 247-273.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
666Harris, Neil, Wim de Wit, James Gilbert and Robert W. Rydell. Grand Illusions: Chicago’s World Fair of 1893. Chicago: Chicago Historical Society, 1993.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
667Henderson, Harold. “Congress of Ideas: The World’s Congress Auxiliary of 1893 Is Remembered for Far More Than Just Inspiring the Theme of AAM’s 1990 Annual Meeting.” Museum News [Washington, DC] 69 (1990): 73-74.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
668Hines, Thomas S. Burnham of Chicago: Architect and Planner. New York: Oxford University Press, 1974.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
669Hirsch, Susan E. and Robert I. Goler. A City Comes of Age: Chicago in the 1890s. Chicago: Chicago Historical Society, 1990.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
670Hollweg, Brenda. Ausgestellte Welt: Formationsprozesse kultureller Identität in den Texten zur Chicago Worlds Columbian Exposition (1893). Heidelberg: C. Winter, 2001.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
671Hollweg, Brenda. “Recollecting the Past: Erinnerungs(schau)spiele in den Texten zur World’s Columbian Exposition in Chicago 1893.” Comparativ 5:6 (1999): 103-126.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
672Horowitz, Helen Lefkowitz. Culture & the City: Cultural Philanthropy in Chicago from the 1880s to 1917. Lexington: University Press of Kentucky, 1976.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
673Hubbard, Ladee. “Mobility in America: The Myth of the Frontier and the Performance of National Culture at the Chicago World’s Fair of 1893.” Ph.D. Dissertation: University of California, Los Angeles, 2003.Theses/DissertationsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
674Hume, Paul and Ruth Hume. “The Great Chicago Piano War.” American Heritage 21:6 (1970): 16-21.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
675Jack, Homer A. “Chicago’s Parliament of Religions.” World’s Fair 9:4 (October/November/December 1989): 9-10.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
676Jamieson, Duncan R. “Women’s Rights at the World’s Fair, 1893.” Illinois Quarterly 37:2 (December 1974): 5-20.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
677Jay, Robert. “Taller than Eiffel’s Tower: The London and Chicago Tower Projects, 1889-1894.” Journal of the Society of Architectural Historians 46:2 (June 1987): 145-156.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
678Johnston, Ewan.“‘Polynesien in der Plaisance’: Das samoanische Dorf und das Theater der Südseeinseln auf der Weltausstellung in Chicago 1893.” Comparativ 5:6 (1999): 89-102.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
679Karlowicz, Titus Marion. “The Architecture of the World’s Columbian Exposition.” Ph.D. Dissertation: Northwestern University, 1965.Theses/DissertationsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
680Karlowicz, Titus Marion. “D.H. Burnham’s Role in the Selection of Architects for the World’s Columbian Exposition.” Journal of the Society of Architectural Historians 29:3 (October 1970): 247-254.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
681Karlowicz, Titus Marion. “Notes on the Columbian Exposition’s Manufactures and Liberal Arts Building.” Journal of the Society of Architectural Historians 33:3 (1974): 214-218.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
682Kasson, John F. Amusing the Million: Coney Island at the Turn of the Century. New York: Hill & Wang, 1978.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
683Kerber, Stephen. “Florida and the World’s Columbian Exposition of 1893.” Florida Historical Quarterly 66:1 (July 1987): 25-49.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
684Kersting, Christa. “Der Auftritt von Frauen auf der Wissenschaftsbuhne, Chicago 1893.” Feministische Studien: Zeitschrift für interdisziplinare Frauen- und Geschlechterforschung 21:2 (November 2003): 265-280.ArticlesWorlds Columbian Exposition18934/9/2007 0:00:000CSUFUnited StatesIllinoisChicago1893
685Knutson, Robert. “The White City: The World’s Columbian Exposition of 1893.” Ph.D. Dissertation: Columbia University, 1956.Theses/DissertationsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
686Lancaster, Clay. The Incredible World’s Parliament of Religions at the Chicago Columbian Exposition of 1893: A Comparative and Critical Study. Fontwell, Sussex: Centaur Press, 1987.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
687Lederer, Francis L. “Competition for the World’s Columbian Exposition: The Chicago Campaign.” Illinois State Historical Society Journal 65:4 (1972): 382-394.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
688Lederer, Francis L. “The Genesis of the World’s Columbian Exposition.” M.A. Dissertation: University of Chicago, 1967.Theses/DissertationsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
689Litwicki, Ellen M. “‘The Inauguration of the People’s Age’: The Columbian Quadricentennial and American Culture.” Maryland Historian 20:1 (Spring/Summer 1989): 47-58.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
690Longstreet, Stephen. Chicago, 1860-1919. New York: David McKay, 1973.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
691Lovell, M. M. “Picturing ‘A City for a Single Summer’: Paintings of the World’s Columbian Exposition.” Art Bulletin 78:1 (1996): 40-55.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
692Manson, Grant Carpenter. “Frank Lloyd Wright and the Fair of ’93.” Art Quarterly 16:2 (Summer 1953): 115-123.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
693Marling, Karal Ann. “Writing History with Artifacts: Columbus at the 1893 Chicago Fair.” Public Historian 14:4 (Fall 1992): 13-30.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
694Massa, Ann. “Black Women in the ‘White City’.” Journal of American Studies 8:3 (December 1974): 319-337.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
695Mazzola, Sandy R. “Bands and Orchestras at the World’s Columbian Exposition.” American Music 4:4 (Winter 1986): 407-424.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
696McArthur, Ben. “1893: The Chicago World’s Fair: An Early Test for Adventist Religious Liberty.” Adventist Heritage 2 (1975): 11-21.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
697McGraw, Donald J. “The Tree That Crossed a Continent.” California History 61:2 (Summer 1982): 120-139.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
698McKinley, Ann. “Music for the Dedication Ceremonies of the World’s Columbian Exposition in Chicago, 1892.” American Music 3:1 (Spring 1985): 42-51.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
699Miller, Ross. American Apocalypse: The Great Fire and the Myth of Chicago. Chicago: University of Chicago Press, 1990.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
700Moore, Charles. Daniel H. Burnham: Architect, Planner of Cities. New York: Da Capo Press, 1968.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
701Muccigrosso, Robert. Celebrating the New World: Chicago’s Columbian Exposition of 1893. Chicago: Ivan R. Dee, 1993. Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
702Neufeld, Maurice Frank. “The Contribution of the World’s Columbian Exposition of 1893 to the Idea of a Planned Society in the United States.” Ph.D. Dissertation: University of Wisconsin, Madison, 1935.Theses/DissertationsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
703Neufeld, Maurice Frank. “The Crisis in Prospect: Henry Adams and the White City.” American Scholar 4:4 (Autumn 1935): 397-408.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
704Neufeld, Maurice Frank. “The White City: The Beginnings of a Planned Civilization in America.” Illinois State Historical Society Journal 27:1 (April 1934): 71-93.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
705Nevius, Blake. Robert Herrick: The Development of a Novelist. Berkeley: University of California Press, 1962.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
706Notoji, Masako. “Civilization Illuminating the World: The United States and Japan at the World’s Columbian Exposition of 1893.” Journal of Human and Cultural Studies 20:3/4 (1989): 259-284.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
707Pace, Barney. “An Experimental Novel about the Columbian Exposition of 1893: The Fame and Fortune of Jimmie Dawson.” Ph.D. Dissertation: University of Michigan, 1982.Theses/DissertationsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
708Parmet, Robert D. “Competition for the World’s Columbian Exposition: The New York Campaign.” Illinois State Historical Society Journal 65:4 (1972): 364-381.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
709Parshall, Karen V.H. “Embedded in the Culture: Mathematics at the Worlds Columbian Exposition of 1893.” Mathematical Intelligencer 25:2 (1993): 40-45.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
710Pfeiler, Robert. “Ventura County at the Columbian Exposition.” Ventura County Historical Society Journal 4:4 (August 1959): 17-19.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
711Pinkett, Harold T. “Forestry Comes to America.” Agricultural History 54:1 (January 1980): 4-10.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
712Platt, Harold L. The Electric City: Energy and the Growth of the Chicago Area, 1880-1930. Chicago: University of Chicago Press, 1991.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
713Pohl, Frances K. “Historical Reality or Utopian Ideal? The Woman’s Building at the World’s Columbian Exposition, Chicago, 1893.” International Journal of Women’s Studies 5 (1982): 289-311.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
714Reed, Christopher Robert. “A Reinterpretation of Black Strategies for Change at the Chicago World’s Fair.” Illinois Historical Journal 81:1 (Spring 1988): 2-12.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
715Reinhardt, Richard. “She Never Saw the Streets of Cairo.” World’s Fair 1:2 (Spring 1981):13-16.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
716Reinhardt, Richard. “The World from Chicago 1893: Ballyhoo.” World’s Fair 1:1 (February 1981): 10-11.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
717Riedy, James L. “Sculpture at the Columbian Exposition.” Chicago History 4:2 (1975): 99-107.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
718Rod, Steven J. “The Columbians, Parts 1-2.” American Philatelist 106:9 (September 1992): 828-830; 106:10 (October 1992): 938-940.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
719Rowe, Colin. “Chicago Frame: Chicago’s Place in the Modern Movement.” Architectural Review 120:718 (November 1956): 285-289.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
720Rydell, Robert W. “Contend, Contend!” The Reason Why the Colored American Is Not in the World’s Columbian Exposition: The Afro-American’s Contribution to Columbian Literature. Robert W. Rydell, ed. Urbana, IL: University of Illinois Press, 1999: xi-xlviii.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
721Rydell, Robert W. “The World’s Columbian Exposition of 1893: Racist Underpinnings of a Utopian Artifact.” Journal of American Culture 1:2 (Summer 1978): 253-275.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
722Sandweiss, Eric. “Around the World in a Day: International Participation in the World’s Columbian Exposition.” Illinois Historical Journal 84 (Spring 1991): 2-14.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
723Schei, Lawrence A. “A New Classification of the Columbian Envelopes.” American Philatelist 106:5 (May 1992): 440-452.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
724Schultz, Stanley K. “The Affair of the Fair.” Constructing Urban Culture: American Cities and City Planning, 1800-1920. Philadelphia, PA: Temple University Press, 1989: 209-217.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
725Scott, Gertrude M. “Village Performance: Villages at the Chicago World’s Columbian Exposition, 1893.” Ph.D. Dissertation: New York University, 1991.Theses/DissertationsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
726Seager, Richard Hughes. “The World’s Parliament of Religions, Chicago, Illinois, 1893: America’s Religious Coming of Age.” Ph.D. Dissertation: Harvard University, 1986.Theses/DissertationsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
727Seager, Richard Hughes. The World’s Parliament of Religions: The East/West Encounter Chicago, 1893. Bloomington: Indiana University Press, 1995.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
728Segrest, Robert. “The Perimeter Projects: The Architecture of the Excluded Middle.” Perspecta 23 (1986): 54-65.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
729Shaw, Marian. World’s Fair Notes: A Woman Journalist Views Chicago’s 1893 Columbian Exposition. St. Paul, MN: Pogo Press, 1992.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
730Shaw, William Provan. “The World’s Columbian Exposition: Its Revelations and Influences.” M.A. Dissertation: Clark University, 1935.Theses/DissertationsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
731Sheppard, Stephen M. “The Columbian Exposition.” American Philatelist 106:5 (May 1992): 424-433.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
732Sheppard, Stephen M. “The World’s Columbian Exposition Left Its Mark in U.S. History.” American Philatelist 106:9 (September 1992): 832-836.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
733Smith, Carl S. Chicago and the American Literary Imagination, 1880-1920. Chicago: University of Chicago Press, 1984.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
734Smith, Carl S. “Fearsome Fiction and the Windy City; or, Chicago in the Dime Novel.” Chicago History 7:1 (Spring 1978): 2-11.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
735Smith, Roger C. “Replicating the Ships of Columbus.” Archaeology 45:3 (May/June 1992): 38, 40-41.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
736Snyder-Ott, Joelynn. “Woman’s Place in the Home (That She Built).” Feminist Art Journal 3 (1974): 7-8, 18.ArticlesWorlds Columbian Exposition189311/20/2007 0:00:000CSUFUnited StatesIllinoisChicago1893
737Sokolov, A.S. “Rossiia na Vsemirnoi vystavke v Chikago v 1893 g. [Russia at the Worlds Fair in Chicago in 1893].” Amerikanskii Ezhegodnik (1984): 152-164.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
738Stephens, Suzanne. “For the Record: Schuyler at the 1893 World’s Fair.” Architectural Record 181:6 (June 1993): 36-38.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
739Stetson, Erlene. “A Note on the Woman’s Building and Black Exclusion.” Heresies 2 (1979): 45-47.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
740Sund, Judy. “Columbus and Columbia in Chicago, 1893: Man of Genius Meets Generic Woman.” Art Bulletin 75:3 (September 1993): 443-466.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
741Szuberla, Guy Alan. “Urban Vistas and the Pastoral Garden: Studies in the Literature and Architecture of Chicago (1893-1909).” Ph.D. Dissertation: University of Minnesota, 1971.Theses/DissertationsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
742Thomas, Christopher A. and Alex J. Thomas. “Canadian Showcase, Chicago, 1893.” RACAR, Revue d’art canadienne 5:2 (1978/79): 113-115.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
743Tselos, Dimitri. “The Chicago Fair and the Myth of the ‘Lost Cause’.” Journal of the Society of Architectural Historians 26 (December 1967): 259-268.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
744Walker, Steven F. “Vivekananda and American Occultism.” The Occult in America: New Historical Perspectives. Howard Kerr and Charles L. Crow, eds. Urbana, IL: University of Illinois Press, 1983: 162-176. Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
745Walter, Dave. Today Then: America’s Best Minds Look 100 Years into the Future on the Occasion of the 1893 World’s Columbian Exposition. Helena, MT: American & World Geographic Publishing, 1992.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
746Weimann, Jeanne Madeline. “A Dream for the ‘Age of Discovery’: A Woman’s Building at Chicago 1992.” World’s Fair 2:3 (Summer 1982): 1-7.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
747Weimann, Jeanne Madeline. The Fair Women. Chicago: Academy Chicago, 1981.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
748Weimann, Jeanne Madeline. “Fashion and the Fair.” Chicago History 12:3 (Fall 1983): 28-47.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
749Weingarden, Lauren S. “Restoring Romanticism to the World’s Fair: The Sullivan-Olmsted Collaboration.” Arte, historia e identidad en América: visiones comparativas. Vol. 2. Gustavo Curiel, Renato González Mello and Juana Gutiérrez Haces, eds. México: Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas, 1994: 375-386.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
750Weingarden, Lauren S. “A Transcendentalist Discourse in the Poetics of Technology: Louis Sullivan’s Transportation Building and Walt Whitman’s ‘Passage to India.” Word & Image 3:2 (April-June 1987): 202-221.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
751Wilson, Robert E. “The Infanta at the Fair.” Illinois State Historical Society Journal 59:3 (1966): 252-271.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
752Wilson, William H. “The Columbian Exposition and the City Beautiful Movement.” The City Beautiful Movement. Baltimore: Johns Hopkins University Press, 1989: 53-74.Books/MonographsWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
753The World’s Columbian Exposition. “A Nostalgic Exhibit.” Chicago History 3:7 (Spring 1953): 193-215.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
754Ziolkowski, Eric J. “Heavenly Visions and Worldly Intentions: Chicago’s Columbian Exposition and World’s Parliament of Religions (1893).” Journal of American Culture 13:4 (Winter 1990): 9-15.ArticlesWorlds Columbian Exposition189310/5/2006 0:00:000CSUFUnited StatesIllinoisChicago1893
755Agalidi, Sanda. "The Mannheim Exhibition of 1925 and the Idea of the New Objectivity." Ph.D. Dissertation: University of California, Los Angeles, 1995.DissertationsGeneral Worlds Fair Materials000010/20/2006 0:00:000CSUFArchitecture0
756Ausstellungs- und Messe-Ausschuss der Deutschen Wirtschaft. AUMA: 75 Jahre im Dienst der Messewirtschaft (1907-1982). Köln: Johann Heider, 1982.MonographsGeneral Worlds Fair Materials000010/20/2006 0:00:000CSUF0
757Baus, Hans-Joachim. "Die Düsseldorfer Ausstellungen bis zum Jahre 1926." Staatsexamensarbeit: Universität zu Köln, 1977.Theses/DissertationsGeneral Worlds Fair Materials000010/24/2006 0:00:000CSUFArchitecture,National Exhibitions,Topic - Ger0
758Benninghoff-Lühl, Sibylle. "Die Ausstellung der Kolonisierten: Völkerschauen 1874-1932." Andenken an den Kolonialismus: Eine Ausstellung des Völkerkundlichen Instituts der Universität Tübingen. Volker Harms, ed. Tübingen: Attempto Verlag, 1984: 52-65.ArticlesGeneral Worlds Fair Materials000010/20/2006 0:00:000CSUFColonialism and Imperialism,Topic - Germany0
759Ciré, Annette. Temporäre Ausstellungsbauten für Kunst, Gewerbe und Industrie in Deutschland 1896-1915. Frankfurt am Main: Peter Lang, 1993.Books/MonographsGeneral Worlds Fair Materials000010/24/2006 0:00:000CSUFArchitecture,Art,Decorative Arts,Display Desi0
760Cleve, Ingeborg. "Dem Fortschritt entgegen: Ausstellungen und Museen im Modernisierungsprozeß des Königreichs Württemberg (1806-1918)." Jahrbuch für Wirtschaftsgeschichte (2000): 149-169.ArticlesGeneral Worlds Fair Materials000010/20/2006 0:00:000CSUFTopic - Germany,Trade and Industrial Exhibiti0
761Cornelissen, Christoph. "Die politische und kulturelle Repräsentation des Deutschen Reiches auf den Weltausstellungen des 19. Jahrhunderts." Geschichte in Wissenschaft und Unterricht 52:3 (März 2001): 148-161.ArticlesGeneral Worlds Fair Materials000010/20/2006 0:00:000CSUFColonialism and Imperialism,Nationalism,Topic0
762Geppert, Alexander C.T. "Ausstellungsmüde: Deutsche Großausstellungsprojekte und ihr Scheitern, 1880-1913." Wolkenkuckucksheim: Internationale Zeitschrift für Theorie und Wissenschaft der Architektur 5:1 (Juli 2000).ArticlesGeneral Worlds Fair Materials0000http://www.tu-cottbus.de/BTU/Fak2/TheoArch/wo10/20/2006 0:00:000CSUFTopic - Germany0
763Ehmann, Dieter. "Die Beteiligung württembergischer Firmen an Weltausstellungen: Motivation und Ziele." Diplomarbeit: Universität Hohenheim, 1985.DissertationsGeneral Worlds Fair Materials000010/20/2006 0:00:000CSUFTopic - Germany0
764Gessner, Dieter. "Industrialisierung, staatliche Gewerbepolitik und die Anfänge und Entwicklung des industriellen Ausstellungswesens in Deutschland." Kunstpolitik und Kunstförderung im Kaiserreich: Kunst im Wandel der Sozial- und Wirtschaftsgeschichte. Ekkehard Mai, Hans Pohl, and Stephan Waetzoldt, eds. Berlin: Mann, 1982: 131-148.ArticlesGeneral Worlds Fair Materials000010/20/2006 0:00:000CSUFArt,National Exhibitions,Politics,Topic - Ger0
765Haberland, Wolfgang. "Diese Indianer sind falsch: Neun Bella Coola im Deutschen Reich 1885/86." Archiv für Völkerkunde 42 (1988): 3-67.ArticlesGeneral Worlds Fair Materials000010/20/2006 0:00:000CSUFColonialism and Imperialism0
766Weidenhaupt, Hugo. "Die Gewerbe- und Kunst-Ausstellung zu Düsseldorf 1880." Düsseldorfer Jahrbuch 57/58 (1980): 412-430.ArticlesGewerbe- und Kunst-Ausstellung18803/27/2007 0:00:000CSUFGermanyDüsseldorfArchitecture,Business --Trade -- Commerce,Exh1880
767Hundt, Wolfgang J. "Die Wandlung im deutschen Messe- und Ausstellungswesen im 19. Jahrhundert und seine Weiterentwicklung bis zum Jahre 1933 unter besonderer Berücksichtigung der Messen in Frankfurt am Main und Leipzig: Von der Warenmesse zur Mustermesse." Ph.D. Dissertation: Universität Frankfurt am Main, 1957.Theses/DissertationsGeneral Worlds Fair Materials000010/24/2006 0:00:000CSUFFrankfurt am MainBusiness and Commerce,Decorative Arts,Nationa0
768Koch, Georg Friedrich. "Die Bauten der Industrie-, Gewerbe- und Kunst-Ausstellung in Düsseldorf 1902 in der Geschiche der Ausstellungsarchitektur." Kunstpolitik und Kunstförderung im Kaiserreich: Kunst im Wandel der Sozial- und Wirtschaftsgeschichte. Ekkehard Mai, Hans Pohl, and Stephan Waetzoldt, eds. Berlin: Mann, 1982: 149-165.ArticlesIndustrie- Gewerbe- und Kunstausstellung19023/27/2007 0:00:000CSUFGermanyDüsseldorfArchitecture,Arts and artists - decorative an1902
769Mai, Ekkehard. "GESOLEI und PRESSA: Zu Programm und Architektur rheinischen Ausstellungswesens in den zwanziger Jahren." Zur Geschichte von Wissenschaft, Kunst und Bildung an Rhein und Ruhr. Kurt Düwell and Wolfgang Köllmann, eds. Wuppertal: Hammer, 1985: 271-287.ArticlesGESOLEI19263/27/2007 0:00:000CSUFGermanyDüsseldorfBusiness --Trade -- Commerce,Exhibitions - in1926
770Mai, Ekkehard. "Präsentation und Repräsentativität: Interne Probleme deutscher Kunstausstellungen im Ausland (1900-1930)." Zeitschrift für Kulturaustausch 31:1 (1981): 107-123.ArticlesGeneral Worlds Fair Materials000010/20/2006 0:00:000CSUFArchitecture,Art,National Exhibitions,Topic -0
771Möller, Holger. Das deutsche Messe- und Ausstellungswesen: Standortstruktur und räumliche Entwicklung seit dem 19. Jahrhundert. Trier: Zentralausschuß für Deutsche Landeskunde/Selbstverlag, 1989.MonographsGeneral Worlds Fair Materials000010/20/2006 0:00:000CSUFBusiness and Commerce,National Exhibitions0
772Overy, Paul. "Visions of the Future and the Immediate Past: The Werkbund Exhibition, Paris 1930.” Journal of Design History 17:4 (2004): 337-357.ArticlesGeneral Worlds Fair Materials000010/20/2006 0:00:000CSUFArchitecture,Art,Business and Commerce,Decora0
773Rückblick auf ein halbes Jahrhundert: Von der Ständigen Ausstellungskommission zum Ausstellungs- und Messe-Ausschuß der Deutschen Wirtschaft e.V.. Köln: Ausstellungs- und Messeausschuß der Deutschen Wirtschaft, 1957.MonographsGeneral Worlds Fair Materials000010/20/2006 0:00:000CSUFNational Exhibitions,Topic - Germany0
774Schwankl, Herbert R. Das württembergische Ausstellungswesen: Zur Entwicklung der allgemeinen Gewerbe- und Industrieausstellungen im 19. Jahrhundert. St. Katharinen: Scripta Mercaturae, 1988.MonographsGeneral Worlds Fair Materials000010/20/2006 0:00:000CSUFNational Exhibitions,Topic - Germany0
775Schwarzkopf, W. "Die erste große Gewerbe-, Industrie- und Handelsausstellung in Harburg." Harburger Vogelschießen (1972): 199-205.ArticlesGeneral Worlds Fair Materials000010/20/2006 0:00:000CSUFArchitecture,National Exhibitions,Topic - Ger0
776Scotti, Roland. Die "Internationale Kunst-Ausstellung” 1907 in Mannheim. Mannheim: Städtische Kunsthalle, 1987.MonographsGeneral Worlds Fair Materials000010/20/2006 0:00:000CSUFArchitecture,Art,National Exhibitions,Topic -0
777Steinle, Holger. "Das Moabiter Ausstellungsgelände." Die Bauwelt 77:6 (1986): 202-205.ArticlesGeneral Worlds Fair Materials000010/9/2006 0:00:000CSUFBerlinArchitecture,National Exhibitions,Topic - Ger0
778Thamer, Hans-Ulrich. "Geschichte und Propaganda: Kulturhistorische Ausstellungen in der NS-Zeit." Geschichte und Gesellschaft 24:3 (1998): 349-381.ArticlesGeneral Worlds Fair Materials000010/9/2006 0:00:000CSUFBerlinArchitecture,Art,National Exhibitions,Topic -0
779Thamer, Hans-Ulrich. "Die Repräsentation der Diktatur: Geschichts- und Propagandaausstellungen im nationalsozialistischen Deutschland und im faschistischen Italien." Faschismus und Faschismen im Vergleich: Wolfgang Schieder zum 60 Geburtstag. Christof Dipper, Rainer Hudemann, and Jens Petersen, eds. Vierow bei Greifswald: SH-Verlag, 1998: 229-246.ArticlesGeneral Worlds Fair Materials000010/9/2006 0:00:000CSUFBerlinArchitecture,Art,Politics,Topic - Germany,Top0
780Korn, Oliver. Hanseatische Gewerbeausstellungen im 19. Jahrhundert: Republikanische Selbstdarstellung und regionale Wirtschaftsförderung. Leverkusen: Leske + Budrich, 1999.Nord-West-Deutsche Gewerbe- und Industrie-Aus18903/27/2007 0:00:000CSUFGermanyBremenArchitecture,Arts and artists - decorative an1890
781Lührs, Wilhelm. "Vor hundert Jahren - die Nordwestdeutsche Gewerbe- und Industrieausstellung." Bremisches Jahrbuch 69 (1990): 9-20.ArticlesNord-West-Deutsche Gewerbe- und Industrie-Aus18903/27/2007 0:00:000CSUFGermanyBremenAdministration -- Organization -- Staff,Archi1890
782Roder, Hartmut, ed. Bremen: Handelsstadt am Fluss. Bremen: Verlag H.M. Hauschild, 1995: 25-54.Nord-West-Deutsche Gewerbe- und Industrie-Aus18903/27/2007 0:00:000CSUFGermanyBremenBusiness --Trade -- Commerce,Germany1890
783Binder, Beate. "...und es ist, als ob ein wunderbarer Traum unsere Sinne umgaukle: Die Inszenierung einer elektrischen Welt auf der Frankfurter Internationalen Elektrotechnischen Ausstellung von 1891." Hessische Blätter für Volkskunde N. F. 24 (1989): 31-44.ArticlesInternationale Elektrotechnische Ausstellung18913/27/2007 0:00:000CSUFGermanyFrankfurt am MainBusiness --Trade -- Commerce,Electricity and 1891
784Böhme, Helmut. "Vom Geist der Unruhe - Elektrizität und Neuer Kurs: Bemerkungen zur politischen und kultur-technischen Bedeutung der Einführung einer neuen Technologie anläßlich der Internationalen Elektrotechnischen Ausstellung in Frankfurt am Main 1891." Industrialisierung: Begriffe und Prozesse. Festschrift Akos Paulinyi zum 65. Geburtstag. Volker Benad-Wagenhoff, ed. Stuttgart: Verlag für Geschichte der Naturwissenschaften und der Technik, 1994: 143-161.ArticlesInternationale Elektrotechnische Ausstellung18913/27/2007 0:00:000CSUFGermanyFrankfurt am MainBusiness --Trade -- Commerce,Electricity and 1891
785Steen, Jürgen, ed. "Eine neue Zeit..!": Die Internationale Elektrotechnische Ausstellung 1891. Frankfurt am Main: Historisches Museum Frankfurt am Main, 1991.Internationale Elektrotechnische Ausstellung18913/27/2007 0:00:000CSUFGermanyFrankfurt am MainAdministration -- Organization -- Staff,Busin1891
786Bezirksamt Treptow von Berlin/Heimatmuseum Treptow. Die Berliner Gewerbeausstellung 1896 in Bildern. Berlin: Berliner Debatte/BUGRIM, 1996.Berliner Gewerbe-Ausstellung18963/27/2007 0:00:000CSUFGermanyBerlinArchitecture,Buildings and pavilions,Business1896
787Bezirksamt Treptow von Berlin/Heimatmuseum Treptow. Die verhinderte Weltausstellung: Beiträge zur Berliner Gewerbeausstellung 1896. Berlin: Berliner Debatte/BURGRIM, 1996.Berliner Gewerbe-Ausstellung18963/27/2007 0:00:000CSUFGermanyBerlinAdministration -- Organization -- Staff,Busin1896
788Herre, Franz. Jahrhundertwende 1900: Untergangsstimmung und Fortschrittsglauben. Stuttgart: Deutsche Verlags-Anstalt, 1998.Books/MonographsBerliner Gewerbe-Ausstellung18963/27/2007 0:00:000CSUFGermanyBerlinExhibitions - industrial and trade,Exhibition1896
789Herzfeld, Hans. "Berlin als Kaiserstadt und Reichshauptstadt." Das Hauptstadtproblem in der Geschichte. Festgabe zum 90. Geburtstag Friedrich Meineckes. Gewidmet vom Friedrich-Meinecke-Institut an der Freien Universität Berlin. Tübingen: Max Niemeyer Verlag, 1952: 141-170.ArticlesBerliner Gewerbe-Ausstellung18963/27/2007 0:00:000CSUFGermanyBerlinArchitectural legacies -- Symbols -- Monument1896
790Heyden, Ulrich van der. "Südafrikanische Berliner: Die Kolonial- und die Transvaal-Ausstellungen in Berlin und die Haltung der deutschen Missionsgesellschaften zur Präsentation fremder Menschen und Kulturen." Fremde Erfahrungen: Asiaten und Afrikaner in Deutschland, Österreich und in der Schweiz bis 1945. Gerhard Höpp, ed. Berlin: Verlag Das Arabische Buch, 1996: 135-156.ArticlesBerliner Gewerbe-Ausstellung18963/27/2007 0:00:000CSUFGermanyBerlinAnthropology -- Ethnography,Ethnographic disp1896
791Lange, Annemarie. Das wilhelminische Berlin: Zwischen Jahrhundertwende und Novemberrevolution. Berlin (Ost): n.p., 1967.Books/MonographsBerliner Gewerbe-Ausstellung18963/27/2007 0:00:000CSUFGermanyBerlinExhibitions - industrial and trade,Exhibition1896
792Masur, Gerhard. Imperial Berlin. London: Routledge & Kegan Paul, 1971.Books/MonographsBerliner Gewerbe-Ausstellung18963/27/2007 0:00:000CSUFGermanyBerlinExhibitions - colonial,Exhibitions - industri1896
793Rowe, Dorothy. "Georg Simmel and the Berlin Trade Exhibition of 1896.” Urban History 22:2 (August 1995): 216-228.ArticlesBerliner Gewerbe-Ausstellung18964/9/2007 0:00:000CSUFGermanyBerlinExhibition theory,Exhibitions - industrial an1896
794Stremmel, Ralf. "Städtische Selbstdarstellung seit der Jahrhundertwende." Archiv für Kommunalwissenschaften 33 (1994): 234-264.ArticlesBerliner Gewerbe-Ausstellung18963/27/2007 0:00:000CSUFGermanyBerlinAdministration -- Organization -- Staff,Exhib1896
795Thiel, Paul. "Berlin präsentiert sich der Welt: Die Berliner Gewerbeausstellung 1896 in Treptow." Die Metropole: Industriekultur in Berlin im 20. Jahrhundert Jochen Boberg, Tilman Fichter, and Eckhart Gillen, eds. München: C.H. Beck, 1986: 16-27.ArticlesBerliner Gewerbe-Ausstellung18963/27/2007 0:00:000CSUFGermanyBerlinAdministration -- Organization -- Staff,Anthr1896
796Zelljadt, Katja. "Presenting and Consuming the Past: Old Berlin at the Industrial Exhibition of 1896.” Journal of Urban History 31:3 (March 2005): 306-333.ArticlesBerliner Gewerbe-Ausstellung18963/27/2007 0:00:000CSUFGermanyBerlinArchitecture,Exhibitions - industrial and tra1896
797Stemmrich, Daniel. Industrie-, Gewerbe- und Kunstausstellung Düsseldorf 1902. Köln: Rheinland-Verlag, 1997.Industrie- Gewerbe- und Kunstausstellung19023/27/2007 0:00:000CSUFGermanyDüsseldorfAdministration -- Organization -- Staff,Busin1902
798Brecht, Christine and Sybilla Nikolow. "Displaying the Invisible: Volkskrankheiten on Exhibition in Imperial Germany.” Studies in History and Philosophy of Biomedical Sciences 31:4 (2000): 511-530.ArticlesInternationale Hygiene-Ausstellung19113/27/2007 0:00:000CSUFGermanyDresdenHealth and hygiene,Germany1911
799Dresdner Geschichtsverein e.V., ed. "Große Ausstellungen um 1900 und in den zwanziger Jahren." Dresdner Hefte: Beiträge zur Kulturgeschichte 18:63 (2000).Internationale Hygiene-Ausstellung19113/27/2007 0:00:000CSUFGermanyDresdenArchitecture,Business --Trade -- Commerce,Exh1911
800Münch, Ragnhild. "Von der Hygiene-Ausstellung zum Hygiene-Museum." Acta Medico-Historica Rigensia 1:20 (1992): 74-96.ArticlesInternationale Hygiene-Ausstellung19113/27/2007 0:00:000CSUFGermanyDresdenExhibitions - industrial and trade,Exhibition1911
801Nikolow, Sybilla. "Der statistische Blick auf Krankheit und Gesundheit: Kurvenlandschaften in Gesundheitsausstellungen am Beginn des 20. Jahrhunderts in Deutschland." Infografiken, Medien, Normalisierung: Zur Kartografie politisch-sozialer Landschaften. Ute Gerhard, Jürgen Linke, and Ernst Schulte-Holtey, eds. Heidelberg: Synchron, 2001: 223-241.Internationale Hygiene-Ausstellung19113/27/2007 0:00:000CSUFGermanyDresdenExhibitions - industrial and trade,Exhibition1911
802Poser, Stefan. Museum der Gefahren: Die gesellschaftliche Bedeutung der Sicherheitstechnik. Das Beispiel der Hygiene-Ausstellungen und Museen für Arbeitsschutz in Wien, Berlin und Dresden um die Jahrhundertwende. Münster: Waxmann, 1998.Internationale Hygiene-Ausstellung19113/27/2007 0:00:000CSUFGermanyDresdenHealth and hygiene,Labor,Museums,Germany1911
803Sauerteig, Lutz. "Lust und Abschreckung: Moulagen in der Geschlechtskrankheitenaufklärung." Medizin, Geschichte und Gesellschaft 11 (1992): 89-105.ArticlesInternationale Hygiene-Ausstellung19113/27/2007 0:00:000CSUFGermanyDresdenHealth and hygiene,Germany1911
804Stöckel, Sigrid. "Die große Ausstellung über GEsundheitspflege, SOzialfürsorge und LEIbesübungen - GESOLEI - 1926 in Düsseldorf." Ideologie der Objekte - Objekte der Ideologie: Naturwissenschaft, Medizin und Technik in Museen des 20. Jahrhunderts. Vorträge von der 73. Jahrestagung in Mannheim 2.-5. Oktober 1990. Vorstand der Deutschen Gesellschaft für Geschichte der Medizin, Naturwissenschaft und Technik e.V., ed. Kassel: G. Wenderoth, 1991: 31-38.ArticlesGESOLEI19263/27/2007 0:00:000CSUFGermanyDüsseldorfExhibitions - industrial and trade,Exhibition1926
805Wiener, Jürgen, ed. Die Gesolei und die Düsseldorfer Architektur der 20er Jahre. Köln: Bachem, 2001.GESOLEI19263/27/2007 0:00:000CSUFGermanyDüsseldorfArchitects -- Architecture,Exhibitions - ind1926
806Schaible, Gunter. "Sozial- und Hygieneausstellungen: Objektpräsentation im Industrialisierungsprozeß Deutschlands." Ph.D. Dissertation: Universität Tübingen, 1998.Internationale Hygiene-Ausstellung19303/27/2007 0:00:000CSUFGermanyDresdenExhibitions - industrial and trade,Exhibition1930
807Schubert, Ulrich. "Vorgeschichte und Geschichte des Deutschen Hygiene-Museums in Dresden (1871-1931)." Dissertation: Universität Dresden, 1986.Internationale Hygiene-Ausstellung19303/27/2007 0:00:000CSUFGermanyDresdenHealth and hygiene,Museums,Germany1930
808Schulte, Sabine. "Das Deutsche Hygiene-Museum in Dresden von Wilhelm Kreis: Biographie eines Museums der Weimarer Republik." Ph.D. Dissertation: Rheinische Friedrichs-Wilhelms-Universität zu Bonn, 2001.Internationale Hygiene-Ausstellung19303/27/2007 0:00:000CSUFGermanyDresdenBusiness --Trade -- Commerce,Health and hygie1930
809Schäfers, Stefanie. Vom Werkbund zum Vierjahresplan: Die Ausstellung "Schaffendes Volk", Düsseldorf 1937. Düsseldorf: Droste, 2001.Reichsausstellung Schaffendes Volk19373/27/2007 0:00:000CSUFGermanyDüsseldorfArchitecture,Buildings and pavilions,Exhibiti1937
810Schutts, Jeff R. "Coca-Colonization, Refreshing Americanization, or Nazi Volksgetränk? The History of Coca-Cola in Germany 1929-1961." 2 vols. Ph.D. Dissertation: Georgetown University, 2003, 282-295.Theses/DissertationsReichsausstellung Schaffendes Volk19373/27/2007 0:00:000CSUFGermanyDüsseldorfBusiness --Trade -- Commerce,Exhibitions - in1937
811Starek, Stefan. "Architektur auf der Reichsausstellung Schaffendes Volk Düsseldorf 1937." Moderne und Nationalsozialismus: Vorträge des interdisziplinären Arbeitskreises zur Erforschung der Moderne im Rheinland. Dieter Breuer and Gertrude Cepl-Kaufmann, eds. Paderborn: Schöningh, 1997: 501-524.ArticlesReichsausstellung Schaffendes Volk19373/27/2007 0:00:000CSUFGermanyDüsseldorfArchitects -- Architecture,Exhibitions - ind1937
812Anderton, Paul. “Staffordshire and the Setting Up of the Great Exhibition 1851.“ Staffordshire Studies 9 (1997): 35-68.ArticlesGreat Exhibition of the Works of Industry of 185111/15/2007 0:00:001CSUFEnglandLondon1851
813Anthony, Joseph. Joseph Paxton: An Illustrated Life of Sir Joseph Paxton, 1803-1865. Princes Risborough, Buckinghamshire: Shire Publications, 1992.Books/MonographsGreat Exhibition of the Works of Industry of 185111/15/2007 0:00:001CSUFEnglandLondon1851
814Atterbury, Paul. “The Court of a Master: Pugin’s Design of the Medieval Court at the Great Exhibition in 1851 Inspired the Gothic Revival.“ Perspectives on Architecture 1:3 (June 1994): 34-36.ArticlesGreat Exhibition of the Works of Industry of 185111/15/2007 0:00:001CSUFEnglandLondon1851
815Auerbach, Jeffrey A. “The Great Exhibition and Historical Memory.“ Journal of Victorian Culture 6:1 (Spring 2001): 89-112.ArticlesGreat Exhibition of the Works of Industry of 185111/15/2007 0:00:001CSUFEnglandLondon1851
816Bailey, Sydney D. “Parliament and the 1851 Exhibition.“ Parliamentary Affairs 4 (1950/51): 311-324.ArticlesGreat Exhibition of the Works of Industry of 185111/15/2007 0:00:001CSUFEnglandLondon1851
817Beaver, Patrick. The Crystal Palace, 1851-1936: A Portrait of Victorian Enterprise. London: Hugh Evelyn, 1970.Books/MonographsGreat Exhibition of the Works of Industry of 185111/15/2007 0:00:001CSUFEnglandLondon1851
818Beazley, Elizabeth. “Recreation Centre, Crystal Palace, London.“ Architectural Review 136 (1964): 257-264.ArticlesGreat Exhibition of the Works of Industry of 185111/15/2007 0:00:001CSUFEnglandLondon1851
819Benedict, Burton. “America at the First World’s Fair.“ World’s Fair 5:4 (Fall 1985): 14-16.ArticlesGreat Exhibition of the Works of Industry of 185111/15/2007 0:00:001CSUFEnglandLondon1851
820Bennett, Jim. Science at the Great Exhibition. Cambridge: Whipple Museum of the History of Science, 1983.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
821Billinge, Mark. “Trading History, Reclaiming the Past: The Crystal Palace as Icon.“ Selling Places: The City as Cultural Capital, Past and Present. Gerry Kearns and Chris Philo, eds. Oxford: Pergamon Press, 1993: 103-131.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
822Bird, Anthony. Paxton’s Palace. London: Cassell, 1976.Books/MonographsGreat Exhibition of the Works of Industry of 185111/15/2007 0:00:001CSUFEnglandLondon1851
823Bollenbeck, Georg. “Industrialisierung und ästhetische Wahrnehmung: Bemerkungen zur Weltausstellung London 1851.“ Fortschrittsglaube und Dekadenzbewußtsein im Europa des 19. Jahrhunderts: Literatur, Kunst, Kulturgeschichte.. Wolfgang Drost, ed. Heidelberg: C. Winter, 1986: 289-298.Books/MonographsGreat Exhibition of the Works of Industry of 185111/15/2007 0:00:000CSUFEnglandLondon1851
824Bonython, Elizabeth and Anthony Burton. The Great Exhibitor: The Life and Work of Henry Cole. London: V & A Publications, 2003.Books/MonographsGreat Exhibition of the Works of Industry of 185111/15/2007 0:00:001CSUFEnglandLondon1851
825Bonython, Elizabeth. “The Planning of the Great Exhibition of 1851.“ Journal of the Royal Society of Arts 143:5459 (May 1995): 45-48.ArticlesGreat Exhibition of the Works of Industry of 185111/15/2007 0:00:001CSUFEnglandLondon1851
826Briggs, Asa. “The Crystal Palace and the Men of 1851.“ Asa Briggs: Victorian People. Harmondsworth: Penguin, 1965: 23-59.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
827Brino, Giovanni. Crystal Palace: cronaca di un’avventura progettuale. Genova: Sagep, 1995.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
828Chadwick, George F. The Works of Joseph Paxton, 1803-1865. London: Architectural Press, 1961.Books/MonographsGreat Exhibition of the Works of Industry of 185111/15/2007 0:00:001CSUFEnglandLondon1851
829Checkland, Olive. “The Great Exhibition as a Cultural Bridge.“ Olive Checkland: Japan and Britain after 1859: Creating Cultural Bridges. New York: RoutledgeCurzon, 2003: 14-28.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
830Corfe, Tom. The Great Exhibition. London: Cambridge University Press, 1979.Books/MonographsGreat Exhibition of the Works of Industry of 185111/15/2007 0:00:001CSUFEnglandLondon1851
831Crystal Palace: The Structure, Its Antecedents and Its Immediate Progeny. Northampton, MA: Smith College, 1976.Books/MonographsGreat Exhibition of the Works of Industry of 185111/15/2007 0:00:001CSUFEnglandLondon1851
832Cunliffe, Marcus. “America at the Great Exhibition of 1851.“ American Quarterly 3:2 (Summer 1951): 115-126.ArticlesGreat Exhibition of the Works of Industry of 185111/15/2007 0:00:001CSUFEnglandLondon1851
833Dalzell, Robert F. American Participation in the Great Exhibition of 1851. Amherst, MA: Amherst College Press, 1960.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
834De Maré, Eric Samuel. London 1851: The Year of the Great Exhibition. London: Folio Society, 1972.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
835Dodds, John Wendell. The Age of Paradox: A Biography of England, 1841-1851. London: V. Gollancz, 1953.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
836Doyle, Peter and Eric Robinson. "The Victorian Geological Illustrations of Crystal Palace Park." Proceedings of the Geologists’ Association 104:3 (1993): 181-194.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
837Edwards, Alison and Keith Wyncoll, eds. “The Crystal Palace Is on Fire!” Memories of the 30th November 1936. London: Crystal Palace Foundation, 1986.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
838Fay, Charles Ryle. Palace of Industry, 1851: A Study of the Great Exhibition and Its Fruits. Cambridge: Cambridge University Press, 1951.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
839Ffrench, Yvonne. The Great Exhibition, 1851. London: Harvill Press, 1950.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
840Friemert, Chup. Die gläserne Arche: Kristallpalast London 1851 und 1854. München: Prestel, 1984.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
841Fulford, Roger. "The Prince Consort, Victorian Philosopher: 1851, His Vision of Industry and Art." Architectural Review 109:653 (1951): 274-278.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
842Gaskell, S. Martin. Model Housing: From the Great Exhibition to the Festival of Britain. London: Mansell, 1984.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
843Gibbs-Smith, C.H. “The Great Exhibition of 1851.“ Architect and Building News 197 (17 February 1950): 170-172.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
844Gibbs-Smith, C.H. The Great Exhibition of 1851. 2d ed. London: H.M.S.O, 1981.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
845Gibbs-Smith, C.H. The Great Exhibition of 1851: A Commemorative Album. London: H.M.S.O, 1950.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
846Green, Charlotte Krack. “The Great Exhibition of 1851 and the Mid-Century Works of Dickens, Kingsley, and Carlyle.“ Ph.D. Dissertation: Ohio State University, 1978.Theses/DissertationsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
847Haltern, Utz. Die Londoner Weltausstellung von 1851: Ein Beitrag zur Geschichte der bürgerlich-industriellen Gesellschaft im 19. Jahrhundert. Münster: Aschendorff, 1971.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
848Haltern, Utz. "The Society of Arts and Some International Aspects of the Great Exhibition of 1851, Part 1." Journal of the Royal Society of Arts 116:5142 (May 1968): 539-542.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
849Haltern, Utz. “The Society of Arts and Some International Aspects of the Great Exhibition of 1851, Part 2.“ Journal of the Royal Society of Arts 116:5143 (June 1968): 620-622.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
850Heller, Alfred. “London: In Search of the Crystal Palace.“ World’s Fair 7:1 (Winter 1987): 10-12.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
851Hix, John. “The Crystal Palace and After.“ John Hix: The Glasshouse. London: Phaidon, 1996: 176-213. Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
852Hobhouse, Christopher. 1851 and the Crystal Palace: Being an Account of the Great Exhibition and Its Contents; of Sir Joseph Paxton; and of the Erection, the Subsequent History and the Destruction of His Masterpiece. New York: E.P. Dutton, 1937.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
853Hobhouse, Hermione. “The Legacy of the Great Exhibition.“ Journal of the Royal Society of Arts 143:5459 (1995): 48-52.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
854Hobhouse, Hermione. “Prinz Albert und die Weltausstellung von 1851.“ Victoria & Albert, Vicky & The Kaiser: Ein Kapitel deutsch-englischer Familiengeschichte. Wilfried Rogasch, ed. Ostfildern-Ruit: G. Hatje, 1997: 87-98.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
855Howarth, Patrick. The Year Is 1851. London: Collins, 1951. Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
856Howarth, Patrick. The Year Is 1851. London: White Lion, 1975.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
857Hughes Thomas Parke. “Industry through the Crystal Palace: A Study of the Great Exhibition Held in London, 1851.“ Ph.D. Dissertation: University of Virginia, 1953.Theses/DissertationsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
858Hyde, Ralph. “A ’Handy’ Map.“ Map Collector 35 (June 1896): 47.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
859Johansen, S. “The Great Exhibition of 1851: A Precipice in Time?“ Victorian Review 22:1 (Summer 1996): 59-64.ArticlesGreat Exhibition of the Works of Industry of 18514/9/2007 0:00:000CSUFEnglandLondon1851
860Keeler, N.B. “Illustrating the Reports by the Juries of the Great Exhibition of 1851: Talbot, Henneman, and Their Failed Commission.“ History of Photography 6:3 (1982): 257-272.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
861Kesteven, G.R. 1851: Britain Shows the World. London: Chatto & Windus, 1968.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
862Kihlstedt, Folke T. “The Crystal Palace.“ Scientific American 251:4 (October 1984): 132-143.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
863King, Edmund. “The Great Exhibition in Hyde Park and Its Publications.“ Journal of the Royal Society of Arts 144:5475 (December 1996): 58-62.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
864Kiss, Ken, Steven K. Jones and Angus Buchanan. “Brunel and the Crystal Palace.“ Industrial Archaeology Review 17:1 (Autumn 1994): 7-21.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
865Landon, P. “Great Exhibitions: Representations of the Crystal Palace in Mayhew, Dickens, and Dostoevsky.“ Nineteenth-Century Contexts 20 (1997): 27-59. ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
866Langdon-Davies, John. The Great Exhibition 1851: A Collection of Documents. London: J. Cape, 1968.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
867Lehmkuhl, Ursula. “Una mietitrice come catalizzatore: la Great Exhibition del 1851 e la costruzione sociale della relazione speciale anglo-americana.“ Esposizioni in Europa tra Otto e Novecento: Spazi, organizzazione, rappresentazioni. Alexander C.T. Geppert and Massimo Baioni, eds. Milano: FrancoAngeli, 2004 [Special issue of Memoria e Ricerca: Rivista di storia contemporanea] 17 (settembre-dicembre 2004): 141-164.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
868Lieberman, Ralph. “The Crystal Palace: A Late Twentieth-Century View of Its Changing Place in Architectural History and Criticism.“ AA Files 12 (Summer 1986): 46-58.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
869Lubbock, Jules. “Design Reform and the Great Exhibition.“ Jules Lubbock: The Tyranny of Taste: The Politics of Architecture and Design in Britain 1550-1960. New Haven, CT: Yale University Press, 1995: 248-270.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
870Luckhurst, Kenneth W. “The Great Exhibition of 1851: Three Cantor Lectures.“ Journal of the Royal Society of Arts (20 April 1951): 413-456.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
871Lutchmansingh, Larry D. “Commodity Exhibitionism at the London Great Exhibition of 1851.“ Annals of Scholarship 7:2 (1990): 203-216.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
872Lyon, T. Edgar. “In Praise of Babylon: Church Leadership at the 1851 Great Exhibition in London." Journal of Mormon History 14 (1988): 49-61.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
873MacTaggart, Peter and Ann MacTaggart, eds. Musical Instruments in the 1851 Exhibition: A Transcription of the Entries of Musical Interest from the Official Illustrated Catalogue of the Great Exhibition of the Art and Industry of All Nations, with Additional Material from Contemporary Sources. Welwyn: Mac & Me, 1986.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
874Marny, Dominique. Crystal Palace. Paris: Trévise, 1985.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
875Marny, Dominique. Crystal Palace. Paris: Librairie générale française, 1986.MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
876McCarthy, Steve. The Crystal Palace Dinosaurs: The Story of the World’s First Prehistoric Sculptures. London: Crystal Palace Foundation, 1994.Books/MonographsGreat Exhibition of the Works of Industry of 185111/15/2007 0:00:001CSUFEnglandLondon1851
877McKean, John. Crystal Palace: Joseph Paxton and Charles Fox. London: Phaidon Press, 1994.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
878McKendry, V. “Hegemony at Home: Queen Victoria and the Great Exhibition of 1851: The Queen, the Press, and the Visual Rhetoric of Familial Love.“ Nineteenth Century Prose 24:1 (1997): 89-104.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
879Mersmann, Arndt. "A true test and a living picture": Repräsentationen der Londoner Weltausstellung von 1851. Trier: WVT, 2001.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
880Morris, R. J. “Leeds and the Crystal Palace.“ Victorian Studies 13 (March 1970): 283-300.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
881Musgrave, Michael. The Musical Life of the Crystal Palace. Cambridge: Cambridge University Press, 1995.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
882Pelli, Cesar. “Joseph Paxton’s Crystal Palace.“ Architecture and Urbanism 2:113 (February 1980): 3-14.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
883Petroski, Henry. “The Amazing Crystal Palace.“ Technology Review 86:5 (July 1983): 18-28.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
884Pevsner, Nikolaus. High Victorian Design: A Study of the Exhibits of 1851. London: Architectural Press, 1951.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
885Piggott, Jan R. The Crystal Palace at Sydenham and the Architectural Courts. London: Dulwich College, 1987.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
886Pike, Edgar Royston. Human Documents of the Victorian Golden Age (1850-1875). London: Allen & Unwin, 1967.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
887Purbrick, Louise. “Crystal Palace Revisited, Once Again.“ Art History 15 (March 1992): 116-119.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
888Purbrick, Louise. “The South Kensington Museum: The Building of the House of Henry Cole.“ Art Apart: Art Institutions and Ideology across England and North America. Marcia Pointon, ed. Manchester: Manchester University Press, 1994: 69-86.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
889Reed, Nicholas. Camille Pissarro at Crystal Palace: A Tour of the Crystal Palace Area, to Include All Seventeen of the Viewpoints Painted by Camille Pissarro in 1870-71. London: Lilburne Press, 1993.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
890Reeves, Graham. Palace of the People. London 1986.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
891Richards, Thomas. The Commodity Culture of Victorian England: Advertising and Spectacle, 1851-1941. Stanford, CA: Stanford University Press, 1990.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
892Richards, Thomas. The Commodity Culture of Victorian England: Advertising and Spectacle, 1851-1941. London: Verso, 1991.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
893Schultz, Heiner. “Angst-Gefühl-Versicherung: Ein Versuch über Folgen der Industrialisierung für das Bewusstsein im 19. Jahrhundert.“ Kursbuch 61 (Oktober 1980): 95-117.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
894Scott, Pat, Alison Edwards and Eileen Pulfer, eds. The Perfect Playground: Childhood Memories of the Crystal Palace. London: Crystal Palace Foundation, 1990.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
895Short, Audrey. “The Great Exhibition of 1851.“ Ph.D. Dissertation: University of Cincinnati, 1968.Theses/DissertationsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
896Short, Audrey. “Workers under Glass in 1851.“ Victorian Studies 10 (1966-67): 193-202.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
897Sparling, Tobin Andrews. The Great Exhibition: A Question of Taste. New Haven, CT: Yale Center for British Art, 1982.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
898Tarshis, D.K. “The Koh-i-Noor Diamond and Its Glass Replica at the Crystal-Palace Exhibition.“ Journal of Glass Studies 42 (2000): 133-143.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
899Timmons, G. “Science and Science Education in Schools after the Great Exhibition.“ Endeavour 25:3 (2001): 109-120.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
900Toulouse, Gilbert. Crystal Palace. Paris: Belfond, 1980.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
901Towndrow, Kenneth Romney. Alfred Stevens, Architectural Sculptor, Painter, and Designer. London: Constable, 1939.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
902Trippi, Peter. “Industrial Arts and the Exhibition Ideal.“ A Grand Design: The Art of the Victoria and Albert Museum. Malcolm Baker and Brenda Richardson, eds. New York: Harry N. Abrams; Baltimore: Baltimore Museum of Art, 1997: 78-88, 397-398. Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
903van Voorst tot Voorst, J.M.W. “Nederland op de Wereldtentoonstelling van 1851 te Londen.“ Nederlands kunsthistorisch jaarboek/Netherlands Yearbook for History of Art 31 (1980): 475-492.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
904Wagner, Monika. “Vom Ewigen und Flüchtigen zum ewig Flüchtigen: Die erste Londoner Weltausstellung als Wahrnehmungsproblem.“ Nachmärz: Der Ursprung der ästhetischen Moderne in einer nachrevolutionären Konstellation. Thomas Koebner and Sigrid Weigel, eds. Opladen: Westdeutscher Verlag, 1996: 209-229.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
905Walton, Whitney. France at the Crystal Palace: Bourgeois Taste and Artisan Manufacture in the Nineteenth Century. Berkeley: University of California Press, 1992.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
906Ware, Michael E. Historic Fairground Scenes. Buxton: Moorland, 1977.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
907Wedgwood, Alexandra. “The Mediaeval Court.“ Pugin: A Gothic Passion. Paul Atterbury and Clive Wainwright, eds. New Haven, CT: Yale University Press, 1994 237-245.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
908Werner, Ernst. Der Kristallpalast zu London 1851. Düsseldorf: Werner-Verlag, 1970.Books/MonographsGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
909Wihl, Gary. "Neither a Palace nor of Crystal: Ruskin and the Architecture of the Great Exhibition." Architectura-Zeitschrift fur Geschichte der Baukunst 13:2 (1983): 187-202ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
910Yagou, Artemis. “Facing the West: Greece in the Great Exhibition of 1851.“ Design Issues 19:4 (2003): 82-90.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
911Young, Paul. “The Great Exhibition of 1851: Making Sense of the World?“ Ph.D. Dissertation: University of Manchester, 2002.Theses/DissertationsGreat Exhibition of the Works of Industry of 18514/9/2007 0:00:000CSUFEnglandLondon1851
912Zaretskaia, Diana Mikhailovna. “Rossiia na Vsemirnoi vystavke 1851 goda [Russia at the 1851 Worlds Fair].“ Voprosy istorii 7 (1986): 180-185.ArticlesGreat Exhibition of the Works of Industry of 185110/9/2006 0:00:000CSUFEnglandLondon1851
913Bolchini, Piero. “L’esposizione internazionale di Londra del 1862 e l’Italia: La scelta e il trasferimento delle techniche.“ Rivista di storia economica 3:1 (febbraio 1986): 1-40.ArticlesInternational Exhibition186210/10/2006 0:00:000CSUFEnglandLondon1862
914Bradford, Betty. “The Brick Palace of 1862.“ Architectural Review 132:785 (July 1962): 15-21.ArticlesInternational Exhibition186211/15/2007 0:00:000CSUFEnglandLondon1862
915“The Exhibition Building of 1862.“ Survey of London. Vol. 38: The Museums Area of South Kensington and Westminster. London: Athlone Press, 1975: 137-147.Books/MonographsInternational Exhibition186210/10/2006 0:00:000CSUFEnglandLondon1862
916Neves, Margarida de Souza. “A ’machina’ e o indígena: O império do Brasil e a Exposição Internacional de 1862.“ Alda Heizer and Antonio Augusto Passos Videira: Ciência, civilização e império nos trópicos. Rio de Janeiro: Access, 2001.Books/MonographsInternational Exhibition186210/10/2006 0:00:000CSUFEnglandLondon1862
917Pietsch, Herbert. “Vorzeichen: Arbeiter, Bismarck, Bucher, Krupp, Lassalle, Marx bei der Weltausstellung in London 1862.“ Geschlechterverhältnisse-Sexualität. Berlin Institut für Kulturwissenschaften, 1992: 184-191.Books/MonographsInternational Exhibition186210/10/2006 0:00:000CSUFEnglandLondon1862
918Sweet, Jonathan. “Colonial Exhibition Design: The Tasmanian Timber Tower at the London International Exhibition, 1862.“ Papers and Proceedings of the Tasmanian Historical Research Association 44:4 (1997): 241-251.ArticlesInternational Exhibition186210/10/2006 0:00:000CSUFEnglandLondon1862
919Victoria and Albert Museum: The International Exhibition of 1862. London: H.M.S.O, 1962.Books/MonographsInternational Exhibition186210/10/2006 0:00:000CSUFEnglandLondon1862
920Wildman, Stephen. “The International Exhibition of 1862: The Medieval Court.“ William Morris and the Middle Ages: A Collection of Essays. Joanna Banham and Jennifer Harris, eds. Manchester: Manchester University Press, 1984: 124-147.Books/MonographsInternational Exhibition186210/10/2006 0:00:000CSUFEnglandLondon1862
921Wildman, Stephen. “J.G. Crace and the Decoration of the 1862 International Exhibition.“ The Craces: Royal Decorators 1768-1899. Megan Aldrich, ed. Brighton: Murray, 1990: 146-155.Books/MonographsInternational Exhibition186210/10/2006 0:00:000CSUFEnglandLondon1862
922Wolgast, Eike. “Ein Mecklenburger auf der Londoner Weltausstellung 1862.“ Mecklenburgische Jahrbücher 108 (1991): 119-127.ArticlesInternational Exhibition186210/10/2006 0:00:000CSUFEnglandLondon1862
923Bathia, Casimir. "L’Afrique noire à Rouen: l’Exposition nationale et coloniale de 1896." Plein sud 3 (automne 1993): 24-31.ArticlesGeneral Worlds Fair Materials000011/13/2006 0:00:000CSUF0
924Bayer, Patricia. "Showcase Interiors: The Great Exhibitions." Art Deco Interiors: Decoration and Design Classics of the 1920s and 1930s. Patricia Bayer, ed. Boston, MA: Little, Brown and Co., 1990: 26-45.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
925Bloch, Jean-Jacques and Marianne Delort. Quand Paris allait “à l’Expo.”. Paris: Fayard, 1980.Books/MonographsGeneral Worlds Fair Materials000011/13/2006 0:00:000CSUF0
926Boschke, Friedrich. "Gästebuch der Weltausstellung Paris 1900." Naturwissenschaftliche Rundschau 38:6 (1985): 237-240.ArticlesGeneral Worlds Fair Materials000011/13/2006 0:00:000CSUF0
927Carre, Patrice A. "Expositions et modernité: Electricité et communication dans les expositions parisiennes de 1867 à 1900." Romantisme 65:3 (1989): 37-48.ArticlesGeneral Worlds Fair Materials000011/13/2006 0:00:000CSUF0
928Chaperon, Danielle. "Le Cinématographie astronomique. Camille Flammarion: un parcours de 1864 à 1898." Association française de recherche sur l’histoire du cinéma 18 (été 1995): 53-69.ArticlesGeneral Worlds Fair Materials000011/13/2006 0:00:000CSUF0
929Delulle, Jacques. "La Carte postale française est-elle octogénaire ou centenaire?" Le Cartophile 5:21 (juin 1971): 4-7.ArticlesGeneral Worlds Fair Materials000011/13/2006 0:00:000CSUF0
930Démy, Adolphe. Essai historique sur les expositions universelles de Paris. Paris: Alphonse Picard, 1907.Books/MonographsGeneral Worlds Fair Materials000011/13/2006 0:00:000CSUF0
931Eidelman, Jacqueline and Terry Shinn. "The Cathedral of French Science: The Early Years of the Palais de la Découverte." Expository Science: Forms and Functions of Popularisation. Terry Shinn and Richard Whitley, eds. Dordrecht: Reidel, 1985: 195-207.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
932Les Expositions coloniales 1906-1922: Vieille Charité, novembre 1982-février 1983. Marseille: Centrale d’Achat, d’Impression et d’Edition C.B.R., 1982.Books/MonographsGeneral Worlds Fair Materials000011/13/2006 0:00:000CSUF0
933Ezra, Elizabeth Rose. "The Colonial Look: Exhibiting Empire in the 1930s." Contemporary French Civilization 19:1 (1995): 33-49.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
934Ezra, Elizabeth Rose. "Colonialism Exposed." The Colonial Unconscious: Race and Culture in Interwar France. Elizabeth Rose Ezra, ed. Ithaca, NY: Cornell University Press, 2000: 21-46.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
935Fagundes, Geraldo Meyer. "O Brasil no espelho do mundo: a economia da segunda metade do século XIX, através das exposições universais de Paris, 1867, 1878 e 1889." Dissertation: Pontifícia Universidade Católica, 1993.Theses/DissertationsGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
936Föllmi, Beat A.. "Musiques exotiques aux Expositions Universelles de Paris en 1889 et 1900." Identity and Universality/Identité et universalité [A Commemoration of 150 Years of Universal Exhibitions/Commémoration de 150 ans d’Expositions Universelles]. Volker Barth, ed. Paris: Bureau International des Expositions, 2002: 111-127.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
937Gaillard, Marc. Les Expositions universelles de 1855 à 1937. Paris: Presses Franciliennes, 2003.Books/MonographsGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
938Gallego, Julián. "1855-1900: artistas españoles en medio siglo de exposiciones universales de Paris." Revista de ideas estéticas 22:8 (1964): 297-312.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
939Golan, Romy. "At the Fairs." Modernity and Nostalgia: Art and Politics in France between the Wars. Romy Golan, ed. New Haven, CT: Yale University Press, 1995: 105-136, 193-200.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
940Gore, Keith. "Ernest Renan et l’art: autour des expositions de 1855 et 1878 à Paris." Revue d’histoire littéraire de la France 81:3 (mai-juin 1981): 391-412.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
941Hale, Dana Suzanne. "Races on Display: French Representation of the Colonial Native, 1886-1931." Ph.D. Dissertation: Brandeis University, 1998.Theses/DissertationsGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
942Hodier, Catherine, Sylviane Leprun and Michel Pierre. "Les Expositions coloniales." Images et Colonies: Iconographie et propagande coloniale sur lAfrique française de 1880 à 1962. Nicolas Blancel, Pascal Blanchard, and Laurent Gervereau, eds. Nanterre: Bibliotheque de documentation internationale contemporaine/Paris 1993: Association Connaisance de l’histoire de l’Afrique contemporaine 1993, 1993: 129-139.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
943Isaac, Maurice. Les Expositions en France et dans le régime international. Paris: Dorbon Ainé, 1928.Books/MonographsGeneral Worlds Fair Materials000011/13/2006 0:00:000CSUF0
944Isaac, Maurice. Les Expositions internationales. Paris: Librairie Larousse, 1936.Books/MonographsGeneral Worlds Fair Materials000011/13/2006 0:00:000CSUF0
945Isay, Raymond. Panorama des expositions universelles. Paris: Gallimard, 1937.Books/MonographsGeneral Worlds Fair Materials000011/13/2006 0:00:000CSUF0
946Jullian, René. Histoire de l’architecture en France de 1889 à nos jours: un siècle de modernité Paris: Philippe Sers., 1984.Books/MonographsGeneral Worlds Fair Materials000011/13/2006 0:00:000CSUF0
947Kaiser, Wolfram. "Vive la France! Vive la République? The Cultural Construction of French Identity at the World Exhibitions in Paris, 1855-1900." National Identities 1:3 (1999): 227-244.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
948Kent, Conrad and Dennis Prindle. Park Güell . New York, NY: Princeton Architectural Press, 1993.Books/MonographsGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
949Laffey, John F. "Municipal Imperialism in Nineteenth Century France." Historical Reflections/Réflexions Historique 1:1 (June 1974): 81-114.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
950Leprun, Sylviane. Le Théâtre des colonies: Scénographie, acteurs et discours de l’imaginaire dans les expositions, 1855-1937. Paris: L’Harmattan, 1986.Books/MonographsGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
951Lorian, André. "Variétés: les expositions de l’industrie française à Paris 1798-1806." Revue de l’Institut Napoléon 108 (1968): 125-130.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
952Lüsebrink, Hans-Jürgen. "Geschichtskultur im (post)kolonialen Kontext: Zur Genese nationaler Identifikationsfiguren im frankophonen Westafrika." Identitäten. Aleida Assmann and Heidrun Friese, eds. Frankfurt am Main: Suhrkamp, 1998: 401-426.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
953Mahaux-Pelletier, Monique. "L’Œuvre civilisatrice des puissances européennes vue à travers les expositions coloniales internationales et nationales en France de 1906 à 1931." Rapport pour le Diplôme: l’Institut National des Techniques de la Documentation, Conservatoire National des Arts et Métiers, 1963.Theses/DissertationsGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
954Mainardi, Patricia. Art and Politics of the Second Empire: The Universal Expositions of 1855 and 1867. New Haven, CT: Yale University Press, 1987.Books/MonographsGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
955Mainardi, Patricia. "The Double Exhibition in Nineteenth-Century France." Art Journal 48:1 (1989): 23-28.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
956Martayan, Elsa. "L’Ephémère dans la ville: Paris et les expositions universelles." Revue de l’économie sociale (1990): 39-49.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
957Martayan, Elsa. "Les Rapports entre l’Etat et la Ville de Paris, au début de la Troisième République les emplacements des expositions universelles." La Revue de l’économie sociale 13 (janvier 1988): 55-59.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
958McGarry, P. "Henri Rousseau and the Expositions Universelles." Word & Image 18:1 (January-March 2002): 28-30.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
959Müller-Scheessel, Nils. "Fair Prehistory: Archaeological Exhibits at French Expositions Universelles." Antiquity 75:288 (June 2001): 391-401.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
960Ogle, Vanessa. "Die Repräsentation französischer Kolonien auf den Pariser Weltausstellungen von 1889 und 1900." M.A. Thesis: Technische Universität Berlin, 2003.Theses/DissertationsGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
961Ogle, Vanessa. “La colonizzazione del tempo: rappresentazioni delle colonie francesi alle sposizioni universali di Parigi del 1889 e del 1900.” Esposizioni in Europa tra Otto e Novecento: Spazi, organizzazione, rappresentazioni. Alexander C.T. Geppert and Massimo Baioni, eds. Milano: FrancoAngeli, 2004 [Special issue of Memoria e Ricerca: Rivista di storia contemporanea 17 (settembre-dicembre 2004)]: 191-209.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
962Ogle, Vanessa. "Die Kolonisierung der Zeit: Repräsentationen französischer Kolonien auf den Pariser Weltausstellungen von 1889 und 1900." Historische Anthropologie 13:3 (2005): 376-395.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
963Ory, Pascal. Les Expositions universelles de Paris: panorama raisonné. Paris: Ramsay, 1982.Books/MonographsGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
964Palermo, Lynn E. "Modernity and Its Discontents: Cultural Debates in Interwar France." Ph.D. Dissertation: Pennsylvania State University, 2003.Theses/DissertationsGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
965Plato, Alice von. "Die Majestät der Geschichte vor einem Millionenpublikum: Geschichtsdarstellungen auf den Pariser Weltausstellungen des 19. Jahrhunderts." Werkstatt Geschichte 8:23 (1999): 39-60.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
966Plato, Alice von. Präsentierte Geschichte: Ausstellungskultur und Massenpublikum im Frankreich des 19. Jahrhunderts. Frankfurt am Main: Campus, 2001.Books/MonographsGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
967Raser, Timothy. "The Politics of Art Criticism: Baudelaire’s Exposition universelle." Nineteenth-Century French Studies 26:3-4 (Spring/Summer 1998): 336-345.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
968Rasmussen, Anne. "Les Congrès internationaux liés aux expositions universelles de Paris (1867-1900)." Mil neuf cent 7 (1989): 23-44.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
969Razac, Olivier. LEcran et le zoo: spectacle et domestication, des expositions coloniales à Loft Story. Paris: Denoël, 2002.Books/MonographsGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
970Rearick, Charles. "Festivals in Modern France: The Experience of the Third Republic." Journal of Contemporary History 12 (1977): 435-460.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
971Rearick, Charles. The French in Love and War: Popular Culture in the Era of the Two World Wars. New Haven, CT: Yale University Press, 1997.Books/MonographsGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
972Rearick, Charles. Pleasures of the Belle Epoque: Entertainment & Festivity in Turn-of-the-Century France. New Haven, CT: Yale University Press, 1985.Books/MonographsGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
973Rideau, Véronique. "Les écrivains et les Expositions Universelles de Paris." Ph.D. Dissertation: European University Institute, Florence, 1998.Theses/DissertationsGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
974Robichon, François. "Béton en représentation; les expositions universelles de Paris au XIX siècle." Moments historiques 140 (août-septembre 1985): 34-39.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
975Ruedin, Pascal. "Les Expositions universelles de Paris et lencouragement national des beaux arts en Suisse entre 1855 et 1889." Etudes de lettres 3-4 (1999): 275-284.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
976Tamir, M. Les Expositions internationales à travers les âges. Paris: Galerie Jeanne Bucher, 1939.Books/MonographsGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
977Thuillier, Jacques. "Paris et ses expositions." Revue de l’art 110 (1995): 5-8.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
978Tolini Finamore, Michelle. "Fashioning the Colonial at the Paris Expositions, 1925 and 1931." Fashion Theory: The Journal of Dress, Body & Culture 7:3 (2002): 345-360.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
979Truesdell, Matthew. Spectacular Politics: Louis-Napoleon Bonaparte and the Fête Impériale, 1849-1870. New York, NY: Oxford University Press, 1997.Books/MonographsGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
980Verger-Fèvre, Marie-Noël. "Présentation des objets de Côte d’Ivoire dans les expositions universelles et coloniales de 1878 à 1937." L’Ecrit-voir 6 (1985): 11-20.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
981Vigato, Jean-Claude. "Die Architektur der französischen Kolonialausstellungen/The Architecture of the Colonial Exhibitions in France." Daidalos (15 March 1986): 24-37.ArticlesGeneral Worlds Fair Materials000011/14/2006 0:00:000CSUF0
982Williams, Rosalind H. Dream Worlds: Mass Consumption in Late Nineteenth Century France. Berkeley, CA: University of California Press, 1982.Books/MonographsGeneral Worlds Fair MaterialsIndustry -- Business -- Trade 00008/21/2007 0:00:000CSUFBusiness --Trade - Commerce,Consumerism -- Co0
983Broome, R. “Windows on Other Worlds: The Rise and Fall of Sideshow Alley.” Australian Historical Studies 30:112 (1999): 1-22.ArticlesGeneral Worlds Fair MaterialsEntertainment and spectacles 00008/24/2007 0:00:000CSUF0
984Dunstan, David, ed. Victorian Icon: The Royal Exhibition Building, Melbourne. Kew, Victoria: Exhibition Trustees, 1996.Books/MonographsGeneral Worlds Fair MaterialsArts -- Architecture -- Architectural remains00008/24/2007 0:00:000CSUF0
985Orr, Kirsten. “A Force for Urbanism and National Identity: The Evolution and Impact of the Nineteenth-century Australian International Exhibitions.” Identity and Universality / Identité et universalité [A Commemoration of 150 Years of Universal Exhibitions / Commémoration de 150 ans d’Expositions Universelles]. Volker Barth, ed. Paris: Bureau International des Expositions, 2002: 37-56.ArticlesGeneral Worlds Fair MaterialsPolitics and national identity 00008/24/2007 0:00:000CSUF0
986Proudfoot, Peter, Roslyn Maguire and Robert Freestone eds. Colonial City, Global City: Sydneys International Exhibiton 1879. Darlinghurst, N.S.W.: Crossing Press, 2000.Books/MonographsInternational Exhibition1879-188011/9/2006 0:00:000CSUFAustraliaSydney
987Proudfoot, Peter. “John Young, James Barnet and the 1879 Garden Palace International Exhibition in Sydney.” Journal of the Royal Australian Historical Society 86:1 (2000): 1-22.ArticlesInternational Exhibition1879-188011/9/2006 0:00:000CSUFAustraliaSydney
988Fox, P. “Exhibition City: Melbourne and the 1880 International Exhibition.” Transition (Summer 1990): 63-71.ArticlesInternational Exhibition1880-188111/9/2006 0:00:000CSUFAustraliaMelbourne
989Parris, John and A.G.L. Shaw. “The Melbourne International Exhibition 1880-1881.” Victorian Historical Journal 4:27-30 (November 1980): 237-254.ArticlesInternational Exhibition1880-188111/9/2006 0:00:000CSUFAustraliaMelbourne
990Veit-Brause, Irmline. “German-Australian Relations at the Time of the Centennial International Exhibition, Melbourne, 1888.” Australian Journal of Politics and History 32:2 (1986): 201-216.ArticlesCentennial International Exhibition1888-188911/9/2006 0:00:000CSUFAustraliaMelbourne
991Forsthuber, Sabine. Moderne Raumkunst: Wiener Ausstellungsbauten von 1898 bis 1914. Wien: Picus, 1991.Books/MonographsGeneral Worlds Fair MaterialsArts -- Architecture -- Architectural remains00009/13/2007 0:00:000CSUF0
992Haider, Siegfried. “Die oberösterreichischen Landesausstellungen: Versuch einer Zwischenbilanz.” Mitteilungen des Instituts für Österreichische Geschichtsforschung 98:3/4 (1990): 345-364.ArticlesGeneral Worlds Fair MaterialsPolitics and national identity 00009/13/2007 0:00:000CSUF0
993Kühnel, Harry. “Die niederösterreichischen Landesausstellungen: Ursprung – Ideen – Realisierungen.” Mitteilungen des Instituts für Österreichische Geschichtsforschung 98:3/4 (1990): 273-291.ArticlesGeneral Worlds Fair MaterialsPolitics and national identity 00009/13/2007 0:00:000CSUFExhibitions - regional,Austria0
994Renisch, Franz. Wilhelm Franz Exner: 1840-1931. Wien: Technologisches Gewerbe-Museum, 1999.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00009/13/2007 0:00:000CSUF0
995Rubey, Norbert and Peter Schoenwald. Venedig in Wien: Theater- und Vergnügungsstadt der Jahrhundertwende. Wien: Carl Ueberreuter, 1996.Books/MonographsGeneral Worlds Fair MaterialsEntertainment and spectacles 00009/13/2007 0:00:000CSUF0
996Salzinger, Gerlinde. “Wilhelm Franz Exner und die Gründung des Technologischen Gewerbemuseums.” Diplomarbeit Geisteswissenschaftliche Fakultät: Universität Wien, 1991.Theses/DissertationsGeneral Worlds Fair MaterialsIndustry -- Business -- Trade 00009/13/2007 0:00:000CSUF0
997Schwarz, Werner Michael. Anthropologische Spektakel: Zur Schaustellung “exotischer” Menschen, Wien 1870-1910. Wien: Turia + Kant, 2001.Books/MonographsGeneral Worlds Fair MaterialsColonialism and imperialism 00009/13/2007 0:00:000CSUF0
998Stekl, Hannes. “Identitätsbilder in österreichischen Landesausstellungen.” Österreichische Zeitschrift für Geschichtswissenschaften 13:1 (2002): 44-87.ArticlesGeneral Worlds Fair MaterialsPolitics and national identity 00009/13/2007 0:00:000CSUF0
999Ullreich, Elisabeth. “Wilhelm Exner und die Weltausstellungen.” Diplomarbeit Geisteswissenschaftliche Fakultät: Universität Wien, 1989.Theses/DissertationsGeneral Worlds Fair MaterialsExhibition administration - organization - de00009/13/2007 0:00:000CSUF0
1000Arndt, Karl J.R. “Steigers Sammlung amerikanischer Zeitungen und Zeitschriften in der Weltausstellung zu Wien im Jahre 1873 und das internationale Echo der Presse.” Zeitschrift des Aachener Geschichtsvereins 84/85 (1977/78): 875-889.ArticlesWeltausstellung18733/27/2007 0:00:000CSUFAustriaViennaJournalism -- the Press1873
1001Baravalle, Robert. “Die Steiermark auf der Wiener Weltausstellung 1873.” Blätter für Heimatkunde 48:1 (1974): 30-35.ArticlesWeltausstellung18733/27/2007 0:00:000CSUFAustriaViennaExhibitions - regional,Folklore1873
1002Barth-Scalmani, Gunda and Margret Friedrich. “Frauen auf der Wiener Weltausstellung von 1873: Ein Blick auf die Bühne und hinter die Kulissen.” Bürgerliche Frauenkultur im 19. Jahrhundert. Brigitte Mazohl-Wallnig, ed. Wien: Böhlau, 1995: 175-232.ArticlesWeltausstellung18733/27/2007 0:00:000CSUFAustriaViennaWomen -- Feminism1873
1003Dörflinger, Johannes. “Stadtpläne von Wien und Pläne der Wiener Weltausstellung aus dem Jahr 1873.” Studien zur Wiener Geschichte: Jahrbuch des Vereins für Geschichte der Stadt Wien 47-48 (1991-92): 123-139.ArticlesWeltausstellung18733/27/2007 0:00:000CSUFAustriaViennaCartography -- Maps1873
1004Maier, Helga. “Börsenkrach und Weltausstellung in Wien: Ein Beitrag zur Geschichte der bürgerlich-liberalen Gesellschaft um das Jahr 1873.” Ph.D. Dissertation: Karl-Franzens-Universität Graz, 1973.Theses/DissertationsWeltausstellung18733/27/2007 0:00:000CSUFAustriaViennaBusiness --Trade -- Commerce1873
1005Morelli, Emilia. “Un italiano a Vienna per l’esposizione del 1873.” Römische Historische Mitteilungen 31 (1989): 531-535.ArticlesWeltausstellung18733/27/2007 0:00:000CSUFAustriaViennaVisitors,Italy1873
1006Pantzer, Peter, ed. Die Iwakura-Mission: das Logbuch des Kume Kunitake über den Besuch der japanischen Sondergesandtschaft in Deutschland, Österreich und der Schweiz im Jahre 1873. München: Iudicium, 2002: 309-343.ArticlesWeltausstellung18733/27/2007 0:00:000CSUFAustriaViennaAnthropology -- Ethnography,Ethnographic disp1873
1007Pemmer, Hans. “Die Wiener Weltausstellung 1873 in der Karikatur.” Unsere Heimat: Monatsblatt des Vereines für Landeskunde und Heimatschutz von Niederösterreich und Wien 6 (1933): 313-317.ArticlesWeltausstellung18733/27/2007 0:00:000CSUFAustriaViennaJournalism -- the Press1873
1008Pemsel, Jutta. “Die Wiener Weltausstellung von 1873 und ihre Bedeutung für die Entfaltung des Wiener Kulturlebens in der franzisko-josephinischen Epoche: Eine historische Studie.” 2 vols. Ph.D. Dissertation: Universität Wien, 1983.Theses/DissertationsWeltausstellung187311/9/2006 0:00:000CSUFAustriaVienna1873
1009Pemsel, Jutta. Die Wiener Weltausstellung von 1873: Das gründerzeitliche Wien am Wendepunkt. Wien: Böhlau, 1989.Books/MonographsWeltausstellung18733/27/2007 0:00:000CSUFAustriaViennaBusiness --Trade -- Commerce,Austria,Vienna1873
1010Plener, Peter. “Sehsüchte einer Weltausstellung - Wien 1873.” Kakanien revisited (1 October 2001): 1-5. (http://www.kakanien.ac.at/beitr/fallstudie/PPlener1.pdf).ArticlesWeltausstellung18733/27/2007 0:00:000CSUFAustriaViennaAustria,Vienna1873
1011Posch, Wilfried. “Die Weltausstellung 1873 und die Stadtentwicklung Wiens.” Bauforum 22 (1989): 109-118.ArticlesWeltausstellung18733/27/2007 0:00:000CSUFAustriaViennaArchitectural legacies -- Symbols -- Monument1873
1012Roschitz, Karlheinz. Wiener Weltausstellung 1873. Wien: J & V., 1989.Books/MonographsWeltausstellung18733/27/2007 0:00:000CSUFAustriaViennaAustria,Vienna1873
1013Seemann, Helfried. “Die Wiener Weltausstellung 1873 und ihre fotografische Dokumentation.” Fotogeschichte: Beiträge zur Geschichte und Ästhetik der Fotografie 2:4 (1982): 15-30.ArticlesWeltausstellung18733/27/2007 0:00:000CSUFAustriaViennaPhotographs -- Photography -- Photographers,A1873
1014Skramlik, Helma. “Die räumliche Entwicklung Wiens zur Zeit der Wiener Weltausstellung 1873.” Diplomarbeit Grund- und Integrativwissenschaftliche Fakultät: Universität Wien, 1992.Theses/DissertationsWeltausstellung18733/27/2007 0:00:000CSUFAustriaViennaAdministration -- Organization -- Staff,Archi1873
1015Cockx, August and J. Lemmens. Les Expositions universelles et internationales en Belgique de 1885 à 1958. Bruxelles: Editorial Office, 1958.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/24/2007 0:00:000CSUF0
1016Coomans, Thomas. Le Heysel et les expositions universelles de 1935 et 1958. Bruxelles: Solibel, 1994.Books/MonographsGeneral Worlds Fair MaterialsPolitics and national identity 00009/13/2007 0:00:000CSUF0
1017Lagae, Johan. “Tentoonstellingsarchitectuur en de mythes van de kolonie en het moederland 1930-1939.” Feit & Fictie: Tijdschrift voor de geschiedenis van de representatie 4:2 (Spring 1999): 89-106.ArticlesGeneral Worlds Fair MaterialsArts -- Architecture -- Architectural remains00008/24/2007 0:00:000CSUF0
1018Mourlon, Charles. Quelques souvenirs des expositions nationales internationales et universelles en Belgique 1920-1925. Bruxelles: Imprimerie industrielle et financiére, 1926.Books/MonographsGeneral Worlds Fair MaterialsCollectibles and memorabilia 00009/10/2007 0:00:000CSUF0
1019De panoramische droom/The Panoramic Dream: Antwerpen en de wereldtentoonstellingen/Antwerp and the World Exhibitions, 1885 - 1894 - 1930. Antwerp: Antwerpen Bouwcentrum, 1993.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/24/2007 0:00:000CSUF0
1020Sioen, Zeger. “Congo tentoongesteld: de Congolese sectie op de Belgische wereldtentoonstellingen 1885-1935, of de zoektocht naar een plaats voor de zwarte in de koloniale maatschappij.” Katholieke Universiteit Gent, 1995.ArticlesGeneral Worlds Fair MaterialsColonialism and imperialism 00008/24/2007 0:00:000CSUF0
1021Tilly, Pierre. “Du 19ème au 20ème siècle: la participation italienne aux expositions internationales en Belgique.” assegna Storica del Risorgimento 89 (2002): 155-170.ArticlesGeneral Worlds Fair MaterialsMiscellaneous00008/24/2007 0:00:000CSUF0
1022Vints, Luc. Kongo, Made in Belgium: beeld van een kolonie in film en propaganda. Leuven: Kritak, 1984.Books/MonographsGeneral Worlds Fair MaterialsColonialism and imperialism 00008/24/2007 0:00:000CSUF0
1023Wynants, Maurits. Des ducs de Brabant aux villages congolais: Tervuren et l’exposition coloniale 1897. Tervuren: Musée royal de l’Afrique centrale, 1997. Books/MonographsExposition internationale189711/9/2006 0:00:000CSUFBelgiumBrussels1897
1024Wynants, Maurits. Des ducs de Brabant aux villages congolais: Tervuren et l’exposition coloniale 1897. Tervuren: Musée royal de l’Afrique centrale, 1997. Books/MonographsExposition internationale189711/9/2006 0:00:000CSUFBelgiumBrussels1897
1025Wynants, Maurits. Van Hertogen en Kongolezen: Tervuren en de koloniale tentoonstelling 1897. Tervuren: K.M.M.A., 1997.Books/MonographsExposition internationale189711/9/2006 0:00:000CSUFBelgiumBrussels1897
1026Delhalle, Philippe. “LExposition Universelle et Internationale de Bruxelles 1935 et la participation du Congo Belge: Histoire dune métropole devant sa colonie.” Université Catholique de Louvain, 1984.Theses/DissertationsExposition universelle et internationale193511/9/2006 0:00:000CSUFBelgiumBrussels1935
1027Elkin, Noah C. “Promoting a New Brazil: National Expositions and Images of Modernity, 1861-1922.” Ph.D. Dissertation: Rutgers University, 1999.Theses/DissertationsGeneral Worlds Fair MaterialsPolitics and national identity 00008/24/2007 0:00:000CSUFExhibitions - national0
1028Neves, Margarida de Souza. “As arenas pacíficas.” Gávea: revista de história da arte e arquitetura 5 (April 1988): 28-41.ArticlesGeneral Worlds Fair MaterialsArts -- Architecture -- Architectural remains00008/24/2007 0:00:000CSUF0
1029Neves, Margarida de Souza. As vitrinas do progresso. Rio de Janeiro: Pontifícia Universidade Católica, 1986.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/24/2007 0:00:000CSUF0
1030Wadsworth, J.E. and T.L. Marko. “Children of the Patria: Representations of Childhood and Welfare State Ideologies at the 1922 Rio de Janeiro International Centennial Exposition.” Americas 58:1 (July 2001): 65-90.ArticlesExposição Internaciona1922-192311/9/2006 0:00:000CSUFBrazilRio de Janeiro
1031Breen, David Henry and Kenneth Coates eds. The Pacific National Exhibition: An Illustrated History. Vancouver: University of British Columbia Press, 1982.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/24/2007 0:00:000CSUF0
1032Breen, David Henry and Kenneth Coates. Vancouver’s Fair: An Administrative and Political History of the Pacific National Exhibition. Vancouver: University of British Columbia Press, 1982.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/24/2007 0:00:000CSUF0
1033Graham, Fern E.M. “The Crystal Palace in Canada.” Society for the Study of Architecture in Canada Bulletin 19:1 (March 1994): 4-12.ArticlesGeneral Worlds Fair MaterialsArts -- Architecture -- Architectural remains00008/24/2007 0:00:000CSUF0
1034Heaman, Elsbeth Anne. The Inglorious Arts of Peace: Exhibitions in Canadian Society during the Nineteenth Century. Toronto: University of Toronto Press, 1999.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/24/2007 0:00:000CSUF0
1035Lorimer, James. The Ex: A Picture History of the Canadian National Exhibition. Toronto: James Lewis & Samuel, 1973.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/24/2007 0:00:000CSUF0
1036Walden, Keith. Becoming Modern in Toronto: The Industrial Exhibition and the Shaping of a Late Victorian Culture. Toronto: University of Toronto Press, 1997.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/24/2007 0:00:000CSUF0
1037Godley, Michael R. “China’s World’s Fair of 1910: Lessons from a Forgotten Event.” Modern Asian Studies 12:3 (1978): 503-522.ArticlesGeneral Worlds Fair MaterialsExhibition influences - responses - impact 00008/24/2007 0:00:000CSUF0
1038Alexa, Zdenek. “Urbanistické a architektonické rešení areálu BVV -- Brno [Stadtplanerische und architektonische Lösungen des Geländes der Brünner Ausstellungsmärkte] [Urban Development and the Architecture of the Brno Fair].”Architektura CSSR 19 (1960): 152-163.ArticlesGeneral Worlds Fair MaterialsArts -- Architecture -- Architectural remains00009/10/2007 0:00:000CSUF0
1039Crhonek, Iloš. Brnenské výstavište. Výstavba areálu 1928-1968 [The Brno Fair Site: The Building of the Area, 1928-1968]. Brno: Brneske veletrhy a výstavy, 1968.Books/MonographsGeneral Worlds Fair MaterialsExhibition influences - responses - impact 00008/24/2007 0:00:000CSUF0
1040Kacer, Jaroslav. “Výstava soudobé kultury v Brne 1928 [The Exhibition of Contemporary Culture in Brno, 1928].” Bulletin Moravské galerie v Brne 49 (1993): 162-166.ArticlesGeneral Worlds Fair MaterialsMiscellaneous00008/24/2007 0:00:000CSUF0
1041Kacer, Jaroslav. “Výstava soudobé kultury v Brne 1928 [The Exhibition of Contemporary Culture in Brno, 1928].” Výtvarna kultura v Brne 1918-1938. Moravská galerie v Brne, Pražakuv palác, Husova 18. Brno, listopad 1993-únor 1994 [Fine Arts in Brno, 1918-1938. Catalogue of the Moravian Regional Fair, November 1993-February 1994]. Brno: Moravská galerie v Brne, 1993: 163-189."The Exhibition of Contemporary Culture in Brno, 1928" in Fine Arts in Brno, 1918-1938. Catalogue of the Moravian Regional Fair, November 1993-February 1994ArticlesGeneral Worlds Fair MaterialsMiscellaneous00008/24/2007 0:00:000CSUF0
1042Lawicki, Lech. “Architektura Powszechnej Wystawy Krajowej [The Architecture of the General Exhibition].” Ph.D. Dissertation: Politechnika Poznanska, 1973.Theses/DissertationsGeneral Worlds Fair MaterialsArts -- Architecture -- Architectural remains00009/13/2007 0:00:000CSUF0
1043Litewka, Piotr. “Powszechna Wystawa Krajowa (16 maja-30 wrzesnia 1929) [The General Exhibition (16 May-30 September 1929)].” Kronika Miasta Poznania: Kwartalnik poswiecony problematyce wspólczesnego Poznania 47:2 (1979): 37-53; 47:3 (1979): 2-23.ArticlesGeneral Worlds Fair MaterialsMiscellaneous00008/24/2007 0:00:000CSUF0
1044Mania, Zygmunt. “Miedzynarodowe Targi Poznanskie w rozwoju historycznym [The International Fairs and Exhibitions Held in Poznan and Their Historical Development].” Ph.D. Dissertation: Politechnika Poznanska, 1966.Theses/DissertationsGeneral Worlds Fair MaterialsMiscellaneous00008/24/2007 0:00:000CSUF0
1045Melanová, Miroslava. Liberecká výstava 1906 [The Reichenberg Exhibition of 1906] Liberec: Kalendár Liberecka, 1996.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/24/2007 0:00:000CSUF0
1046Misiewicz, T. Znaczenie Powszechnej Wystawy Krajowej w 1929 roku dla rozwoju Poznania [The Meaning of the General Exhibition of 1929 for the Development of Poznan]. Poznan: Instytut Historii UAM, 1984.Books/MonographsGeneral Worlds Fair MaterialsExhibition influences - responses - impact 00008/24/2007 0:00:000CSUF0
1047Nowakowska, Krystyna. “Architektura Miedzynarodowych Targów Poznanskich w latach 1919 1939 [The Architecture of the Poznan International Exhibitions in the Years 1919-1939].” Ph.D. Dissertation: Politechnika Poznanska, 1973.Theses/DissertationsGeneral Worlds Fair MaterialsArts -- Architecture -- Architectural remains00008/24/2007 0:00:000CSUF0
1048Pavlík, Karel and Fiala Zdenek. Menschen, Maschinen, Stadt: Erinnerungen und Betrachtungen zu den internationalen Messeveranstaltungen von Brno. Brno: Brnenské veletrhy a výstavy, 1964.Books/MonographsGeneral Worlds Fair MaterialsIndustry -- Business -- Trade 00009/13/2007 0:00:000CSUF0
1049Svoboda, Václav. Milníky veletrhu [Milestones of the Fairs]. Brno: Brnenske veletrhy a výstavy, 1983.Books/MonographsGeneral Worlds Fair MaterialsMiscellaneous00008/24/2007 0:00:000CSUF0
1050Uhlír, Dušan et al. Brno. Mesto a veletrhy [Brno: The City and the Fairs] Brno: Šifra, 1998.Books/MonographsGeneral Worlds Fair MaterialsExhibition influences - responses - impact 00008/24/2007 0:00:000CSUF0
1051Zalka, Elisabeth. “Die Deutschböhmische Ausstellung Reichenberg 1906.” Diplomarbeit: Universität Wien, 1998.Theses/DissertationsGeneral Worlds Fair MaterialsPolitics and national identity 00009/13/2007 0:00:000CSUF0
1052Fitzpatrick, Anne Lincoln. The Great Russian Fair: Nizhni Novgorod, 1840-90. New York: St. Martin’s Press, 1990.Books/MonographsNizhni Novgorod Fair18753/20/2007 0:00:001CSUFRussiaNizhi Novgorod1875
1053Shumilkin, Sergei. “Nizhni Novgorod Brings Back the Fair.” Russian Life 36:2 (Summer 1993): 12-17.ArticlesNizhni Novgorod Fair18753/20/2007 0:00:001CSUFRussiaNizhi Novgorod1875
1054Gordon, Robert J. “‘Bain’s Bushmen’: Scenes at the Empire Exhibition.” Africans on Stage: Studies in Ethnological Show Business. Bernth Lindfors, ed. Bloomington: Indiana University Press; Cape Town: David Philip, 1999: 266-289.ArticlesEmpire Exhibition1936-19373/28/2007 0:00:000CSUFSouth AfricaJohannesburgColonialism and imperialism ,Exhibitions - co
1055Rankin, Elizabeth. “Further Sculptures by Mary Steinbank and a 1936 Document on Selection for the Empire Exhibition.” South African Journal of Cultural History 3:4 (1989): 399-401.ArticlesEmpire Exhibition1936-19373/28/2007 0:00:000CSUFSouth AfricaJohannesburgArtists,Arts and artists - decorative and fin
1056Robinson, Jennifer. “(Post-)colonial Geographies at Johannesburgs Empire Exhibition, 1936.” Post-colonial Geographies. Alison Blunt and Cheryl McEwean, eds. London: Continuum, 2002: 115-131.ArticlesEmpire Exhibition1936-19373/28/2007 0:00:000CSUFSouth AfricaJohannesburgColonialism and imperialism ,Exhibitions - co
1057Sánchez Gómez, Luis Ángel. “Las exhibiciones etnológicas y coloniales decimonónicas y la Exposición de Filipinas de 1887.” Revista de dialectología y tradiciones populares 57:2 (2002): 79-104.ArticlesExposición de colonial Filipinas188711/9/2006 0:00:000CSUFSpainMadrid1887
1058Sánchez Gómez, Luis Ángel. “Indigenous Art at the Philippine Exposition of 1887 Arguments for an Ideological and Racial Battle in a Colonial Context.” Journal of the History of Collections 14:2 (2002): 283-294.ArticlesExposición de colonial Filipinas188711/9/2006 0:00:000CSUFSpainMadrid1887
1059Sánchez Gómez, Luis Ángel. “Salvajes e ilustrados: actitudes de los nacionalistas filipinos ante la Exposición de 1887.” Imperios y naciones en el Pacífico. Vol. 2: Colonialismo e identidad nacional en Filipinas y Micronesia. M. Dolores Elizalde, Josep M. Fradera and Luis Alonso eds. Madrid: Asociación Española de Estudios del Pacífico/Consejo Superior de Investigaciones Científicas, 2001: 145-172.ArticlesExposición de colonial Filipinas188711/9/2006 0:00:000CSUFSpainMadrid1887
1060Wendt, Reinhard. “‘La Exposicion general de las Islas Filipinas in Madrid 1887’: zu Intentionen und Nachwirkungen einer Kolonialausstellung.” Jahrbuch für europäische Überseegeschichte 3 (2003): 89-114.ArticlesExposición de colonial Filipinas188711/9/2006 0:00:000CSUFSpainMadrid1887
1061Andrews, Peter. “The First American Olympics.” American Heritage 39:4 (May/June 1988): 39-46.ArticlesLouisiana Purchase Exposition190411/15/2006 0:00:000CSUFUnited StatesMissouriSt. Louis1904
1062Barmann, Lawrence. “The London Times and the St. Louis World’s Fair.” Missouri Historical Review 66:1 (1971): 93-100.ArticlesLouisiana Purchase Exposition190411/15/2006 0:00:000CSUFUnited StatesMissouriSt. Louis1904
1063Bradford, Phillips Verner and Harvey Blume. Ota: The Pygmy in the Zoo. New York: St. Martin’s Press, 1992. Books/MonographsLouisiana Purchase Exposition190411/15/2006 0:00:000CSUFUnited StatesMissouriSt. Louis1904
1064Brandt, Beverly K. “‘Worthy and Carefully Selected’: American Arts and Crafts at the Louisiana Purchase Exposition.” Archives of American Art Journal 28:1 (1988): 2-16.ArticlesLouisiana Purchase Exposition190411/15/2006 0:00:000CSUFUnited StatesMissouriSt. Louis1904
1065Brown, Julie K. “Tricks and Wiles of the Underworld: Crime-fighting Technology at the World’s Fair.” Gateway Heritage 24:4 (Spring 2004): 40-47.ArticlesLouisiana Purchase Exposition190411/15/2006 0:00:000CSUFUnited StatesMissouriSt. Louis1904
1066Carlson, Lew. “Giant Patagonians and Hairy Ainu: Anthropology Days at the 1904 St. Louis Olympics.” Journal of American Culture 12 (Fall 1989): 19-26.ArticlesLouisiana Purchase Exposition190411/15/2006 0:00:000CSUFUnited StatesMissouriSt. Louis1904
1067Coats, A.W. “American Scholarship Comes of Age: The Louisiana Purchase Exposition 1904.” Journal of the History of Ideas 22:3 (July-September 1961): 404-417.ArticlesLouisiana Purchase Exposition190411/15/2006 0:00:000CSUFUnited StatesMissouriSt. Louis1904
1068Cortinovis, Irene E. “China at the St. Louis World’s Fair.” Missouri Historical Review 72 (October 1977): 59-66.ArticlesLouisiana Purchase Exposition190411/15/2006 0:00:000CSUFUnited StatesMissouriSt. Louis1904
1069Fauster, Carl U. “Libbey Cut Glass Exhibit: St. Louis World’s Fair 1904.” Journal of Glass Studies 19 (1977): 160-168.ArticlesLouisiana Purchase Exposition190411/15/2006 0:00:000CSUFUnited StatesMissouriSt. Louis1904
1070Forest, Pierre-Gerlier. “Montrer pour démontrer: le congrès des arts et des sciences de l’Exposition universelle de Saint-Louis.” Relations internationals 46 (Summer 1986): 131-152.ArticlesLouisiana Purchase Exposition190411/15/2006 0:00:000CSUFUnited StatesMissouriSt. Louis1904
1071Gøksyr, Matti. “‘One Certainly Expected a Great Deal More from the Savages’: The Anthropology Days in St. Louis, 1904, and Their Aftermath.” International Journal of the History of Sport 7:2 (September 1990): 297-306.ArticlesLouisiana Purchase Exposition190411/15/2006 0:00:000CSUFUnited StatesMissouriSt. Louis1904
1072Haines, George and Frederick H. Jackson. “A Neglected Landmark in the History of Ideas.” Mississippi Valley Historical Review 34:2 (September 1947): 201-220.ArticlesLouisiana Purchase Exposition190411/15/2006 0:00:000CSUFUnited StatesMissouriSt. Louis1904
1073Hemenway, Pamela Gayle. “Cass Gilbert’s Buildings at the Lou